Waka Bibliography

Allen, Laura W. 1995. ‘Images of the Poet Saigyo as Recluse’, Journal of Japanese Studies, 21: 65-102.

Arntzen, Sonja, and Janice Brown. 2001. ‘Old Pond, Students Leap in, Sound of Laughter: Creative Projects in the Teaching of Japanese Classical Literature’, Japanese Language and Literature, 35: 17-36.

Atkins, Paul S. 2010. ‘Meigetsuki, the Diary of Fujiwara no Teika: Karoku 2.9 (1226)’, Journal of the American Oriental Society, 130: 235-58.

Bialock, David T. 1994. ‘Voice, Text, and The Question of Poetic Borrowing in Late Classical Japanese Poetry’, Harvard Journal of Asiatic Studies, 54: 181-231.

Bowring, Richard. 1992. ‘The Ise monogatari: A Short Cultural History’, Harvard Journal of Asiatic Studies, 52: 401-80.

Brower, Robert H. 1972. ‘”Ex-Emperor Go-Toba’s Secret Teachings”: Go-Toba no in Gokuden’, Harvard Journal of Asiatic Studies, 32: 5-70.

———. 1985. ‘Fujiwara Teika’s Maigetsusho’, Monumenta Nipponica, 40: 399-425.

———. 1992. Conversations with Shotetsu (University of Michigan, Center for Japanese Studies: Ann Arbor).

Bundy, Rosalee. 1994. ‘Santai Waka. Six Poems in Three Modes’, Monument Nipponica, 49: 197-227.

———. 1994. ‘Santai Waka. Six Poems in Three Modes Part 2’, Monument Nipponica, 49: 261-86.

———. 2006. ‘Solo Poetry Contest as Poetic Self-Portrait The One-Hundred-Round Contest of Lord Teika’s Own Poems PART TWO’, Monument Nipponica, 61: 131-92.

———. 2006. ‘Solo Poetry Contest as Poetic Self-Portrait The One-Hundred-Round Contest of Lord Teika’s Own Poems Part One’, Monumenta Nipponica, 61: 1-58.

Carter, Steven D. 1984. ‘A Lesson in Failure: Linked-Verse Contests in Medieval Japan’, Journal of the American Oriental Society, 104: 727-37.

Carter, Stephen D. 1987. The Road to Komatsubara: A Classical Reading of the Renga Hyakuin (Council on East Asian Studies, Harvard University: Cambridge).

Carter, Steven D. 1999. ‘The Persistence of the Personal in Late Medieval Uta’, Harvard Journal of Asiatic Studies, 59: 163-85.

Cranston, Edwin A. 1995. ‘Review: Waka Wars: Quarrels in an Inner Space’, Harvard Journal of Asiatic Studies, 55: 427-518.

Doe, Paula. 1982. A Warbler’s Song in the Dusk: The Life and Works of Otomo Yakamochi.

Duthie, Torquil. 2014. Man’yōshū and the Imperial Imagination in Early Japan (Brill: Amsterdam).

Goff, Janet Emily. 1982. ‘The Tale of Genji as a Source of The No: Yugao and Hajitomi’, Harvard Journal of Asiatic Studies, 42: 177-229.

Hare, Thomas Blenman. 1989. ‘Reading Kamo no Chomei’, Harvard Journal of Asiatic Studies, 49: 173-228.

Harries, Phillip T. 1980. ‘Personal Poetry Collections. Their Origin and Development Through the Heian Period’, Monumenta Nipponica, 35: 299-317.

Horton, H. Mack. 1993. ‘Renga Unbound: Performative Aspects of Japanese Linked Verse’, Harvard Journal of Asiatic Studies, 53: 443-512.

Huey, Robert N. 1987. ‘The Kingyoku Poetry Contest’, Monumenta Nipponica, 42: 299-330.

———. 1989. Kyogoku Tamekane: Poetry and Politics in Late Kamakura Japan (Stanford University Press: Stanford).

———. 1990. ‘The Medievalization of Poetic Practice’, Harvard Journal of Asiatic Studies, 50: 651-68.

———. 1993. ‘Fushimi-in Nijuban Uta-awase’, Monumenta Nipponica, 48: 167-203.

Ikeda Tomizō. 1984. ‘Shunzei no uta no tenkai to karon kō’, Nihon Bungaku Kenkyū, 20: 61-72.

Ito, Setsuko. 1982. ‘The Muse in Competition: Uta-awase Through the Ages’, Monumenta Nipponica, 37: 201-22.

Kamens, Edward. 1993. ‘Dragon-Girl, Maidenflower, Buddha: The Transformation of a Waka Topos, “The Five Obstructions”‘, Harvard Journal of Asiatic Studies, 53: 389-442.

———. 1997. Utamakura, Allusion, and Intertextuality in Traditional Japanese Poetry (Yale University Press: New Haven).

Kato, Hilda. 1968. ‘The Mumyosho’, Monumenta Nipponica, 23: 351-430.

———. 1968. ‘The Mumyosho of Kamo no Chomei and Its Significance in Japanese Literature’, Monumenta Nipponica, 23: 321-49.

Kawahira, Hitoshi. 1994. ‘Canons of Criticism in Uta-Awase’, Gekkan Gengo, 23: 76-82.

Kobayashi, Hiroko. 1994. ‘Songs of the <i>Ryナ綱in Hishナ・/i>’, Japanese Studies, 14: 19 – 34.

Konishi, Jin’ichi, and Helen C. McCullough. 1978. ‘The Genesis of The Kokinshu Style’, Harvard Journal of Asiatic Studies, 38: 61-170.

Miner, Earl. 1990. ‘Waka: Features of Its Constitution and Development’, Harvard Journal of Asiatic Studies, 50: 669-706.

Morris, Mark. 1980. ‘Sei Shonagon’s Poetic Catalogues’, Harvard Journal of Asiatic Studies, 40: 5-54.

———. 1986. ‘Waka and Form, Waka and History’, Harvard Journal of Asiatic Studies, 46: 551-610.

Mostow, Joshua S. 1992. ‘Painted Poems, Forgotten Words. Poem-Pictures and Classical Japanese Literature’, Monumenta Nipponica, 47: 323-46.

Ooka, Makoto. 1991. The Colours of Poetry: Essays on Classic Japanese Verse (University of Hawai’i Press: Honolulu).

Pandey, Rajyashree. 1998. Writing and Renunciation in Medieval Japan: The Works of Poet-Priest Kamo no Chome (Center for Japanese Studies, University of Michigan: Ann Arbor).

Rabinovitch, Judith. 1991. ‘Wasp Waists and Monkey Tails: A Study and Translation of Hamanari’s Uta no Shiki (The Code of Poetry, 772), Also Known as Kakyo Hyoshiki (A Formulary for Verse Based on The Canons of Poetry)’, Harvard Journal of Asiatic Studies, 51: 471-560.

Ramirez-Christensen, Esperanza. 1994. Heart’s Flower: The Life and Poetry of Shinkei (Stanford University Press: Stanford).

Raud, Rein. 1994. The Role of Poetry in Classical Japanese Literature: A Code and Discusivity Analysis (Acta Collegii Humaniorium Estoniensis: Tallinn).

Royston, Clifton, W. . 1974. ‘Utaawase Judgments as Poetry Criticism’, The Journal of Asian Studies, 34: 99-108.

Ruch, Barbara. 1971. ‘Origins of The Companion Library: An Anthology of Medieval Japanese Stories’, The Journal of Asian Studies, 30: 593-610.

Saitō Akira. 1999. “Uguisu.” In Uta kotoba uta makura daijiten, edited by Kubota Jun and Baba Akiko, 136-37. Tokyo: Kadokawa Shoten.

Sato, Hiroaki. 1987. ‘Lineation of Tanka in English Translation’, Monumenta Nipponica, 42: 347-56.

Sato, Kazuyoshi. 1987. ‘An Introduction to the Study of Heian Waka Poem History–The Uta Poem Study of “Kakyo Hyoshiki”‘, Nihon Bungaku, 36: 62-74.

Shirane, Haruo. 1990. ‘Lyricism and Intertextuality: An Approach to Shunzei’s Poetics’, Harvard Journal of Asiatic Studies, 50: 71-85.

Smits, Ivo. 1998. ‘Poets in Their Place: Reflectons on Poetic salons in Early Medieval Japan’, The Medieval History Journal, 1: 291-309.

———. 2004. ‘Teika and the Others: Poetics, Poetry, and Politics in Early Medieval Japan’, Monument Nipponica, 59: 359-89.

Strong, Sarah M. 1994. ‘The Making of a Femme Fatale. Ono no Komachi in the Early Medieval Commentaries’, Monumenta Nipponica, 49: 391-412.

Teele, Nicholas J. 1976. ‘Rules for Poetic Elegance. Fujiwara no Kinto’s Shinsen Zuino & Waka Kubon’, Monumenta Nipponica, 31: 145-64.

Teele, Roy E., Nicholas J. Teele, and H. Rebecca Teele (ed.)^(eds.). 1993. Ono no Komachi: Poems, Stories, No Plays (Garland: New York and London).

Ury, Marian. 1993. ‘The Oe Conversations’, Monumenta Nipponica, 48: 359-80.

Wixted, John Timothy. 1983. ‘The Kokinshū Prefaces: Another Perspective’, Harvard Journal of Asiatic Studies, 43: 215-38.

Yoda, Tomiko. 1999. ‘Fractured Dialogues: Mono no aware and Poetic Communication in The Tale of Genji’, Harvard Journal of Asiatic Studies, 59: 523-57.

 

'Simply moving and elegant'