Tag Archives: face

Nishinomiya uta’awase 06

Round Six

Left

雲かかる高志のやまの明暮に妻まどはせるを鹿鳴くなり

kumo kakaru
takashi no yama no
akegure ni
tsuma madowaseru
oshika naku nari
All hung about with cloud
On Takashi Mountain
In the gloaming
Having lost his mate
A stag bells out.

Nakamasa
11

Right

山がつの先あかつきをしりがほに裾野に出でて鹿ぞ鳴くなる

yamagatsu no
mazu akatsuki o
shirigao ni
susono ni idete
shika zo naku naru
A mountain man
First of all, that ‘tis dawn
Knows plain upon his face,
As he sets out upon the slopes
As a stag bells out!

Head
12

The Left poem’s conclusion, ‘Having lost his mate / A stag bells out’ seems no different from that of a poem by Gō no Jijū in poetry match held by the First Princess.[1] As for the poem of the Right’s ‘A mountain man / Awaits the dawn / Knowing plain upon his face’—what on earth might a mountain man look like while waiting for dawn? There is the tale of Hangu Pass in Cathay, where the barrier guard was waiting for dawn and opened the gate after hearing a cock’s crow, but the expression ‘a mountain man awaits the dawn’ has never appeared before in a poem—either one of Cathay or in the words of Yamato, so I feel that both Left and Right lack any superlative qualities.


[1] Stags. をぐら山たちどもみえぬゆふぎりにつままどはせるしかぞなくなる ogurayama / tachidomo mienu / yūgiri ni / tsuma madowaseru / shika zo nakunaru ‘On gloomy Ogura Mountain / Stands unseen / Among the evening mists / Having lost his mate / A belling stag.’ (Yūshi naishinnō-ke uta’awase eishō go-nen 27). This event was held at the residence of Imperial Princess Sukeko (Yūshi) on the 5th day of the Sixth Month, Eishō 5 [26.10.1050]. The poem won its round, and was later included in Goshūishū (IV: 292).

Tsurayuki uta’awase 04

Love

Left

わが恋は春のなかばになりにけり花のにほひに影やみゆると

wa ga koi wa
haru no nakaba ni
narinikeri
hana no nioi ni
kage ya miyuru to
My love
In the heart of spring
Has come about:
In the glow of blossom
Can I see her face…

7

Right

春はなほくるしかりけりさくら花いろのつきつつ恋のまされば

haru wa nao
kurushikarikeri
sakurabana
iro no tsukitsutsu
koi no masareba
Spring is ever
Full of pain:
The cherry blossoms’
Hues exhausted, as
My love is at its strongest…

8

SCSS V: 294

When the Gokyōgoku Regent ordered her to produce a hundred poem sequence.

いくめぐり過行く秋にあひぬらむかはらぬ月の影をながめて

iku meguri
sugiyuku aki ni
ainuramu
kawaranu tsuki no
kage o nagamete
How many circuits,
Passing through autumn
Might I have encountered,
The unchanging moon’s
Lit face within my gaze?

Kojijū

A kuzushiji version of the poem's text.
Created with Soan.

SIS III: 171

For a folding screen, where people were relaxing at a house with a pond, on the night of the 15th of the Eighth Month.

水のおもにてる月なみをかぞふればこよひぞ秋のも中なりける

midu no omo ni
teru tukinami wo
kazoFureba
koyoFi zo aki no
monaka narikeru
Upon the water’s face
Shine waves of moonlight;
Counting reveals that
Tonight is autumn’s
Centrepoint!

Minamoto no Shitagō

A kuzushiji version of the poem's text.
Created with Soan.

SKKS VIII: 827

After the death of Imperial Princess Shinshi, he had heard that Imperial Princess Sōshi was to move to her former residence, so he went to inspect it, but found everything unchanged; deep in memories of the distant past, he said this to one of the ladies-in-waiting.

ありすがはおなじながれはかはらねどみしやむかしの影ぞわすれぬ

arisugawa
onaji nagare wa
kawaranedo
mishi ya mukashi no
kage zo wasurenu
The Arisu River’s
Flow is just the same and
All unchanged, yet
She who saw it, long ago—
Her face never will I forget!

The Naka-no-in Minister of the Right

A kuzushiji version of the poem's text.
Created with Soan.