Tag Archives: autumn bush clover

Nishinomiya uta’awase 10

Round Ten

Left

秋はぎの下葉の露にあらねども消えぬばかりぞ人は恋しき

akihagi no
shitaba no tsuyu ni
aranedomo
kienu bakari zo
hito wa koishiki
Upon the autumn bush clover’s
Underleaves a dewdrop
I am not, yet
Simply will I fade away
So much do I love him!

Taiyu no Suke
19

Right

わすられて年ふる里の浅茅生に誰がためしける萩の錦ぞ

wasurarete
toshi furu sato no
asajū ni
ta ga tame shikeru
hagi no nishiki zo
All forgotten
Through the passing years, at my home
Among the tangled mugwort,
For whose sake is spread
The bush clover’s brocade?

The Daughter of His Excellency, the Head

20

I feel that the poem of the Left is conspicuously poetic, saying ‘Simply will I fade away / So much do I love him!’ while the poem of the Right’s ‘Through the passing years, at my home / Among the tangled mugwort, / For whose sake is spread / The bush clover’s brocade?’ makes me want to ask the bush clover the same question! The pull my heart in more than one direction, so here, too, I feel it’s not possible to decide on a winner or loser.

Entō ōn’uta’awase 32

Round Thirty-Two

Left (Tie)

上葉ふく朝の原の秋風におのれうつろふ萩の下露

uwaba fuku
ashita no hara no
akikaze ni
onore utsurou
hagi no shitazuyu
Blowing upon the upper leaves
Over Ashita Plain,
The autumn breeze touches,
Fading all of itself
The dripping dew upon the bush clover.

Tomoshige
63

Right

今よりはたが涙とか成りぬらん下葉色づく秋萩の露

ima yori wa
ta ga namida to ka
narinuran
shitaba irozuku
akihagi no tsuyu
From now on
Whose tears might
They become?
Colouring the underleaves
Are dewdrops upon the autumn bush clover…[1]

Dharma Master Zenshin
64

Left and Right are in the same style. The Right’s poem wonders ‘whose are these tears’ and has a person’s tears as the dew upon the grass, which is something one often hears. Using dew on the grass as a person’s tears is a bit vague, yet it’s not going so far as to be a definite fault. These should tie.


[1] An allusive variation on: Topic unknown. あきはぎのしたば色づく今よりやひとりある人のいねがてにする akihagi no / shitaba irozuku / ima yori ya / hitori aru hito no / inegatenisuru ‘The autumn bush clover’s / Underleaves are colouring / From this point on, / For one all alone / Will sleep be harder to find?’ Anonymous (KKS IV: 220)

Entō ōn’uta’awase 30

Round Thirty

Left (Tie)

玉をぬく真野の糸萩かたよりにおのれみだるる秋の夕暮

tama o nuku
mano no itohagi
katayori ni
onore midaruru
aki no yūgure
Strung with gems
The bush-clover twigs at Mano
All align together
In their own tangles
On an autumn evening.

Shō
59

Right

待ちわたる時や来ぬらん白露の玉しく庭の秋はぎの花

machiwataru
toki ya konuran
shiratsuyu no
tama shiku niwa no
akihagi no hana
Has that long-awaited
Time arrived, perhaps?
When silver dewdrop
Pearls will spread o’er the grounds
From the autumn bush clover blooms…

Nagatsuna
60

The poems of Left and Right have different diction, but the same configuration.

Entō ōn’uta’awase 29

Round Twenty-Nine

Left (Win)

宮城のの木下風や過ぎぬらん露におくるる秋萩の花

miyagino no
ko no shitakaze ya
suginuran
tsuyu ni okururu
akihagi no hana
On Miyagi Plain has
The breeze beneath the trees
Passed by? For
Missing the dewfall are
The autumn bush clover blooms…

Takasuke
57

Right

物おもふやどの物とてながむれば露にをれふす庭の萩原

mono’omou
yado no mono tote
nagamureba
tsuyu ni orefusu
niwa no hagiwara
Sunk in gloomy thought is
The one who dwells here, I feel,
When I gaze upon,
Broken and tangled among the dewdrops,
The bush clover grove in the grounds…

Shimotsuke
58

The Left poem’s ‘Missing the dewfall are the autumn bush clover’ sounds pleasant. The Right poem has no faults either, yet the Left should win.

Entō ōn’uta’awase 26

Round Twenty-Six

Left

秋萩の露もよすがのさがり葉も風吹きたつる色ぞ身にしむ

akihagi no
tsuyu mo yosuga no
sagariba mo
kaze fukitatsuru
iro zo mi ni shimu
On the autumn bush clover
Dewdrops rest upon
The dangling leaves,
Whipped up by the wind,
Their hues sharply sink into my flesh.

The Former Minister of the Centre
51

Right (Win)

さだめなき風を待つ間もうつろひぬもとあらの萩にむすぶ白露

sadamenaki
kaze o matsu ma mo
utsuroinu
motoara no hagi ni
musubu shiratsuyu
While the unsettled
Breeze they do await,
Faded from
The sparse bush clover have
The clinging dewdrops.[1]

Kozaishō
52

The Left poem’s ‘rest upon the dangling leaves, whipped up by the wind’ seems a novel style, and yet, even though everything about dangling leaves is contained in the Ancient and Modern, it does not sound particularly evocative. The Right lacks even a small fault and appears gorgeous, so it should win.


[1] An allusive variation on: Topic unknown. 宮木野のもとあらの小萩つゆをおもみ風をまつごと君をこそまつ miyagino no / motoara no kohagi / tsuyu o omomi / kaze o matsu goto / kimi o koso matsu ‘On Miyagi Plain / The sparse bush clover / Weighed down with dewdrops / Awaits the wind, just as / I do wait for you…’ Anonymous (KKS XIV: 694)

Entō ōn’uta’awase 25

Round Twenty-Five

Dew on Bush Clover

Left

下葉には色なる玉やくだくらむ風の吹きしく萩の上の露

shitaba ni wa
iro naru tama ya
kudakuramu
kaze no fukishiku
hagi no ue no tsuyu
From the underleaves
Hues have the gemlets taken
In their shattering?
Spread by the gusting wind
Are the dewdrops on the bush clover…

A Court Lady
49

Right (Win)

又やみむ又や見ざらん白露の玉おきしける秋萩の花

mata ya mimu
mata ya mizaran
shiratsuyu no
tama okishikeru
akihagi no hana
Will I see again, or
Will I not
Silver dewdrop
Pearls spread upon
The autumn bush clover blooms?

Ietaka
50

The Left’s poem does not seem to have a particularly superlative style. The Right’s poem, saying ‘will I see again, or will I not silver dewdrops’ is particularly charming and moving. Thus, it wins.