有明の月は入りぬる木の間よりやまほととぎすなきていづなり
ariake no tsuki wa irinuru ko no ma yori yamahototogisu nakite’izu nari | At the dawn The moon is setting Between the trees A mountain cuckoo Calls out. |

Left (Tie)
山のはに有明の月の残らずは霞にあくる空をみましや
yama no ha ni ariake no tsuki no nokorazu wa kasumi ni akuru sora o mimashi ya | Upon the mountains’ edge Had the moon at dawn Not lingered, then On the brightening, hazy Sky would I have turned my gaze? |
Shō
11
Right
朝戸あけてながめなれたる明ぼのの霞ばかりに春を知るかな
asa to akete nagamenaretaru akebono no kasumi baraki ni haru o shiru kana | With morn, opening my door, and Accustomed to gazing At the dawn The haze is all that Tells me ‘tis spring![1] |
Nagatsuna, Ranked without Office
12
The Left’s poem has ‘would I wish to see the skies brightening with haze’, which does not seem bad, but the initial line drop ‘dawn’ and the latter part ‘brightening with haze’ which is a bit dubious; the Right’s poem really has nothing special about it. The poems are comparable and tie.
[1] An allusive variation on GSS V: 249.
Topic unknown.
ほのぼのとあり明の月のつきかげにもみぢ吹きおろす山おろしのかぜ
honobono to ariake no tsuki no tsukikage ni momiji fuki’orosu yama’oroshi no kaze | Faintly The dawntime moon’s Light falls upon Scarlet leaves blown down By the wild mountain wind. |
Lord Minamoto no Sane’akira
Composed on the moon at dawn on the road to a barrier, while at the Shirakawa residence of the former Uji Grand Minister.
あり明の月もし水にやどりけりこよひはこえじあふさかの関
ariake no tuki mo simizu ni yadorikeri koyoFi Fa koezi aFusaka no seki | The dawntime Moon within pure water Has lodged; Tonight I’ll not pass The barrier at Meeting Hill. |
Lord Fujiwara no Norinaga
Round 8
Left
花の色はかすみのひまにほのみえて山のはにほふ春の暁
hana no iro wa kasumi no hima ni honomiete yama no ha niou haru no akebono | The blossoms’ hues Between the shifting haze I briefly glimpse, and The mountains’ edges glow With the dawn in springtime. |
325
Right
あだし夜の花にとききてゆく雁の名残もいとど有明のそら
adashiyo no hana ni toki kite yuku kari no nagori mo itdodo ariake no sora | To fleeting night’s Blossoms has the time come, and The departing geese leave A keepsake more brief In the skies at dawn. |
326
This round, again, it seems difficult to distinguish between the the two poems.
Former Emperor Gosukō (1372-1456)
後崇光院
Autumn
Left
秋の夜の有明にみれど久堅の月のかつらはうつろはぬかな
aki no yo no ariake ni miredo hisakata no tsuki no katsura wa utsurouwanu kana | An autumn night’s Dawn I see, yet The eternal Moon’s silver trees Show no sign of fading! |
13
秋萩の花咲く比の白露は下ばのためとわきて置くべし
aki hagi no hana saku koro no shiratsuyu wa shitaba no tame to wakite okubeshi | In autumn, the bush clover Flowers bloom—just then Silver dewdrops For the under-leaves Do fall, marking every one. |
14
秋風はいなばもそよとふきつめりかりみる程と成りやしぬらん
akikaze wa inaba mo soyo to fukitsumeri kari miru hodo to nari ya shinuran | The autumn breeze Seems to rustle the rice stalks As it blows; Seeing if ‘tis time to reap them— Is that what it is, I wonder? |
15
Right
銀河とわたる舟は花薄ほにいづるほどぞかげもみゆべき
ama no kawa towataru fune wa hanasusuki ho ni izuru hodo zo kage mo miyubeki | Across the River of Heaven A boat goes ferrying: When the silver grass Ears burst into bloom, Can its shape be seen. |
16
女郎花さがの花をば色ながら秋をさかりといはれずもがな
ominaeshi saga no hana oba iro nagara aki o sakari to iwarezu mogana | Maidenflowers: Blossoms from Saga Reveal their hues, and In autumn are most fine—that Goes without saying! |
17
小男鹿の朝たつ霧にうりふ山嶺の梢は色こかりけり
saoshika no asa tatsu kiri ni urifuyama mine no kozue wa iro kokarikeri | Stags Within the rising morning mist on Urifu Moutain, where The treetops on the peak Have taken darker hues. |
18