Tag Archives: wasuregusa

Ise monogatari, Chapter 31

In days long past, when a man was passing a certain lady’s apartments at the palace, the lady, seeming to bear him some ill will, called out, ‘Go on, then, you creeper and see what becomes of you!’[1] The man replied:

罪もなき人をうけへば忘れ草おのが上にぞ生ふといふなる

tsumi mo naki
hito o uke’eba
wasuregusa
ono ga ue ni zo
ou to iu naru
When a sinless
Man you curse,
Forgotten, among the day-lillies
Upon you
Growing, will you be, they say!

64

Some among the women were very vexed by that.


[1] Sanjōnishi Sanetaka (1455-1537) identifies this as part of a poem from Shoku man’yōshū:

忘れゆくつらさはいかにいのちあらばよしや草葉よならむさがみむ

wasureyuku
tsurasa wa ika ni
inochi araba
yoshi ya kusaba
naramu saga mimu
To gradually forget
Your cruelty, somehow
Had I but life left,
Go on, then, you creeper, and
See what becomes of you!

Shoku man’yōshū is no longer extant, and so the accuracy of this cannot be determined (Horiuchi and Akiyama 1997, 111).

Kusaba (‘blade of grass’), which I have translated as ‘creeper’, was a slang term used to refer to an unfaithful man.

Sumiyoshi-sha uta’awase kaō ni-nen 70

Round Twenty

Left (Tie)

みのうさをわすれぐさこそきしにおふれむべすみよしとあまもいひけれ

mi no usa o
wasuregusa koso
kishi ni oure
mube sumiyoshi to
ama mo iikere
The misery of my life
I forget among the day lilies
Growing on the shore—
No wonder, Sumiyoshi is a pleasant place
Say the fisherfolk, too!

Kunisuke
139

Right

よをわたるみちをたがへてまどふかないづれのかたにゆきかくれまし

yo o wataru
michi o tagaete
madou kana
izure no kata ni
yukikakuremashi
Passing through this world
My path I have mistaken and
Lost become!
Which way should
I go to hide myself away?

Horikawa
140

The Left has the poem ‘For folk forget among the day lilies / Growing there, or so they say.’[1] in mind and its conception, drawing upon ‘The misery of my life’ is pleasant, I have to say. The Right has a charming configuration for such a poem, but its similarity to the poem by Lord Toshiyori, ‘Deep in depression on Mount Wabuka / On my path through the world / Have I mis-stepped’[2] means that I feel it sounds hackneyed, yet the final section ‘Which way should I’ and what follows, does sound moving. I should say that these tie.


[1] Composed and sent to someone he knew who had gone to Sumiyoshi. 住吉とあまはつぐともながゐすな人忘草おふといふなり sumiyoshi to / ama wa tsugu tomo / nagai su na / hito wasuregusa / ou to iu nari ‘Sumiyoshi is a pleasant place to stay, / So say the fisher-folk, yet / Do not stay there long, in Nagai; / For folk forget among the day lilies / Growing there, or so they say.’ Mibu no Tadamine (KKS XVII: 917)

[2] [One of] a hundred poem sequence on feeling regret and shame over one’s fate. わぶか山よにふるみちをふみたがへまどひつたよふ身をいかにせん wabukayama / yo ni furu michi o / fumitagae / madoitsu tayou / mi o ika ni sen ‘Deep in depression on Mount Wabuka / On my path through the world / Have I mis-stepped, and / Wandering lost, / O, what am I to do?’Minamoto no Toshiyori (Sanboku kikashū 1427)

Sumiyoshi-sha uta’awase kaō ni-nen 31

Round Six

Left (Tie)

たびねするこやのしのやのひまをなみもらぬしぐれにぬるるそでかな

tabinesuru
koya no shinoya no
hima o nami
moranu shigure ni
nururu sode kana
Dozing on my journey
In Koya, beneath dwarf-bamboo thatch,
No gaps has it, so
No drips fall from the showers, yet
Still my sleeves are soaked!

Kunisuke
61

Right

しぐれつつものぞかなしきわすれぐさまくらにむすぶきしのたびねは

shiguretsutsu
mono zo kanashiki
wasuregusa
makura ni musubu
kishi no tabine wa
In the ever-falling showers,
I am sad, indeed, so
Of forgetful day-lily
My pillow will I weave,
Napping on my travels by the coast…

Horikawa
62

The Left’s poem is not bad in configuration and diction, but I would have preferred it had it said ‘no drips fall from the showers, too, yet’. As for the Right, saying that one is napping on one’s travels on the coast at Sumiyoshi, having woven a pillow from forgetful day-lilies does, indeed, sound evocative, but it would have been more so had there been a reason for the reference to day-lilies earlier in the poem. These tie, don’t they.

Sahyōe no suke sadafumi uta’awase 20

Left (Tie)

われやうき人をこひぢになりぬればあはぬとだえに身をぞなしつる

ware ya uki
hito o koiji ni
narinureba
awanu todae ni
mi o zo nashitsuru
I, toward a heartless
Lady upon the paths of love
Did tread, but
As a broken bridge, no meeting
Has befallen me!

39

Right

ひたすらにわすれもぞするわすれぐさみずやあらましこひはしぬとも

hitasura ni
wasure mo zo suru
wasuregusa
mizu ya aramashi
koi wa shinu tomo
So completely
Am I forgotten by that
Forgetful day-lily—
She will not see me, it seems,
Though I die of love for her.

Mitsune
40

MYS IV: 727

[One of] two poems sent by Ōtomo sukune Yakamochi to the Elder Maiden of the House of Sakanoue (a love poem to say that though they had been parted for many years, he hoped they would meet again).

忘れ草我が下紐に付けたれど醜の醜草言にしありけり

wasuregusa
wa ga sitapimo ni
tuketaredo
siko no sikokusa
koto ni shi arikeri
A forgetful day-lily
To my under-belt
Is bound, yet
This annoying weed
Is so in name alone!

Ōtomo no Yakamochi
大伴家持

GSIS XIII: 737

There was a man who had been secretly conversing with a woman who had a husband. When their relationship cooled, seeing that he had little time for her, the woman sent this to him.

我宿の軒のしのぶにことよせてやがても茂るわすれ草かな

wa ga yado no
noki no sinobu ni
koto yosete
yagate mo sigeru
wasuregusa kana
At my dwelling
Ferns grow beneath the eaves
Is your excuse;
And in the end all that grows lush is
The grass of your forgetfulness!

Anonymous