Horikawa-in enjo awase 8

数ならで世に住江のみをつくしいつを待つともなき身なりけり

kazu narade
yo ni sumie no
mi o tsukushi
itsu o matsu tomo
nakimi narikeri
Countless are
The generations spent at Sumie, with
The channel buoys: exhausted
What should I await but
To be dead.

Master of the Left Capital Office Toshiyori
15

In reply

ながれてもあふせは絶えじ住江の身をつくしてもくちはててなん

nagaretemo
ause wa taeji
sumie no
mi o tsukushitemo
kuchihatetenan
Flowing on, yet
The rapids’ meetings will not cease;
At Sumie with
The channel buoys, you may be exhausted, but
Would you rot away…

Kazusa, in service to the Empress
16

A picture of channel markers in the sea.
Channel buoys. Image by Claudia Thorn from Pixabay

Horikawa-in enjo awase 7

なごのうみの浦べにおふる浜つづらたえまくるしき物をこそ思へ

nago no umi no
urabe ni ouru
hamatsuzura
taema kurushiki
mono o koso omoe
At Nago, by the sea
Upon the beach grows
Chasteberry:
At the breaks between, sad
Indeed, are my thoughts.

Minister of Justice [Minamoto no] Toshisane
13

浜つづらたへまたへまを歎かせてくるしと思ふわがこころぞは

hamatsuzura
taema taema o
nagekasete
kurushi to omou
wa ga kokoro zo wa
Chasteberry:
The many breaks between
Do cause me grief, and
Pain is the feeling that
Fills my heart!

Kai, from the Shijō Palace
14

Horikawa-in enjo awase 6

A further poem, from the same gentleman.

つらさには思ひ絶えなんとおもへどもかなはぬ物はなみだなりけり

tsurasa ni wa
omoi’oenan to
omoedomo
kanawanu mono wa
namida narikeri
Your cruelty
You might wish to cease,
I thought, yet
Entirely matchless are
My tears.

The Consultant
11

In reply.

うけひかぬあまの小船のつなで縄たゆとて何か苦しかるらん

ukehikanu
ama no obune no
tsunade nawa
tayu tote nanika
kurushikaruran
You’ll not draw in
A fisher-girl’s skiff with
A rope that’s
Snapped, I think, and what
Might be painful about that?

Higo, from the Palace
12

Horikawa-in enjo awase 5

おもひ侘び恋路にまよふしるべには涙ばかりぞさきに立ちける

omoiwabi
koiji ni mayou
shirube ni wa
namida bakari zo
saki ni tachikeru
Suffering with passion, and
Lost upon the paths of love
My guide is
Simply my tears that
Set out before me.

Consultant and Middle Captain Tadanori
9

The reply, written in a style to blend in with the picture on the paper, of a many-petalled safflower, and attached to a stem of bellflower, made from metal.

恋路をばふみだに見じと思ふみに何かはかかる涙なるらん

koiji oba
fumi dani miji to
omou mi ni
nani ka wa kakaru
namida naruran
Upon the path of love
I’ve not seen you take even one step
I feel, so
Why might you show such
Tears, I wonder?

Kii, in service to the former Kamo Virgin
10

A picture of a safflower.
Safflower. Image by PublicDomainPictures from Pixabay

Horikawa-in enjo awase 4

ながれ出づるしづくに袖は朽ちはてておそふる方もなきぞかなしき

nagare’izuru
shizuku ni sode wa
kuchihatete
osouru kata mo
naki zo kanashiki
Flowing out
These droplets my sleeves
Have completely rotted, and
That I have no way to halt them
Makes me sad, indeed.

The Major Controller of the Left
7

おく網のうけもひかれぬものゆゑに何かはあまの袖のくつらん

oku tsuna no
uke mo hikarenu
mono yue ni
nani ka wa ama no
sode no kutsuran
Cast out, your line’s
Floats, she’ll not draw in,
So
Why would a fisher-girl
Have rotten sleeves, I wonder?

Yurika, from the Hall of the Junior Consort
8

Sengohyakuban uta’awase 1411

Left

あすは又けふをばこぞといひすててをしみしものとおもひだにせじ

asu wa mata
kyō o ba kozo to
iisutete
oshimishi mono to
omoi dani seji
Tomorrow, once again
Will be as today
I’ll say easily and
All those things that I regretted-
I’ll not even think of them!

Lord Sueyoshi
2080

Right

ふゆのそらわびつつけふになりにけりあとなきにはのゆきとみながら

fuyu no sora
wabitsutsu kyō ni
narinikeri
ato naki niwa no
yuki to minagara
The winter sky is
Ever a source of grief-today
Has just turned out that way,
While my gardens trackless
Snow fills my gaze.

Ienaga
2081

Judgement: I wonder how the central ‘I’ll say easily’ leads in to the concluding section. The Right’s poem is a little better, I’d say.