On the shape of a pine tree floating in the pond at the Asuka Mansion.
いけみづにまつのみどりをうつしてぞちとせのかげもいろまさりける
ikemizu ni matsu no midori o utsushite zo chitose no kage mo iro masarikeru In the pond’s waters The pine trees’ green Is reflected; The face of a thousand years in Superlative hues!
Ōe no Masafusa
恋せんとなれるみかはの八橋の蜘蛛手に物を思ふ比かな
koi sen to nareru mikawa no yatsuhashi no kumode ni mono o omou koro kana Thinking to love— Am I so used to it? In Mikawa The Yatsuhashi Bridge, Jagged as a spider’s tracks, reflects My spinning thoughts these days!
A place where a flute is playing.
ふえのねはすみぬなれどもふくかぜになべてもかすむはるの空かな
fue no ne wa suminu naredomo fuku kaze ni nabete mo kasumu haru no sora kana The flute’s notes Have ended, yet Blown by the wind Together they haze The springtime sky.
Fujiwara no Takatō (949-1013) 藤原高遠
Listening to a flute in a village.
おきゐつつねざめのみするころにしもよぶかきふえのこゑをきくかな
oki’itsutsu nezame nomi suru koro ni shi mo yobu kakibue no koe o kiku kana Ever and always on arising and Waking from sleep, that Is when, The call of a flute beside my fence Is the sound I hear!
Minamoto no Michinari (?-1019) 源道済
On plucking the zither, playing the flute, and enjoying herself somewhere.
聞く人のみみさへさむく秋風に吹きあはせたる笛のこゑかな
kiku hito no mimi sae samuku akikaze ni fukiawasetaru fue no koe kana The folk listening Have even had their ear chilled By the autumn breeze Blowing to them together with The flute’s notes!
Izumi Shikibu (?-976?) 和泉式部
Left
ひとのみることやくるしきをみなへしあきぎりにのみたちかくるらむ
hito no miru koto ya kurushiki ominaeshi akigiri ni nomi tachikakururamu For man to gaze on you, Is it so painful, O, Maidenflower, That simply in the autumn mists You must hide yourself away?
Tadamine 13[1]
Right
とりてみばはかなからんやをみなへしそでにつつめるしらつゆのたま
torite miba hakanakaran ya ominaeshi sode ni tsutsumeru shiratsuyu no tama If I pick and look How fleeting are Upon a maidenflower, Enveloped in my sleeves Silver dewdrop pearls.
14
[1] KKS IV: 235
Left
かくをしむあきにしあはばをみなへしうつろふことはわすれやはせぬ
kaku oshimu aki ni shi awaba ominaeshi utsurou koto wa wasure ya wa senu If feeling such regret I should encounter autumn, then O, maidenflower, To fade You should not forget, should you?
11
Right
ながきよにたれたのめけむをみなへしひとまつむしのえだごとになく
nagaki yo ni tare tanomekemu ominaeshi hito matsumushi no edagoto ni naku On a long, long night Who is it has made you believe, O, maidenflower? Pining for him while crickets Cry from your every branch…
12[1]
[1] Shinsen man’y ōshū 536; Fubokushō 4231
On wisteria by a pond.
池水に梢の藤のかげみえて汀はかはるなみのいろかな
ikemizu ni kozue no fuji no kage miete migiwa wa kawaru nami no iro kana In the pond waters Wisteria in the treetops Shape I see; At the water’s edge changing Shades among the waves!
Ton’a (1289-1372) 頓阿
Composed at the Kameyama mansion, in the Eighth Month, Kenji 2 [September 1276], when the first topic announced was ‘the colour of pines floating on a pond’.
池水に松のちとせをうつしても君にふたたびあふがうれしさ
ikemizu ni matsu no chitose o utsushitemo kimi ni futatabi au ga ureshiki In the pond waters The pine’s thousand years Are reflected, yet Once more, my Lord, To meet you brings me joy!
The Regent and Former Prime Minister 摂政前太政大臣
Topic unknown.
春雨はいたくなふりそ桜花まだみぬ人にちらまくもをし
harusame wa itaku na furi so sakurabana mada minu hito ni chiramaku mo oshi O, spring rains, Fall not so hard! The cherry blossom Is yet unseen by folk who Would regret its scattering
Akahito
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