Tag Archives: evergreen

SKKS VI: 577

On passing through Tokiwa Grove at the beginning of the Tenth Month.

しぐれの雨そめかねてけり山しろのときはのもりの槙の下ばは

shigure no ame
somekanetekeri
yamashiro no
tokiwa no mori no
maki no shitaba wa
Showers of rain
Cannot dye
In Yamashiro
Sempiternal Tokiwa Grove’s
Evergreen underleaves…[i]

Dharma Master Nōin


[i] An allusive variation on: 四具礼能雨 無間之零者 真木葉毛 争不勝而 色付尓家里 shigure no ame / ma nakushi fureba / maki no pa mo / arasoikanete / irozukinikeri ‘Showers of rain / Fall without respite, so / Even evergreens’ leaves / Can fight no longer, and / Take on a hint of colour.’ Anonymous (Man’yōshū X: 2196)

Tōgū gakushi noritada uta’awase 02

Mugwort in the Grounds[i]

Left

よろづよもときはならなんけふのためいはひておほすそののよもぎは

yorozuyo mo
tokiwa naranan
kyō no tame
iwaite ōsu
sono no yomogi wa
For ten thousand ages more
Evergreen, I would you be!
For today’s
Celebration, lushly growing
Mugwort in the grounds…

3

Right

そののうちにおふるよもぎのえだしげみすゑさかゆべくみゆるきみかな

sono no uchi ni
ouru yomogi no
eda shigemi
sue sakayubeku
miyuru kimi kana
Within the grounds
A’growing, the mugwort’s
Branches are lush
To the very end they flourish,
As do you appear to, my Lord!

4

In ancient times, folk arose on this day with the dawn together with the birds and, taking those branches of mugwort from within their grounds that resembled people, dried them in the shade and made medicinal draughts—I wonder, were both Left and Right unaware of this? There is not even a dewdrop’s worth of diction in accordance with the topic, so I must make this round a tie.

かたかたにとるかたもなきよもぎぐさひとかずならぬここちこそすれ

katakata ni
toru kata mo naki
yomogigusa
hito kazu naranu
kokochi koso sure
Both sides say
Nothing noteworthy about
Mugwort plants,so
Neither is worth much,
I feel!

Judge 2


[i] Sono no naka no yomogi 園中蓬

Eien narabō uta’awase 29

Felicitations

Round One

Left

みどりなるまつかげひたすいけ水にちよのすみかとみゆるやどかな

midori naru
matsukage hitasu
ikemizu ni
chiyo no sumika to
miyuru yado kana
Evergreen
The pine tree’s shapes sink
Into the pond waters—
A residence for a thousand ages
Does that dwelling seem!

Lord Dainagon
57

Right (Win)

ちとせともいろにはいでていはし水ながれむほどは君がよなれば

chitose to mo
iro ni wa idete
iwashimizu
nagaremu hodo wa
kimi ga yo nareba
For a thousand years or more
Does its hue emerge—
Spring waters from the rocks
Might flow as long as
My Lord’s reign will be, so…

Lord Chūnagon
58

What on earth might be the colour of the Left poem’s ‘pine tree’s shapes sink’ and the Right poem’s ‘thousand years’ hue’? When one talks about ‘hue’ that means ‘scarlet’ and, in addition, it’s used of blossoms or autumn leaves. I have yet to see wisteria colouring the water in numerous private collections. The two poems are about the same, but the Right is marred by a series of faults.

The Left’s ‘shapes sink’ is extremely vague. ‘Sink’ means to submerge an object in water. One could certainly compose about a pine tree’s branches sinking, but how can we accept ‘shapes sink’ to mean an object’s reflection from beneath the water in the absence of a poem as precedent? The end is extremely, charming, though.

The poem of the Right doesn’t have anything special about it. It’s a pedestrian affair which doesn’t seem to show much evidence of thought. How are we to distinguish between a poem which is hackneyed but lacking any faults and one which is vague?

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 44

Round Eight

Left (Tie)

紅葉ばは紅ふかく成りゆけど独さめたる松の色かな

momijiba wa
kurenai fukaku
nariyukedo
hitori sametaru
matsu no iro kana
The autumn leaves
Deeply scarlet
Are becoming, yet
Singly, all the more aware am I
Of the pine tree’s hues!

Koreyuki
87

Right

ははそ原しぐるるままにときは木のまれなりけるも今ぞみえける

hahasowara
shigururu mama ni
tokiwagi no
marenarikeru mo
ima zo miekeru
As the oak groves
Linger under showers,
An evergreen,
So rare, is
What appears to me now.

Kojijū
88

Both Left and Right drop scarlet leave and are composed on evergreens, so they lack the essence of the topic, don’t they. The Right has the finer configuration, but autumn leaves, pointlessly, fail to appear in it. In addition, somewhat distastefully, it puts me in mind of the poem, ‘…Truly, evergreen / The pine tree seems’,[1] so the best these can do is tie.


[1] A poem from a poetry contest held by Her Majesty, the Empress, in the Kanpyō period. 雪ふりて年のくれぬる時こそつひにもみぢぬ松も見えけれ yuki furite / toshi no kurenuru / toki ni koso / tsui ni momijinu / matsu mo miekere ‘Snow falls and /The year reaches its evening, / It is at this time that / Truly, evergreen / The pine tree seems.’ Anonymous (KKS VI: 340)

KKS VII: 362

A poem written on a folding screen with paintings of the four seasons, created as a backdrop for the fortieth birthday celebrations of Lord Fujiwara, Major Captain of the Right, by the Principal Handmaid – Autumn.

秋くれど色もかはらぬときは山よそのもみぢを風ぞかしける

aki kuredo
iro mo kaFaranu
tokiFayama
yoso no momidi wo
kaze zo kasikeru
Autumn has come, yet
To the never changing hues on
Evergreen Mountain
Distant scarlet leaves
The wind has lent!

Sakanoe no Korenori

A kuzushiji version of the poem's text.
Created with Soan.