Tag Archives: yado

GSIS XIII: 737

There was a man who had been secretly conversing with a woman who had a husband. When their relationship cooled, seeing that he had little time for her, the woman sent this to him.

我宿の軒のしのぶにことよせてやがても茂るわすれ草かな

wa ga yado no
noki no sinobu ni
koto yosete
yagate mo sigeru
wasuregusa kana
At my dwelling
Ferns grow beneath the eaves
Is your excuse;
And in the end all that grows lush is
The grass of your forgetfulness!

Anonymous

Shunzei gosha hyakushu 77

夢路にはなれし宿見る現にて宇津の山辺の蔦ふける庵

yumeji ni wa
nareshi yado miru
utsutsu nite
utsu no yamabe no
tsuta fukeru io
Upon the path of dreams
I saw a house I used to know so well;
In reality, it is
Near to Utsu Moutain,
A hut all twined with ivy…

Fujiwara no Shunzei
藤原俊成

SIS XVII: 1141

During the Tenryaku era, when people had gathered at Ise’s house, to say that she was coming.

時雨つゝふりにし宿の言の葉は掻集むれど止らざりけり

siguretutu
Furinisi yado no
koto no Fa Fa
kakiatumuredo
tomarazarikeri
Ever does the drizzle
Fall at my home –
My leaves of words
I sweep all together, but
Never does it end.

Nakatsukasa (?912-?991)
中務

Love VI: 24

Left (Win).
深き夜の軒の雫をかぞへても猶あまりぬる袖の雨哉

fukaki yo no
noki no shizuku o
kazoetemo
nao amari nuru
sode no ame kana
Late at night,
From my eaves the droplets
I number up, but
Still much more drenching
Is the rainfall on my sleeves.

A Servant Girl.
947

Right.
雲とづる宿の軒端の夕ながめ戀よりあまる雨の音哉

kumo tozuru
yado no nokiba no
yū nagame
koi yori amaru
ame no oto kana
Closed in with cloud,
From my dwelling’s eaves
I gaze out in the evening;
Overwhelming my love
Is the sound of rain…

Nobusada.
948

The Right state: the Left’s poem has no faults. The Left state: we do not understand the Right’s poem at all.

In judgement: the Left’s poem commences with ‘late at night’ (fukaki yo no) and then continues with mention of raindrops – this sounds extremely effective. The Right’s poem, too, starts ‘closed in with cloud’ (kumo tozuru) and concludes with ‘the sound of rain’ (ame no oto kana), which sounds charming, but because the poem is said to be ‘incomprehensible’ or ‘grating on the ear’, despite being one with both a significant conception and an unusual sound, there is no reason for me to shoehorn in my own views, even if much has been overlooked, so this round I will leave it at, the Right is entirely incomprehensible and the Left without fault. Thus, the Left wins.

Love VI: 17

Left.
いつも聞く物とや人の思らむ來ぬ夕暮れの秋風の聲

itsumo kiku
mono to ya hito no
omouramu
konu yūgure no
akikaze no koe
Always do I hear
The same, is that what
He thinks?
This evening, when he has not come
Whispers the autumn wind.

A Servant Girl.
933

Right (Win).
心あらば吹かずもあらなん宵宵に人待つ宿の庭の松風

kokoro araba
fukazu mo aranan
yoiyoi ni
hito matsu yado no
niwa no matsukaze
If you have any pity,
Then I would not have you blow
Night after night
While I wait for him, through my home’s
Garden pines, o, wind!

Nobusada.
934

Both Left and Right state: we can grasp the sense of the opposing poem.

In judgement: I am unable to tell what it is that ‘does not come one evening’ (konu yūgure). ‘Whispers the autumn wind’ (akikaze no koe) is also perhaps rather novel. The Right’s ‘Garden pines, o, wind!’ (niwa no matsukaze) sounds pleasant. It should win.