Tag Archives: dawntime

Eien narabō uta’awase 21

Round Seven

Left

秋の夜はながゐのうらにとまりしてのどかにてらすありあけの月

aki no yo wa
nagai no ura ni
tomarishite
nodoka ni terasu
ariake no tsuki
Autumn nights
Are long at Nagai Bay
Lodging, and
Gently shining
The dawntime moon.

Lady Kazusa
41

Right (Win)

秋の夜のくもふきはらふあらしこそ月みるひとのこころなりけれ

aki no yo no
kumo fuki’harau
arashi koso
tsuki miru hito no
kokoro narikere
On an autumn night
The clouds a’blowing away,
The storm wind, truly,
As someone gazing upon the moon
Has the selfsame heart!

Lady Shikibu
42

The poem of the Left certainly imagines the scene just as it is. With that being said, however, the dawntime moon is not present long enough. The Right’s poem simply sounds like one composed by Atsutaka for the ‘Poetry Match held at the Residence of the Former Captain of the Outer Palace Guards, Left Division’.[i] Thus, it’s impossible for me to determine a winner or loser.

It’s a poem which we see in the Poetry Match at Lord Moroyori’s Residence.

冬のよの雲ふきはらふ木枯や月見る人の心なるらむ

fuyu no yo no
kumo fuki’harau
kogarashi ya
tsuki miru hito no
kokoro naruramu
On a winter’s night
The clouds a’blowing away,
The bitter wind, indeed,
As someone gazing upon the moon
The same heart seems to have![ii]

In the poem of the Left, is it the moon or the poet who is lodging at Nagai Bay? If it’s the moon, then ‘lodging’ is erroneous; if it’s the poet, then ‘gently shining’ doesn’t work. In addition to this vagueness, I do also question whether ‘dawntime’ sounds appropriate. As for the Right’s poem, ‘as someone gazing at the moon / Has the selfsame heart!’ is an elegant conception, and the diction is also smooth. It reminds me of an earlier work by someone else. Thus, it wins.


[i] This match has a several different titles, Mototoshi refers to here as both: Zen sa-hyōe no kami no ie no uta’awase 前左兵衛督家歌合 and also Moriyori-kyō no ie uta’awase 師頼卿家歌合, but it is also known as the ‘Poetry Match held by the Late Master of the of the Crown Prince’s Household’ (Ko-tōgū daibu ie uta’awase 故東宮大夫家歌合) and the ‘Poetry held by Moroyori, Captain of the Outer Palace Guards, Right Division’ (U-hyōe no kami moroyori uta’awase 右兵衛督師頼歌合): the text of this match is no longer extant, but it is known to have taken place in the winter Tennin 天仁 2 (1109). Fujiwara no Kiyosuke notes that it was judged by Toshiyori, but Mototoshi disagreed with his assessments and submitted at set of judgements of his own in appeal (Fujioka 1995, 212).

[ii] This poem is included in Shoku shikashū (VI: 293), attributed to Moroyori, with the headnote, ‘Composed on the moon in winter’.

Eien narabō uta’awase 16

Round Two

Left (Win)

秋のよの月のひかりはかはらねどたびのそらこそあはれなりけれ

aki no yo no
tsuki no hikari wa
kawaranedo
tabi no sora koso
aware narikeri
On an autumn night
The moon’s light
Is unchanged, yet
The sky above me on my travels
Is so very sad, indeed.

Lord Saburō
31

Right

あきの夜はたのむる人もなきやどもありあけの月はなほぞまちいづる

aki no yo wa
tanomuru hito mo
naki yado mo
ariake no tsuki wa
nao zo machi’izuru
On an autumn night
With no man even expected
At my house,
It is the dawntime moon’s
Appearance that, indeed, I have awaited.

Ushigimi

32

The poem of the Left seems extremely well-trodden. It resembles a something sung as a popular song. As for the poem of the Right, ‘not…at my house’ is extraordinarily stilted, yet the poems are of the same quality, so I would say these tie.

The poem of the Left’s final ‘Is so very sad, indeed’ sounds pitiful and truly unskilled. The poem of the Right overemphasises ‘even’, and also appears to say that the dawntime moon is an element conveying a moving desolation. I wonder if this is appropriate for the topic of the ‘the moon’ in a poetry match? There needs to be a prior poem as precedent. It does say that the moon’s emergence after having waited for it is something precious, but the poem refers to the moon in the latter part of the month, after the twentieth day, doesn’t it? This would seem to be moving, for sure, but it’s something which doesn’t shed much light, so I would say that the Left wins.

KYS III: 211

Composed on the moon at dawn on the road to a barrier, while at the Shirakawa residence of the former Uji Grand Minister.

あり明の月もし水にやどりけりこよひはこえじあふさかの関

ariake no
tuki mo simizu ni
yadorikeri
koyoFi Fa koezi
aFusaka no seki
The dawntime
Moon within pure water
Has lodged;
Tonight I’ll not pass
The barrier at Meeting Hill.

Lord Fujiwara no Norinaga

A kuzushiji version of the poem's text.
Created with Soan.

Kinkai wakashū 35

After I had had various people compose on the scent of plum carried on the breeze.

このねぬるあさけの風にかをるなり軒ばの梅の春のはつ花

kono nenuru
asake no kaze ni
kaoru nari
nokiba no ume no
haru no hatsubana
Having slept
The dawntime breeze
Is scented:
Beneath my eaves the plum
Shows spring’s first blossom.
Created with Soan.

Love VII: 24

Left (Tie).
故郷に見し面影も宿りけり不破の関屋の板間洩る月

furusato ni
mishi omokage mo
yadorikeri
fuwa no sekiya no
itama moru tsuki
Back home
I saw her face, and
It lodges here,
At the Barrier House at Fuwa,
In the moonlight leaking through the boards.

A Servant Girl
1007

Right.
人恋ふる我ながめよ思けり須磨の関屋の有明の月

hito kouru
ware nagameyo
omoikeri
suma no sekiya no
ariake no tsuki
Loving you,
I will ever gaze,
I thought,
At the Barrier House at Suma
On the dawntime moon.

Nobusada
1008

The Right state: the Left’s poem is good. The Left state: the Right’s poem lacks any faults to indicate.

In judgement: the Left’s ‘Barrier House at Fuwa’ (fuwa no sekiya) followed by ‘the moonlight leaking through the boards’ (itama moru tsuki) is truly charming. In addition, if one wonders why ‘I saw her face’ (mishi omokage mo) has been used, it is certainly reminiscent of the poem ‘The dawntime moon, too, lodges in the waters clear’, but an improvement on it. It is difficult to say, however, that the Right’s ‘At the Barrier House at Suma on the dawntime moon’ (suma no sekiya no ariake no tsuki) is in any way inferior.