Fresh herbs in the snow.
わかなつむ衣手ぬれてかた岡のあしたのはらにあは雪ぞふる
wakana tsumu koromode nurete kataoka no ashita no hara ni awayuki zo furu | Picking fresh herbs, My sleeves are soaked, for In Kataoka Upon the plain of Ashita Falls a froth of snow. |
Left (Win)
われききてひとにはつげむほととぎすおもふもしるくまづここになけ
ware kikite hito ni wa tsugeku hototogisu omou shiruku mazu koko ni nake | I listen, and To folk will tell, O, cuckoo, so Where I am lost in thoughts of you, Sing here first! |
Mitsune
47
Right
かたをかのあしたのはらをとよむまでやまほととぎすいまぞなくなる
kataoka no ashita no hara o toyomu made yamahototogisu ima zo nakunaru | Until in Kataoka The plain of Ashita Does resound The mountain cuckoos Are singing now! |
48
When ‘Until in Kataoka / The plain of Ashita / Does resound’ had been recited, His Majesty laughed, saying, ‘It would be impossible for it to resound,’ so the final part of the poem was not recited and it lost.
Left
しらつゆのおけるあしたのをみなへしはなにもはにもたまぞかかれる
shiratsuyu no okeru ashita no ominaeshi hana ni mo ha ni mo tama zo kakareru | Silver dewdrops Fallen in the morning on A maidenflower: Both bloom and leaves Are all hung with pearls. |
7[1]
Right
をみなへしたてるのざとをうちすぎてうらみむつゆにぬれやん
ominaeshi tateru nozato o uchisugite uramimu tsuyu ni nure ya wataran | A maidenflower Stands at a house upon the plains As I pass by; Is it her resentful dew That has drenched me on my way? |
8
[1] Gyokuyōshū 526; Shinsen man’yōshū 606; Kokin rokujō 3687
Left
空蝉の侘びしきものを夏草の露にかかれる身にこそ有りけれ
utsusemi no wabishiki mono o natsukusa no tsuyu ni kakareru mi ni koso arikere | A cicada’s empty shell Is so sorrowful; To a stalk of summer grass, All draped with dewdrops, It’s form does cling. |
43
Right
なつの夜の月はほどなく明けながらあしたの間をぞかこちよせける
natsu no yo no tsuki wa hodonaku akenagara ashita no ma o zo kakochiyosekeru | On a summer night, The moon lacks time To brighten, so It will do it on the morrow— That is its excuse! |
44
Summer
Round Four
Left
匂ふよりここちあだなる花ゆゑにのどけきはるの風もうらみじ
niou yori kokochi adanaru hana yue ni nodokeki haru no kaze mo uramiji | From their fragrance Fickle feelings Do these blossoms have, so Peaceful spring’s Breezes I would likely not resent. |
7
Right (Win)
夏の夜のぬるほどもなく明けぬればあしたのまをぞかこちよせつる
natsu no yo no nuru hodo mo naku akenureba ashita no ma o zo kakochiyosetsuru | On a summer night I’ve lacked time to sleep, and Dawn has come, so I’ll do it on the morrow— That is my excuse! |
8
Left
時鳥今宵はとまれ片岡の朝の原に帰りやせぬ
Fototogisu koyoFi Fa tomare katawoka no asita no Fara ni kaFeri ya senu |
O, cuckoo Stay here this night, and Down the hillside With the morning to the plain Will you not return? |
19
Right
我が宿に声な惜しみそ時鳥通ふ千里のゆきはてぞ此は
wa ga yado ni kowe na osimi so Fototogisu kayoFu tisato no yukiFate zo ko Fa |
At my home I regret not your song, O, cuckoo, For your thousand league Journey’s end lies here. |
20
Left (Win).
訪へかしな庭の白雪跡絶えてあはれも深き冬の朝を
toekashi na niwa no shirayuki ato taete aware mo fukaki fuyu no ashita o |
I would go a’calling; In my garden the white snowfall Has covered all the tracks; How deep is my sorrow, On this winter morning! |
545
Right.
軒のうち雀の聲は馴るれども人こそ知らぬ今朝の白雪
noki no uchi ni suzume no koe wa naruredomo hito koso shiranu kesa no shirayuki |
From underneath the eaves To the sparrows’ chirps Have I grown accustomed, yet No one noticed This morning’s fall of snow so white… |
545
The Right state that the Left’s initial line makes their poemsound like a reply. In addition, the final line is ‘overly forceful’ [itau tsuyoku]. The Left merely comment that the Right’s use of ‘sparrow’ (suzume) is ‘inappropriate’.
Shunzei’s judgement: Even though the Left’s poem is not a reply, starting with ‘I would go a’calling’ (toekashi na) is common in the reply style [zōtōtei]. In addition, ‘Winter Mornings’ is not a topic which one needs to approach obliquely. There are only the good and bad points of the poetry. ‘From underneath the eaves to the sparrows’ chirps have I grown accustomed’ (noki no uchi ni suzume no koe wa naruru) is not an expression much used about morning snow. However, the final section of the poem appears fine. ‘Sparrows’ chirps’ (suzume no koe) is, perhaps, somewhat colloquial [zoku no chikaku]. Despite the comment by the gentlemen of the Right that the final section of the Left’s poem is ‘overly forceful’, it is a better ‘Winter Morning’ poem.