Tag Archives: door

Eien narabō uta’awase 08

Cuckoos

Round One

Left

ほととぎすまきのとばかりまちつれどなかであけぬる夏のしののめ

hototogisu
maki no to bakari
machitsuredo
nakade akenuru
natsu no shinonome
O, cuckoo,
Briefly by my door of cedar wood
Did I await you, yet
No song, at all, brightened
This summer edge of dawn.

Lord Dainagon
15

Right (Win)

ほととぎすなくうれしさをつつめどもそらにはこゑもとまらざりけり

hototogisu
naku ureshisa o
tsutsumedomo
sora ni wa koe mo
tomarazarikeri
At the cuckoo’s
Song, my joy
To hold fast did I try, yet
In the skies, his cry
Lingered not.

Lord Chūnagon
16

The Left’s poem, after careful consideration, has a graceful style. The diction of the Right’s poem is superb, and there is an excess of conception. Reading and reciting these leaves my aged heart at a loss. Thus, they tie.

In the Left’s poem, ‘briefly’ is an expression which means ‘just for a short time’, I think, and thus the sentiments are lacking. Saying ‘brightened…edge of dawn’ sounds as if the poet has only begun waiting at daybreak. One does see, apparently, a number of poems in prior matches where the poet has not heard the cuckoo. Nevertheless, I do wonder about whether this is appropriate, given that poems where the cuckoo has been heard are faultless. The Right’s poem is not that good, but it is poetic. Thus, it has to win.

Sumiyoshi-sha uta’awase kaō ni-nen 32

Round Seven

Left (Tie)

きしちかみたびねのとこをうつなみのかへるひまにぞしぐれとはしる

kishi chikami
tabine no toko o
utsu nami no
kaeru hima ni zo
shigure to wa shiru
Close by the coast
My journey’s bed is
Struck by waves;
In the space as they withdraw,
I know that showers are falling.

Dharma Master Yūsei
63

Right

しばのとをたたくあらしのおとにまたしぐれうちそふたびのよはかな

shiba no to o
tataku arashi no
oto ni mata
shigure uchisou
tabi no yowa kana
Upon my brushwood door
The storm wind came a’knocking;
The sound then
Laced with showers,
At midnight on my travels!

Norimori
64

In the Left’s poem, it sounds as if the shower is continuing to fall quietly, yet it then appears to have the conception that one knows the showers are falling in the gaps between the waves breaking. In the Right’s poem, ‘The storm wind came a’knocking; / The sound then’ sounds charming, but I do wonder about how it looks to have lines beginning beginning with both ‘brushwood door’ [shiba no to] and ‘showers’ [shigure]. Thus, again, these tie.

Kinkai wakashū 180

Autumn

Composed on the morning of the 1st day of the Seventh Month.

昨日こそ夏はくれしかあさ戸出の衣手さむし秋のはつかぜ

kinō koso
natsu wa kureshi ka
asa tode no
koromode samushi
aki no hatsukaze
Was it only yesterday that
Summer reached its end?
For stepping out my door this morning
My sleeves are chilled
By autumn’s first breeze…

Entō ōn’uta’awase 6

Left (Tie)

山のはに有明の月の残らずは霞にあくる空をみましや

yama no ha ni
ariake no tsuki no
nokorazu wa
kasumi ni akuru
sora o mimashi ya
Upon the mountains’ edge
Had the moon at dawn
Not lingered, then
On the brightening, hazy
Sky would I have turned my gaze?

Shō
11

Right

朝戸あけてながめなれたる明ぼのの霞ばかりに春を知るかな

asa to akete
nagamenaretaru
akebono no
kasumi baraki ni
haru o shiru kana
With morn, opening my door, and
Accustomed to gazing
At the dawn
The haze is all that
Tells me ‘tis spring![1]

Nagatsuna, Ranked without Office
12

The Left’s poem has ‘would I wish to see the skies brightening with haze’, which does not seem bad, but the initial line drop ‘dawn’ and the latter part ‘brightening with haze’ which is a bit dubious; the Right’s poem really has nothing special about it. The poems are comparable and tie.


[1] An allusive variation on GSS V: 249.

Entō ōn’uta’awase 4

Round Four

Left (Win)

あけぬるか霞の衣たちかへり猶君が代の春をまつかな

akenuru ka
kasumi no koromo
tachikaeri
nao kimi ga yo no
haru o matsu kana
Is it the breaking dawn that
Hazy raiment
Casts back?
Ever for my Lord’s reign’s
Springtime do I pine!

Novice Dōchin

7

Right

天の戸のあけゆく空はうれしきを猶はれやらず立つ霞かな

ama no to no
akeyuku sora wa
ureshiki o
nao hareyarazu
tatsu kasumi kana
That Heaven’s door
Opens to brighten the sky—
What joy, but
Still, never clearing is
The rising haze!

Dharma Master Nyogan

8

The Left poem’s links with celebration are certainly not something praiseworthy, but I am unable to accept the Right’s ‘joy’. Thus, the Left wins.

MYS VIII: 1596

A poem by Ōtomo no sukune Yakamochi when he arrived at a maiden’s gate.

妹家之 門田乎見跡 打出来之 情毛知久 照月夜鴨

いもがいへの かどたをみむと うちいでこし こころもしるく てるつくよかも

imo ga ipe no
kadota wo mimu to
uti’idekosi
kokoro mo siruku
teru tukuyo kamo
My darling’s house has
Rice fields before its door—to see them
Have I come,
My heart brightened on
A shining moonlit night!
A kuzushiji version of the poem's text.
Created with Soan.

SCSS IV: 267

On the moon at a mountain retreat, for a Fifty Poem Sequence at the residence of the Lay Priest Prince of the Second Order.

松のとをおしあけ方の山かぜに雲もかからぬ月を見るかな

matsu no to o
oshiakegata no
yamakaze ni
kumo mo kakaranu
tsuki o miru kana
Upon my pinewood door
Pushes at the break of dawn
A breeze from off the mountains, so
Unencumbered by the clouds
Do I see the moon!

Ietaka, Senior Third Rank

A kuzushiji version of the poem's text.
Created with Soan.