Tag Archives: folk

Eien narabō uta’awase 03

Round Three

Left (Win)

うきよにもはなのさかりになりぬればものおもふ人はあらじとぞ思ふ

ukiyo ni mo
hana no sakari ni
narinureba
mono’omou hito wa
araji to zo omou
Even in this cruel world
The blossoms in profusion
Are, so
Folk sunk in gloomy thought
Are there likely not a one, I feel!

Retired from the world on Mount Uji
5

Right

ちらざらむことこそはなのかたからめわびてはさてもしばしあらなむ

chirazaramu
koto koso hana no
katakarame
wabite wa sate mo
shibashi aranamu
Not to scatter
For the blossoms is a thing
So hard—
It may be painful, but still
I would have them stay a while.

Senior Assistant Minister Past Lecturer
6

I fail to understand—at all—why there should be a large number of people for whom the world is cruel. This is deeply unpleasant. In connection with this there’s an older poem which says ‘innumerable, my sorry self alone has caused these woes’.[i] The poem of the Right has ‘It may be painful, but still / I would have them stay a while’—if the blossoms have not yet scattered, then how can this still be painful? I cannot grasp the diction and reasoning of these two poems, so they tie.

The poem of the Left has some conception—it appears to be expressing sentiments that are natural. It’s extremely charming how it links with the conception of the old expression ‘the heart of spring’.[ii] However, the diction ‘feel/think’ [omou] appears in two places. I do feel that in terms of the sequencing of the phrasing, that’s certainly how it is, so it’s not a fault as such, but I would have preferred to see the second usage at the beginning of its line. As for the poem of the Right, from ‘painful’ to the end, it is immature. It doesn’t sound like a poem and resembles prosaic speech. Thus, I have to say the Left is the winner.


[i] Mototoshi appears to be misremembering this poem: Topic unknown. おほかたのわが身ひとつのうきからになべての世をも怨みつるかな ōkata no / wa ga mi hitotsu no / uki kara ni / nabete no yo o mo / uramitsuru kana ‘In general / My sorry self, alone, / Has caused these woes, but / Still all of this common world / I do despise!’ Tsurayuki (SIS XV: 953).

[ii] Toshiyori is referring to this poem from Kokinshū here: Composed at the Nagisa Palace when he saw the cherries in bloom. 世中にたえてさくらのなかりせば春の心はのどけからまし yo no naka ni / taete sakura no / nakariseba / haru no kokoro wa / nodokekaramashi ‘If, in this world of ours / All the cherry blossom / Disappeared / The heart of spring / Might find peace.’ Ariwara no Narihira (KKS I: 53).

Naidaijin-ke uta’awase 32

Round Eight

Left (T – Tie; M – Win)

山のはにはつかの月のはつはつにみしばかりにやかくは恋しき

yama no ha ni
hatsuka no tsuki no
hatsuhatsu ni
mishi bakari ni ya
kaku wa koishiki
By the mountains’ edge
The Twentieth’s moon
Just for a moment
Did I simply see, so how
Am I so in love?

Lord Morikata
63

Right

恋すてふ皆人ごとにとひみばやいと我ばかりあらじとぞおもふ

koisu chō
mina hito goto ni
toimiba ya
ito ware bakari
araji to zo omou
Saying they are in love—
To all those folk
Would I enquire, for
Surely, I, alone
Do not endure such feelings?

Lord Nobutada
64

Toshiyori states: I may be mistaken, but I get the feeling the first poem resembles an earlier work, with only the ending changed somewhat. The second poem sounds stilted. They are of the same quality.

Mototoshi states: the poem of Left lacks originality, being based earlier poems from the emergence ‘the Twentieth’s moon’ at the beginning, then continuing with ‘for coarse cloth a bobbin turning’ and then finally ‘here at Isonokami, in the ancient’ at the end, yet this is more poetic than ‘To all those folk’, so this is still win for the Left.

Naidaijin-ke uta’awase 23

Round Eleven

Left (Both Judges – Tie)

こけのむす岩ねに残る八重ぎくはや千代さくとも君ぞみるべき

koke no musu
iwane ni nokoru
yaegiku wa
yachiyo saku tomo
kimi zo mirubeki
Choked with moss are
The crags where linger
Eightfold chrysanthemums:
E’en were they eight thousand ages a’bloom
My Lord would have beheld them, no doubt!

Lady Shinano
45

Right

霜がれに我ひとりとや白菊の色をかへても人にみすらん

shimogare ni
ware hitori to ya
shiragiku no
iro o kaetemo
hito ni misuran
‘Burned by frost
‘Tis me alone!’ thinks
A white chrysanthemum,
Changing hue
To show to folk, for sure.

Lord Tokimasa
46

Toshiyori states: I wonder if there is a poem as precedent for chrysanthemums lingering beneath moss-covered crags? If not, it’s a very crude expression. The ending of the poem is antiquated, too. As for the second poem ‘“Tis me alone!” thinks’ does not sound satisfactory. The assembled company settled the matter of the final ‘folk’, so I must make this a tie.

Mototoshi states: whether they are placed by a brushwood fence, or at the base of a crag, chrysanthemums feel like pines. As for the Right, having a chrysanthemum seem to think ‘‘tis me alone’ is speculative—had it been something like ‘this bloom opens’ then it would have been the poet’s thoughts. Neither of these is of quality to win or lose, so I make them a tie.

Naidaijin-ke uta’awase 18

Round Six

Left (T- Tie)

かれ行くをなげきやすらん初霜のきくのゆかりに置くと思へば

kareyuku o
nageki ya suran
hatsujimo no
kiku no yukari ni
oku to omoeba
On withering
Do they grieve, perhaps?
The first frosts upon
The chrysanthemums feel they form a bond
When falling, so…

Lady Shōshō
35

Right (M – Win)

わが宿の籬にやどる菊なくはなににつけてか人もとはまし

wa ga yado no
magaki ni yadoru
kiku naku wa
nani ni tsukete ka
hito mo towamashi
If at my home’s
Brushwood fence lodging
There were no chrysanthemums,
Why, indeed,
Would any folk come to call?

Lord Nobutada
36

Toshiyori states: the first poem is redolent of prior compositions and so does not appear to have anything novel about it; nor does the situation it refers to arise. The second poem, too, is hackney and lacking in interest, and the central phrase ‘there were no chrysanthemums’ is prosaic. I say these, too, should tie.

Mototoshi states: as frost is not sentient, it is not the case that it could grieve and feel regret in connection to chrysanthemums. The poem of the Right has as final section resembling that of the poem sent by the Later Prince of the Central Secretariat to the Shijō Major Counsellor:

花もみな散りなん後はわが宿のなににつけてか人をまつべき

hana mo mina
chirinan nochi wa
wa ga yado no
nani ni tsukete ka
hito o matsubeki
After the blossoms, every one,
Have scattered, then
At my house
Why, indeed,
Should I folk await?[1]

This makes it slightly more poetic, so I would say the Right is superior.


[1] When Major Counsellor Kintō said, ‘You should come to see the profusion of blossoms,’ and he was unable to visit. (GSIS I: 127)

GSIS I: 127

When Major Counsellor Kintō said, ‘You should come to see the profusion of blossoms,’ and he was unable to visit.

花もみな散りなん後はわが宿のなににつけてか人をまつべき

Fana mo mina
tirinan noti Fa
wa ga yado no
nani ni tukete ka
Fito wo matubeki
After the blossoms, every one,
Have scattered, then
At my house
Why, indeed,
Should I folk await?

Imperial Prince Tomohira, Minister of Central Affairs

Tōin senzai awase 09

Left – Rani

むしのねはまだおるとしもきこえぬをからにしきにもみゆる物かな 

mushi no ne wa
mada oru to shimo
kikoenu o
karanishiki ni mo
miyuru mono kana
The insects’ songs
Yet weave and even though
I hear them not
As Cathay brocade
Does all appear!

15a

むしのねはまだおるとしもきこえぬをからにしきにもみゆるのべかな

mushi no ne wa
mada oru to shimo
kikoenu o
karanishiki ni mo
miyuru nobe kana
The insects’ songs
Yet weave and even though
I hear them not
As Cathay brocade
Do the meadows appear!

15b

Right

きる人をのべやしるらんふぢばかまいたづらにのみつゆのおきつつ

kiru hito o
nobe ya shiruran
fujibakama
itazura ni nomi
tsuyu no okitsutsu
Folk wearing them
Do the meadows know, perhaps?
For upon these violet trousers
In mischief alone
Does the dew keep falling!

16

Rani is a generic term for ‘orchid’ but in waka it was usually equated with eupatorium (a type of aster), which was also called fujibakama, the literal meaning of which was ‘wisteria [coloured] trousers’.