On the conception of summer lover, when he held a poetry match at his house.
うつせみのなくねやよそにもりの露ほしあへぬ袖を人のとふまで
| utsusemi no naku ne ya yoso ni mori no tsuyu hoshiaenu sode o hito no tou made | A cicada shell of Cries, sobs distant as Dripping dewdrops in the forest— My sleeves never drying Until folk ask me why.. |
The Regent and Grand Minister
旅ごろもうらがなしかるゆふぐれのすそのの露に秋風ぞ吹く
| tabigoromo uraganashikaru yūgure no susono no tsuyu ni akikaze zo fuku | In my traveller’s garb and Sick at heart Of an evening, as Across the meadows on the slopes dewdrops Drift upon the autumn wind! [i] |
575
[i] See: 旅ごろもうらがなしさにあかしかね草の枕は夢もむすばず tabigoromo / uraganashisa ni / akashikane / kusa no makura wa / yume mo musabazu ‘In my traveller’s garb / My heart-sickness / I cannot lift, for / My grassy pillow / Brings no dreams, at all…’ Hikaru Genji (Genji monogatari 223); and: たびごろもうらがなしかるあさぢふによはのしぐれよいかにせよとぞ tabigoromo / uraganashikaru / asajū ni / yowa no shigure yo / ika ni seyo to zo ‘In my traveller’s garb and / Sad at heart among / The clumps of cogon grass, / O, midnight shower, / Tell me, what I am I to do?’ Jakuchō (Sumiyoshi-sha uta’awase kaō ni-nen 54)
Left
織女の年に一たび逢ふものをなどわが恋のはるけかるらむ
| tanabata no toshi ni hito tabi au mono o nado wa ga koi no harukekaruramu | The Weaver Maid But once a year A meeting may have, but Why is it my love Does seem to grow ever distant? |
13
Right
つゆに露われもろともにおきゐつつ恋する身さへ消えぬべきかな
| tsuyu ni tsuyu ware morotomo ni oki’itsutsu koisuru mi sae kienubeki kana | Dewfall upon dewdrops, Both do I Let ever fall— Love fills my flesh so It could fade away! |
14
Round Thirty-Two
Left (Tie)
上葉ふく朝の原の秋風におのれうつろふ萩の下露
| uwaba fuku ashita no hara no akikaze ni onore utsurou hagi no shitazuyu | Blowing upon the upper leaves Over Ashita Plain, The autumn breeze touches, Fading all of itself The dripping dew upon the bush clover. |
Tomoshige
63
Right
今よりはたが涙とか成りぬらん下葉色づく秋萩の露
| ima yori wa ta ga namida to ka narinuran shitaba irozuku akihagi no tsuyu | From now on Whose tears might They become? Colouring the underleaves Are dewdrops upon the autumn bush clover…[1] |
Dharma Master Zenshin
64
Left and Right are in the same style. The Right’s poem wonders ‘whose are these tears’ and has a person’s tears as the dew upon the grass, which is something one often hears. Using dew on the grass as a person’s tears is a bit vague, yet it’s not going so far as to be a definite fault. These should tie.
[1] An allusive variation on: Topic unknown. あきはぎのしたば色づく今よりやひとりある人のいねがてにする akihagi no / shitaba irozuku / ima yori ya / hitori aru hito no / inegatenisuru ‘The autumn bush clover’s / Underleaves are colouring / From this point on, / For one all alone / Will sleep be harder to find?’ Anonymous (KKS IV: 220)
Round Thirty-One
Left
露すがる庭の萩原色付きぬいかなる人の思ひそむらん
| tsuyu sugaru niwa no hagiwara irozukinu ika naru hito no omoisomuran | All clung with dew, The bush clover grove in the grounds Has taken on such hues, that I wonder who it is Might have just fallen into passion’s flames? |
Chikanari
61
Right (Win)
おく露は秋のならひの萩が枝にあまるや雁の涙なるらん
| oku tsuyu wa aki no narai no hagi ga e ni amaru ya kari no namida naruran | Dewdrops falling is Autumn’s custom for The bush clover branches, but Added to them are the goose Tears, perhaps?[1] |
Ie’kiyo
62
The Left’s poem has a person’s feelings being dyed by the bush-clover, but I cannot think why this should be? The Right’s poem seems particularly pleasant. Thus, it wins.
[1] An allusive variation on: Composed on the occasion of a poetry competition at Prince Koresada’s house. 秋の夜のつゆをばつゆとおきながらかりの涙やのべをそむらむ aki no yo no / tsuyu oba tsuyu to / okinagara / kari no namida ya / nobe o somuran ‘On Autumn nights / The dew as dewdrops / Falls, but, / Perhaps goose tears / Stain the fields?’ Mibu no Tadamine (KKS V: 258)
