Bush clover
Left
しかのこゑたかさごやまのはぎなればをりてこしよりねをやなくらん
shika no koe takasagoyama no hagi nareba oritekoshi yori ne o ya nakuran | A stag’s cry On Takasago Mountain, where Lies bush clover: Might someone have come and picked her That he lets out such cries? |
11
Right
あきはぎの花のながるるかはのせにしがらみかくるしかのねもせぬ
akihagi no hana no nagaruru kawa no se ni shigarami kakuru shika no ne mo senu | Autumn bush clover Blooms flow down The river rapids and Hang upon the lattice weir, and The stag cries not at all… |
12
When he was together with the Cloistered Emperor [Uda], gazing the Yoshino waterfall.
何時の間に降り積もるらんみ吉野の山の峡より崩れ落つる雪
itu no ma ni Furitumoruran miyosino no yama no kaFi yori kudure’oturu yuki | How swiftly It does seem to fall From fair Yoshino’s Mountain passes: The snow comes a’tumbling down. |
Minamoto no Noboru
The End of Winter
Left
したぎえのゆきまをみればふゆながらはるのけちかきここちこそすれ
shitagie no yukima o mireba fuyu nagara haru no kechikaki kokochi koso sure | Melting below, Gaps in the snow, I see, so Though ‘tis yet winter Spring’s sensation closer Comes, I feel! |
19
Right (Win)
みよしののやまのしらゆきつもるらしふるさとさむくなりまさるなり
miyoshino no yama no shirayuki tsumorurashi furusato samuku narimasaru nari | On fair Yoshino Mountain white snow fall Drifts high, it seems, For in this ancient place the chill Grows ever stronger. |
Korenori
20
Left
Mibu no Tadamine | Ariwara no Motokata | Taira no Sadafun |
Right
Sakanoue no Korenori | Ki no Tsurayuki | Ōshikōchi no Mitsune |
The Beginning of Spring
Left (Tie)
はるたつといふばかりにやみよしののやまもかすみてけさはみゆらむ
haru tatsu to iu bakari ni ya miyoshino no yama mo kasumite kesa wa miyuramu | Spring is here They simply say, but Is fair Yoshino Mountain, too, all hazed In view this morning, I wonder? |
Tadamine
1
Right
はるたちてなほふるゆきはむめのはなさくほどもなくちるかとぞみる
haru tachite nao furu yuki wa mume no hana saku hodo mo naku chiru ka to zo miru | Spring is here, yet Still the snow falls—does, as Plum blossoms’ Brief flowering then Scattering, it truly seem? |
Mitsune
2
Composed at the poetry match at Taira no Sadafun’s house.
はるたつといふばかりにやみよしののやまもかすみてけさはみゆらむ
Faru tatu to iFu bakari ni ya miyosino no yama mo kasumite kesa Fa miyuramu | Spring is here They simply say, but Is fair Yoshino Mountain, too, all hazed In view this morning, I wonder? |
Mibu no Tadamine
Composed on Mount Tsukuba.
やまたかみふりくるゆきをむめのはなちりかもくるとおもひけるかな
yama takami purikuru yuki wo mume no pana tiri kamo kuru to omopikeru kana | Upon the mountain’s heights Falling comes the snow—as Plum blossom Come scattering, perhaps— Did I think! |
The Day of the Rat (ne no hi 子日)
Left
ほのぼのとみねのひのまづさしつればむすばぬはるのゆきぞとけける
honobono to mine no hi no mazu sashitsureba musubanu haru no yuki zo tokekeru | Faintly, Upon the peaks the sun first Shines, then Not fully frozen, the spring Snow melts. |
Tsurayuki
1
Right (Win)
かたこひをするがのふじのやまよりもむねのひのまづもえまさるかな
katakoi o suruga no fuji no yama yori mo mune no hi no mazu moemasaru kana | In love and unrequited, More than Suruga’s Fuji Mountain does The fire in my breast, first Burn all the greater! |
Tomonori
2
Topic unknown.
はれそむるみねのあさぎりひまみえて山の端わたるかりの一つら
haresomuru mine no asagiri hima miete yama no ha wataru kari no hitotsura | Beginning to clear Are the morning mists from round the peak And through the gaps appear Crossing the mountains’ edge A single line of geese. |
Fujiwara no Yorikiyo
On travel.
山超而 遠津之濱之 石管自 迄吾来 含而有待
山越えて遠津の浜の岩つつじ我が来るまでにふふみてあり待て
yama koete topotu no pama no ipatutudi wa ga kuru made ni pupumite mate | I cross the mountains, and Reach a distant shore; O, azalea on the crags, Until I do arrive Remain within your buds and wait for me! |
Anonymous
をせきやまみちふみまがひなかぞらにへむやそのあきのしらぬやまべに
osekiyama michi fumimagai nakazora ni hemu ya sono aki no shiranu yamabe ni | On Oseki Mountain I wander lost upon the paths; All uncertain Will I pass the days of autumn in Unknown mountain meadows? |
27[1]
をりもちてみしはなゆゑになごりなくてまさへまがひしみつきにけり
orimochite mishi hana yue ni nagori naku tema sae magai shimitsukinikeri | A bunch picked in hand, I gazed at the flowers, and thus Utterly Lost track of time, Completely captivated. |
28
[1] A variant of this poem occurs in Uda-in ominaeshi uta’awase (9).
'Simply moving and elegant'