Tag Archives: ashita

Teiji-in uta’awase 24

Left (Win)

われききてひとにはつげむほととぎすおもふもしるくまづここになけ

ware kikite
hito ni wa tsugeku
hototogisu
omou shiruku
mazu koko ni nake
I listen, and
To folk will tell,
O, cuckoo, so
Where I am lost in thoughts of you,
Sing here first!

Mitsune
47

Right

かたをかのあしたのはらをとよむまでやまほととぎすいまぞなくなる

kataoka no
ashita no hara o
toyomu made
yamahototogisu
ima zo nakunaru
Until in Kataoka
The plain of Ashita
Does resound
The mountain cuckoos
Are singing now!

48

When ‘Until in Kataoka / The plain of Ashita / Does resound’ had been recited, His Majesty laughed, saying, ‘It would be impossible for it to resound,’ so the final part of the poem was not recited and it lost.

Teishi-in ominaeshi uta’awase 04

Left

しらつゆのおけるあしたのをみなへしはなにもはにもたまぞかかれる

shiratsuyu no
okeru ashita no
ominaeshi
hana ni mo ha ni mo
tama zo kakareru
Silver dewdrops
Fallen in the morning on
A maidenflower:
Both bloom and leaves
Are all hung with pearls.

7[1]

Right

をみなへしたてるのざとをうちすぎてうらみむつゆにぬれやん

ominaeshi
tateru nozato o
uchisugite
uramimu tsuyu ni
nure ya wataran
A maidenflower
Stands at a house upon the plains
As I pass by;
Is it her resentful dew
That has drenched me on my way?

8


[1] Gyokuyōshū 526; Shinsen man’yōshū 606; Kokin rokujō 3687

Kanpyō no ōntoki kisai no miya uta’awase 22

Left

空蝉の侘びしきものを夏草の露にかかれる身にこそ有りけれ

utsusemi no
wabishiki mono o
natsukusa no
tsuyu ni kakareru
mi ni koso arikere
A cicada’s empty shell
Is so sorrowful;
To a stalk of summer grass,
All draped with dewdrops,
It’s form does cling.

43

Right

なつの夜の月はほどなく明けながらあしたの間をぞかこちよせける

natsu no yo no
tsuki wa hodonaku
akenagara
ashita no ma o zo
kakochiyosekeru
On a summer night,
The moon lacks time
To brighten, so
It will do it on the morrow—
That is its excuse!

44

Kanpyō no ōntoki chūgū uta’awase 4

Summer

Round Four

Left

匂ふよりここちあだなる花ゆゑにのどけきはるの風もうらみじ

niou yori
kokochi adanaru
hana yue ni
nodokeki haru no
kaze mo uramiji
From their fragrance
Fickle feelings
Do these blossoms have, so
Peaceful spring’s
Breezes I would likely not resent.

7

Right (Win)

夏の夜のぬるほどもなく明けぬればあしたのまをぞかこちよせつる

natsu no yo no
nuru hodo mo naku
akenureba
ashita no ma o zo
kakochiyosetsuru
On a summer night
I’ve lacked time to sleep, and
Dawn has come, so
I’ll do it on the morrow—
That is my excuse!

8

Minbukyō yukihira uta’awase 10

Left
時鳥今宵はとまれ片岡の朝の原に帰りやせぬ

Fototogisu
koyoFi Fa tomare
katawoka no
asita no Fara ni
kaFeri ya senu
O, cuckoo
Stay here this night, and
Down the hillside
With the morning to the plain
Will you not return?

19

Right
我が宿に声な惜しみそ時鳥通ふ千里のゆきはてぞ此は

wa ga yado ni
kowe na osimi so
Fototogisu
kayoFu tisato no
yukiFate zo ko Fa
At my home
I regret not your song,
O, cuckoo,
For your thousand league
Journey’s end lies here.

20

Winter II: 3

Left (Win).

訪へかしな庭の白雪跡絶えてあはれも深き冬の朝を

toekashi na
niwa no shirayuki
ato taete
aware mo fukaki
fuyu no ashita o
I would go a’calling;
In my garden the white snowfall
Has covered all the tracks;
How deep is my sorrow,
On this winter morning!

Lord Kanemune.

545

Right.

軒のうち雀の聲は馴るれども人こそ知らぬ今朝の白雪

noki no uchi ni
suzume no koe wa
naruredomo
hito koso shiranu
kesa no shirayuki
From underneath the eaves
To the sparrows’ chirps
Have I grown accustomed, yet
No one noticed
This morning’s fall of snow so white…

Nobusada.

545

The Right state that the Left’s initial line makes their poemsound like a reply. In addition, the final line is ‘overly forceful’ [itau tsuyoku]. The Left merely comment that the Right’s use of ‘sparrow’ (suzume) is ‘inappropriate’.

Shunzei’s judgement: Even though the Left’s poem is not a reply, starting with ‘I would go a’calling’ (toekashi na) is common in the reply style [zōtōtei]. In addition, ‘Winter Mornings’ is not a topic which one needs to approach obliquely. There are only the good and bad points of the poetry. ‘From underneath the eaves to the sparrows’ chirps have I grown accustomed’ (noki no uchi ni suzume no koe wa naruru) is not an expression much used about morning snow. However, the final section of the poem appears fine. ‘Sparrows’ chirps’ (suzume no koe) is, perhaps, somewhat colloquial [zoku no chikaku]. Despite the comment by the gentlemen of the Right that the final section of the Left’s poem is ‘overly forceful’, it is a better ‘Winter Morning’ poem.