Tag Archives: glow

Tsurayuki uta’awase 04

Love

Left

わが恋は春のなかばになりにけり花のにほひに影やみゆると

wa ga koi wa
haru no nakaba ni
narinikeri
hana no nioi ni
kage ya miyuru to
My love
In the heart of spring
Has come about:
In the glow of blossom
Can I see her face…

7

Right

春はなほくるしかりけりさくら花いろのつきつつ恋のまされば

haru wa nao
kurushikarikeri
sakurabana
iro no tsukitsutsu
koi no masareba
Spring is ever
Full of pain:
The cherry blossoms’
Hues exhausted, as
My love is at its strongest…

8

Entō ōn’uta’awase 33

Round Thirty-Three

Stags in the Night[1]

Left

久方のかつらの陰に鳴く鹿は光をかけて声ぞさやけき

hisakata no
katsura no kage ni
naku shika wa
hikari o kakete
koe zo sayakeki
In the eternal
Silver trees’ glow
The belling stag
Is limned with light, and
His voice sounds clear, indeed!

A Court Lady
65

Right (Win)

天川秋の一夜のちぎりだにかた野に鹿の音をや鳴くらん

ama no kawa
aki no hitoyo no
chigiri dani
katano ni shika no
ne o ya nakuran
By the River of Heaven
For a single autumn night’s
Brief bond—
Is that why a stag at Katano
Does cry out so?

Ietaka
66

The Right’s poem, by beginning with ‘By the River of Heaven / For a single autumn night’s / Brief bond’ and then continuing with ‘a stag at Katano’ sounds particularly refined, evoking memories of bygone days when Prince Koretaka sought lodging from the Weaver Maid when hunting at Katano—how charming it is.[2] The Left’s poem overall is not particularly bad and seems to lack any obvious faults, but the Right’s poem surpasses it in every way: it is not one of the normal run of compositions and thus, it must win.


[1] 夜鹿 – there are early examples of poems on related topics in Kin’yōshū and Senzaishū.

[2] Gotoba is referring to a pair of poems in Kokinshū which are contextualized by an account of a hunting expedition by Prince Koretaka 惟喬 (844-897): Once, when he had gone hunting in the company of Prince Koretaka, they dismounted by the banks of a river called Ama no Gawa (River of Heaven), and while they were tippling, the Prince commanded that Narihira offer him a wine cup with a poem expressing the feelings of a hunter arriving at the river of Heaven, so he composed the following: かりくらしたなばたつめにやどからむあまのかはらに我はきにけり kari kurashi / tanabatatsume ni / yado karamu / ama no kawara ni / ware wa kinkeri  ‘While hunting night is falling, / So from the Weaver Maid / Let us beg lodging / For to the Riverbank of Heaven / Have we come!’ Ariwara no Narihira (KKS IX: 418); The prince recited the above poem many times, but was unable to think of a reply so, being one of the party, Aritsune composed this: ひととせにひとたびきます君まてばやどかす人もあらじとぞ思ふ hito tose ni / hito tabi kimasu / kimi mateba / yado kasu hito mo / araji to zo omou ‘In a single year / But once comes / The Lord she awaits, so / One who provides lodging / She is not, I’d say!’ Ki no Aritsune (KKS IX: 419). These poems were famously incorporated into chapter 82 of Ise monogatari with four others to provide an expanded context. See Horiuchi and Akiyama (1997, 157-160) for the original text and Mostow and Tyler (2010, 175-179) for an English translation and commentary.

Eien narabō uta’awase 02

Round Two

Left

をちこちのちるはなごとにたぐひつつ春はこころのあくがるるかな

ochikochi no
chiru hana goto ni
taguitsutsu
haru wa kokoro no
akugaruru kana
Here and there
Every single scattered blossom
Enthralls me;
Spring within my heart
I hold so dear.

Lord Saburō
3

Right (Win)

やまざくらひる見るいろのあかなくによるさへ花のかげにむつれぬ

yamazakura
hiru miru iro no
akanaku ni
yoru sae hana no
kage ni mutsurenu
Mountain cherry,
Viewed in daytime has hues
That will not sate, so
Even at night the blossoms’
Glow entangles me.

Ushigimi
4

The Left’s poem has nothing remarkable about it. I say that, but it also has no particular faults. The Right’s phrase ‘’ feels curt, so I make the Left the winner.

The Left’s poem does not appear to have any particular faults—it describes the world as it is, so it seems to lack any novel phrasing.

The diction of the Right’s ‘Viewed in daytime has hues’ is extremely immature. With that being said, being entangled and lingering unsated has some conception to it.. I should say this is the winner.

Teishi-in ominaeshi uta’awase 01

In the year after that in which the Teishi Emperor relinquished the throne, he held a maidenflower match, making no instruction as to who should lead the teams of the Left and Right, so His Majesty and Her Majesty, the Empress, fulfilled those roles.

Left

くさがくれあきすぎぬべきをみなへしにほひゆゑにやまづみえぬらむ

kusagakure
aki suginubeki
ominaeshi
nioi yue ni ya
mazu mienuramu
Hidden ‘mongst the grasses
Has she spent the autumn,
This maidenflower—
Is it for her glow that
She is soon discovered?

1[1]

Right

あらがねのつちのしたにてあきへしはけふのうらてをまつをみなへし

aragane no
tsuchi no shita nite
aki heshi wa
kyō no urate o
matsu ominaeshi
As ore
Below the earth
Has she spent the autumn,
For today’s first round
Awaiting—a maidenflower.

2[2]


[1] Shinsen man’yōshū 508

[2] Shinsen man’yōshū 530; Fubokushō 4229.