A poem from the Poetry Contest held by the Empress Dowager during the reign of the Kanpyō emperor.
akikaze ni Fokorobinurasi Fudibakama tudurisasete teFu kirigirisu naku
With the autumn breeze Seem to have bloomed and twined The asters Bound together by the rasping Crickets’ cries.
Ariwara no Muneyana
 This poem is composed around a dual wordplay, which I have not been able to closely replicate in the translation. Hokorobu is simultaneously both ‘bloom fully’ and ‘thread (a needle)’ while tsuzuru is both ‘sew together’ and an onomatopoeic representation of the sound that a cricket makes.
Both teams concur that there are no faults at all this round.
Shunzei agrees: ‘Both poems are on the theme of now deserted dwelling places and are equally beautiful in expression, with the Right’s work reminiscent of “Fushimi at evening time”, but this implies a broad vista, and is not “the fence at evening time” too narrow? The Left’s final section is better, and wins, I think.’
The Right state that the Left’s poem has no faults. The Left state that, ‘“On the quails’ roost – how like rain” (uzura ga neya no ame) suggests that this is what it actually is.’
Shunzei disagrees: ‘It is not the case that uzura ga neya no ame definitely implies that it is actually rain, particularly with the scene set by dew on silvergrass. However, “beside my bed” (toko o narabete) is particularly attractive in expression. It should win.’
The Right state, ‘“Is it time to celebrate? Stars meeting in the heavens” (matsuru hodo ni ya hoshiai no sora) – the one does not seem to follow from the other. The Left wonder, ‘why we have an annual rite describe as “a single night” (tada hito yo), and not “but one night a year” (toshi ni hito yo)?’
Shunzei merely remarks, ‘“Is it time to celebrate? Stars meeting in the heavens” – this certainly does follow on, and there is nothing wrong with it. The point about “a single night” is well made. The Left wins.’