Tag Archives: yado

Love VIII: 22

Left (Win)
唐国の虎臥す野邊に入るよりもまどふ戀路の末ぞあやうき

karakuni no
tora fusu nobe ni
iru yori mo
madou koiji no
sue zo ayauki
In far Cathay are
Meadows where tigers lie,
But rather than entering there,
The confusing paths of love
Are, at the end, more dangerous…

Lord Ari’ie
1063

Right
我宿は人もかれ野の淺茅原通ひし駒の跡もとゞめず

wa ga yado wa
hito mo kareno no
asajiwara
kayoishi koma no
ato mo todomezu
At my home
Is only a withered field
Of cogon grass;
The mount who once did cross it
Has left no lingering tracks…

Ietaka
1064

The Gentlemen of the Right state: how can love be dangerous? The Gentlemen of the Left state: the Right’s poem has no faults to mention.

In judgement: saying that the ‘paths of love are, at the end’ (koiji no sue) dangerous is perfectly commonplace. ‘Is only a withered field of cogon grass’ (hito mo kareno no asajiwara) seems to simply have taken the poem ‘Sedge fields lie / Around the estate of Fushimi, / All long overgrown; / He who passed across them / Has left no tracks at all…’ and swapped in ‘mount who once did cross it’ (kayoishi koma). Changing a man into a mount is discomposing, indeed. Again, the Left should win.

Love VIII: 9

Left (Tie)
何とかく結ぼほるらん君はよもあはれとだにも岩代の松

nani to kaku
musubohoruran
kimi wa yomo
aware to dani mo
iwashiro no matsu
For what should we be so
Entwined?
He simply
Thinks of me with pity,
And says nothing, O pines of Iwashiro!

Lord Kanemune
1037

Right
人戀ふる宿の櫻に風吹けば花も涙になりにけるかな

hito kouru
yado no sakura ni
kaze fukeba
hana mo namida ni
narinikeru kana
Loving him,
My dwelling’s cherry trees
Are blown by the wind,
Petals, my tears
Have become…

Nobusada
1038

The Gentlemen of the Right state: the Left’s poem has no faults to mention. The Gentlemen of the Left state: we wonder about the appropriateness of ‘petals, my tears’ (hana mo namida ni).

In judgement: the Left’s poem, with ‘he simply’ (kimi wa yomo) followed by ‘Thinks of me with pity, O pines of Iwashiro!’ (aware to dani mo iwashiro no matsu) is certainly elegant. The Right’s poem does have ‘petals, my tears’ (hana mo namida ni). It commences, ‘loving him, my dwelling’s cherry trees’ (hito kouru yado no sakura) and, when they are blown by the wind, the lady’s eyes darken with tears, and she is unable to distinguish the mass of blossom. It unclear which of the two should be winner, or loser. Thus, I shall make this a tie.

Minbukyō yukihira no uta’awase 10

Left
時鳥今宵はとまれ片岡の朝の原に帰りやせぬ

Fototogisu
koyoFi Fa tomare
katawoka no
asita no Fara ni
kaFeri ya senu
O, cuckoo
Stay here this night, and
Down the hillside
With the morning to the plain
Will you not return?

19

Right
我が宿に声な惜しみそ時鳥通ふ千里のゆきはてぞ此は

wa ga yado ni
kowe na osimi so
Fototogisu
kayoFu tisato no
yukiFate zo ko Fa
At my home
I regret not your song,
O, cuckoo,
For your thousand league
Journey’s end lies here.

20

Minbukyō yukihira no uta’awase 1

The poetry competition held at the residence of Yukihira, the Minister of Popular Affairs: Left and Right prepared tableau, among other things. The tableau were in the form of rustic dwellings. Poems were composed on these in relation to cuckoo calls.

Left (Tie) – on the form of a mountain dwelling
夏深き山里なれど時鳥声はしげくも聞えざりけり

natu Fukaki
yamazato naredo
Fototogisu
kowe Fa sigekumo
kikoezarikeri
Deep in summer
Lies this mountain hut, yet
The cuckoo
Calls lush and thick, but
I cannot hear them!

1

Right – on the form of a country house
荒れにける宿の梢は高けれど山時鳥まれに鳴くかな

arenikeru
yado no kozue wa
takakeredo
yamahototogisu
mare ni naku kana
Gone to ruin is
This house where treetops
Are tall, yet
The mountain cuckoo
Calls there but rarely!

2

GSS XVIII: 1288

When she was alone, an equiry arrived from someone as to how she was, so she attached this to a morning glory and sent it to him.

夕暮のさびしき物は朝顔の花を頼める宿にぞ有りける

yuFugure no
sabisiki mono Fa
asagaFo no
Fana wo tanomeru
yado ni zo arikeru
The evening is
So lonely:
A morning glory
Bloom alone is trustworthy
At my house!

Anonymous

GSIS IV: 300

At a time when she was living with relatives, and the bush-clover was blooming particularly beautifully, the master of the house was somewhere else and not communicating, so she sent this to him.

白露も心おきてや思ふらむぬしもたづねぬやどの秋はぎ

siratuyu mo
kokoro okite ya
omoFuramu
nusi mo tasunenu
yado no aki Fagi
Silver dewdrops
Also fall on their hearts
I feel;
As the master pays no call
On his dwelling’s autumn bush-clover.

Chikuzen Wet Nurse
筑前乳母