Tag Archives: autumn

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 15

Round Three

Left (Win)

たれよりも秋のあはれやまさるらん声にたてては鹿ぞ鳴くなる

tare yori mo
aki no aware ya
masaruran
koe ni tatete wa
shika zo nakunaru
Who might it be that
The sadness of autumn
Strikes more keenly?
Lifting up his voice,
It is the stag crying out!

Lord Yorisuke
29

Right

春夏はなにに心をなぐさめて秋のみ鹿の妻をこふらん

haru natsu wa
nani ni kokoro o
nagusamete
aki nomi shika no
tsuma o kouran
Spring and summer, too,
How do they the heart
Console?
‘Tis in autumn, alone, the stag
Seems to yearn for his mate.

Kenshō
30

The Left charmingly sounds as if the scene it describes is entirely natural. The Right isn’t bad, but, I seem to recall that there was a poem in—I think it was the Poetry Match at Lord Aritsuna’s Residence—that has the phrase ‘In autumn, above all, / The stag seems to yearn for his mate’, so it would have better to refrain from the final two lines. The Left should win.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 13

Round One

Deer

Left (Tie)

さをしかも秋をかなしとおもへばやときしも声をたてて鳴くらん

saoshika mo
aki o kanashi to
omoeba ya
toki shimo koe o
tatete nakuran
Does the stag, too,
Autumn’s sadness
Feel?
That at this time, of all, his cry
Should ring out so…

Lord Shige’ie
25

Right

嶺になく鹿の音ちかくきこゆなり紅葉吹きおろす夜はのあらしに

mine ni naku
shika no ne chikaku
kikoyu nari
momiji fuki’orosu
yowa no arashi ni
Crying upon the peak
The stag’s bell close by
Sounds, carried
With blown down scarlet leaves
On the midnight storm…

Lord Tsunemori
26

The Left truly sounds as if it grasps the conception with its use of ‘of all, his cry’. The Right, too, is poetic with ‘blown down scarlet leaves’. There may be some who say that one should not compose using a subsidiary topic, yet in the poetry match held in Tentoku[i] and the poetry match held by Emperor Kazan[ii], this was judged not to be a fault.


[i] This was the Dairi uta’awase Tentoku yo-nen 内裏歌合 天徳四年 (‘Palace Poetry Match Tentoku 4’) held by Emperor Murakami on the 30th day of the Third Month, Tentoku 4 [28.4.960].

[ii] This was the Dairi uta’awase Kanna gan-nen 内裏歌合 寛和元年 (‘Palace Poetry Match Kanna 1’) held by Emperor Kazan the 10th day of the Eighth Month, Kanna 1 [28.8.985].

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 12

Round Twelve

Left

我がやどものこる花なくうゑつれど野べのけしきは猶ぞ床しき

wa ga yado mo
nokoru hana naku
uetsuredo
nobe no keshiki wa
nao zo yukashiki
At my dwelling
Lingering blooms are there none
Though I did plant them,
The prospect of a meadow is
Charming still!

Lord Fujiwara no Kiyosuke, Senior Secretary of the Dowager Empress’ Household Office
23

Right

秋萩の枝もとををにおく露のはらはばあやな花やちりなん

akihagi no
eda mo tōo ni
oku tsuyu no
harawaba aya na
hana ya chirinan
The autumn bush-clover
Branches bent with
Fallen dewdrops—
Should I sweep them off, then
Would the blossoms scatter, I wonder?

Lay Priest and Master of the Left Capital Office Norinaga
24

Doesn’t the Right seem to resemble the poem in the Ancient and Modern Collection which says

をりてみば落ちぞしぬべき秋萩の枝もとををにおけるしら露

oritemiba
ochi zo shinubeki
akihagi no
eda mo t
ōo ni
okeru shiratsuyu
Were I to pluck one,
‘Twould fall and smash:
Autumn bush-clover’s
Branches bent
With fallen silver dewdrops.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 11

Round Eleven

Left (Win)

われこそは野べをば宿にうつしつれたがさそひこし虫の音ぞこは

ware koso wa
nobe oba yado ni
utsushitsure
ta ga sasoikoshi
mushi no nezoko wa
‘Twas I, indeed, who
The meadow to my dwelling
Shifted, but
Who is it has been invited here
By the insects’ songs?

Shun’e Tayū no kimi
21

Right

秋の野の千くさの花の色色を心ひとつにそめてこそみれ

aki no no no
chikusa no hana no
iroiro o
kokoro hitotsu ni
somete koso mire
The autumn meadows
Thousand grasses’ blooms
Have hues a’plenty, but
My heart, but one,
Has been dyed, you see!

Mikawa, Court Lady to His Excellency
22

The Left sounds as if the poet is being comforted by the insects which is at some variance from the essential meaning of the topic, and yet when I listen to it, it has an abundance of charm. The Right doesn’t differ, does it, from Kanemasa’s poem in the Poetry Match held at the Residence of the Minister of the Centre in Gen’ei 2 [1119]:

秋くれば千くさに匂ふ花の色の心ひとつにいかでしむらん

aki kureba
chikusa ni niou
hana no iro no
kokoro hitotsu ni
ikade shimuran
When the autumn comes
The thousand grasses glow
With flowers’ hues, but
Why, then, does my heart with but one
Seem to be stained?

Thus, the Left wins.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 10

Round Ten

Left (Win)

色色に心ぞうつる秋ののは露もあだなる花しなければ

iroiro ni
kokoro zo utsuru
aki no no wa
tsuyu mo adanaru
hana shi nakereba
From one to another
My heart does shift, for
In the autumn meadows
Even a slightly unattractive
Bloom is there not a one…

Master Shinkaku
19

Right

花すすき風のけしきにしたがひて心おこらぬ人なまねきそ

hanasusuki
kaze no keshiki ni
shitagaite
kokoro okoranu
hito na maneki so
O, silver grass!
The feelings of the wind
Follow, and
Folk whose hearts will not be moved
Beckon not!

Lay Priest and Supernumerary Director of the Bureau of Horses, Right Division Sanekiyo
20

The Left, in terms of both conception and diction seems to be much better composed than the Right.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 09

Round Nine

Left (Win)

女郎花いづれの秋かみえざりし野原の霧に立ちなかくれそ

ominaeshi
izure no aki ka
miezarishi
nohara no kiri ni
tachi na kakure so
O, maidenflower,
In which autumn is it, that
You have remained unseen?
In the mists upon the meadow
Stand and don’t hide yourself!

Kataoka Shrine Priest Kamo no Masahira
17

Right

心から夜のまの露にしほたれてあさじめりする女郎花かな

kokoro kara
yo no ma no tsuyu ni
shiotarete
asajimerisuru
ominaeshi kana
Her heart
Throughout the night with dewdrops
Drenches her,
Dripping with morning tears is
The maidenflower!

Fujiwara no Koreyuki, Supernumerary Junior Assistant Minster of the Sovereign’s Household
18

The Left is extremely absorbingly composed. As for the Right, though, I wonder about the use of being ‘drenched with dewdrops’—while it does put me in mind of fisherfolk at Ise, because it fails to indicate anything in the conception of the topic, it should lose, I think.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 08

Round Eight

Left (Tie)

うづら鳴く遠里小野の小萩はら心なき身も過ぎうかりけり

uzura naku
tōsato ono no
kohagiwara
kokoronaki mi mo
sugi’ukarikeri
Quails cry from
Tōsato plain’s
Bush-clover groves—
Even one as insensitive as I
Finds it hard to pass them by.

Kenshō Sukenokimi
15

Right

あきの野の花に心をそめしよりくさかやひめもあはれとぞ思ふ

aki no no no
hana ni kokoro o
someshi yori
kusakayahime mo
aware to zo omou
Since the autumn meadows’
Blooms my heart
Did fill, for
Kusakayahime
Fondness, I feel!

Tōren
16

As for the Left, if one is composing about bush-clover groves, then I would want the poem to mention Miyagi Plain. As for the Right’s Kusakayahime, I wondered if she appeared in the Chronicles of Japan, but in that work you have Izanagi-no-miko and Izanami-no-miko, who wed and create the first land, Akitsushima, and then many provinces, mountains, rivers and seas and thus trees and plants, too. It further states that the primordial tree was Kukunochi and the primordial plant was Kayanohime. The conception of the Right’s poem does not differ from this, yet it continues to mention Kusakayahime, which is unclear. I get the feeling that this poem was composed with the works composed for the banquet held for the completion of the Chronicles of Japan in mind, which refer to each and every spring and the ancient Kayanohime, but even these poems did not differ in conception from that of the main work. It’s impossible to pick a loser or winner.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 05

Round Five

Left

あきののは花の色色おほかれど萩のにしきにしく物ぞなき

aki no no wa
hana no iroiro
ōkaredo
hagi no nishiki ni
shiku mono zo naki
In the autumn meadows
The blooms have hues
Aplenty, yet
To the bush-clover’s brocade
There’s nothing to compare.

Lord Fujiwara no Yorisuke, Assistant Master of the Empress Dowager’s Household Office
9

Right (Win)

ほりはてぬ花こそあらめ秋ののに心をさへものこしつるかな

horihatenu
hana koso arame
aki no no ni
kokoro o sae mo
nokoshitsuru kana
As yet undug
Flowers, indeed, may there be
In the autumn meadows, for
Even my heart
Does linger there!

Lord Minamoto no Yorimasa, Former Director of the Bureau of Military Storehouses
10

The Left seems a bit cliched, yet it’s not bad. As for the Right, the image of having dug up all the flowers is unsatisfying, yet it’s not worth drawing attention to when the whole sentiment is so charming, and thus the Right should win.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 01

Round One

Blossom and Grasses

Left (Tie)   

色とこそ萩が花ずりおもひしか香さへ袂にうつりぬるかな

iro to koso
hagi ga hanazuri
omoishika
ka sae tamoto ni
utsurinuru kana
With hues, indeed,
Are the bush-clover blooms dyed
Did I think, but
Even the scent to my sleeves
Has shifted!

Lord Fujiwara no Shige’ie, Minister of Justice
1

Right

あきの野にいづれともなき花なれどまねく薄ぞ先めにはたつ

aki no no ni
izure to mo naki
hana naredo
maneku susuki zo
saki me ni wa tatsu
In the autumn meadows
All equally fine
Are the flowers, yet
It is the beckoning silver grass that
First catches the eye!

Former Minor Counsellor Fujiwara no Suketaka
2

On perusing the poems of Left and Right, it is not the case that neither has any elements lacking feeling. With that being said, the initial section of the Left’s poem and the final section of the right are not laudable, so after some little thought and being confused by the Left and the Right, reluctantly, I have decided to make this a tie.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 34

Round Thirty-Four

Left

世のうさに秋の心のふかければおつる涙ももみぢしにけり

yo no usa ni
aki no kokoro no
fukakereba
otsuru namida mo
momijishinikeri
With the cruelty of this world,
In autumn, my heart is full
Down to its depths, so
Even my dripping tears
Have turned to scarlet hues.

Iemoto
67

Right (Win)

おもひでも又待つ事もなけれどもさすがに世こそすてもやられね

omoide mo
mata matsu koto mo
nakeredomo
sasuga ni yo koso
sute mo yararene
If I recall
I still to await
Have nothing at all, yet
Even so, indeed, this world
I am not ready to abandon!

Yūsei
68

Neither has anything wrong with it, yet the Right is superior.