Tag Archives: god

Sumiyoshi-sha uta’awase kaō ni-nen 58

Round Eight

Left

よのなかをうみわたりつつとしへぬることはつもりのかみやたすけむ

yo no naka o
umiwataritsutsu
toshi henuru
koto wa tsumori no
kami ya tasukemu
In this mundane world,
An endless sea of suffering,
Have my years gone by;
Might Tsumori’s
Deity save me, I wonder?

Dharma Master Shun’e
115

Right (Win)

いへのかぜわがみのうへにすずしかれかみのしるしをあふぐとならば

ie no kaze
wa ga mi no ue ni
suzushikare
kami no shirushi o
augu to naraba
My house’s breeze of fortune
To my sorry self
I would bring cool, if
For a sign from the God
I were to seek…

Lord Sanekuni
116

The Left’s conception is charming, beginning with ‘An endless sea of suffering’ and following this with ‘Might Tsumori’s / Deity save me, I wonder?’, but ‘endless sea of suffering’ does not sound like acceptable diction. The Right’s conception of ‘For a sign from the God / I were to seek’ sounds charming, so I make it the winner.

Sumiyoshi-sha uta’awase kaō ni-nen 54

Round Four

Left

あくがるるたまとみえけむなつむしのおもひはいまぞおもひしりぬる

akugaruru
tama to miekemu
natsumushi no
omoi wa ima zo
omoishirinuru
As my wandering
Soul do appear
The fireflies—
Those feelings, now,
How well I know!

Kojijū
107

Right (Win)

いはずともおもひはそらにしりぬらむあまくだりますすみよしのかみ

iwazu tomo
omoi wa sora ni
shirinuramu
amakudarimasu
sumiyoshi no kami
Needless to say
My feelings within the skies
Are well-known by
The heaven-descended
God of Sumiyoshi!

Lord Sanemori
108

The poem of the Left appears to have a deep conception. However, this poem should be composed about the emotions expressed in Izumi Shikibu’s poem ‘Fireflies by the marsh: / From my breast’.[1] If so, then by having something like ‘As my wandering / Soul the fireflies / Do appear’, it appears as if you know how Izumi Shikibu felt. Here, though, we have ‘As my wandering / Soul do appear / The fireflies’ and this sounds as if you know how the fireflies feel—in which case it seems more in keeping with the poem by the Katsura Princess which says, ‘Their bodies bringing an excess / Of passion’s fires’.[2] Then again, does the diction, ‘As my wandering / Soul do appear’, perhaps, differ from this? The poem of the Right has nothing particularly evocative in its use of diction, but ‘My feelings within the skies’ and following this with ‘The heaven-descended’ at least sounds as if has a purpose to it. The Right wins, I should say.


[1] When she had been forgotten by a man, she went to Kibune, and composed this on seeing fireflies flitting about by the Mitarashi River. 物思へば澤の螢も我身よりあくがれ出づる玉かとぞみる mono’omoeba / sawa no hotaru mo / wa ga mi yori / akugare izuru / tama ka to zo miru ‘I’m at such a loss; / Fireflies by the marsh: / From my breast / Wanders out / My soul, or so it seems.’ Izumi Shikibu (GSIS XX: 1162)

[2] When Princess Katsura had said ‘Catch some fireflies,’ and one of the boys had them wrapped up in the sleeves of his jacket. つつめどもかくれぬ物は夏虫の身よりあまれる思ひなりけり tsutsumedomo / kakurenu mono wa / natsumushi no / mi yori amareru / omoinarikeri ‘Wrapped up, yet / Unconcealable are / The summer insects: / Their bodies bringing an excess / Of passion’s fires.’ Anonymous (GSS IV: 209)

Sumiyoshi-sha uta’awase kaō ni-nen 53

Round Three

Left (Tie)

あはれとやかみもおもはむすみのえのふかくたのみをかくるみなれば

aware to ya
kami mo omowamu
suminoe no
fukaku tanomi o
kakuru mi nareba
‘How sad,’ does
The God, too, think?
For at Suminoe
Deep in devotions
Am I entangled…

Lord Tsunemori
105

Right

たのみつるこのひとむらの人ごとにちとせをゆづれすみよしのまつ

tanomitsuru
kono hitomura no
hito goto ni
chitose o yuzure
sumiyoshi no matsu
Devoted are
This group of folk, so
To each and every one
Grant a thousand years,
O, pines of Sumiyoshi!

Lord Yorisuke
106

The poem of the Left, saying ‘deep in devotions’ and suchlike, is pleasant, I have to say. Does the poem of the Right’s ‘this group of folk’ refer to the current poets or to the speaker’s own household? Well, whichever it is, the conception of devotion does not appear to be slight, but again I say this is a tie.

Kyōgoku no miyasudokoro uta’awase 14

Poems which had been placed in the carriage of the Tenth Prince [Prince Masa’akira 雅明親王 (920-929)]

Original

ことしよりにほひそむめりかすがののわかむらさきにてでなふれそも

kotoshi yori
nioisomumeri
kasugano no
wakamurasaki ni
tede na fure so mo
From this year
Has begun to bloom, it seems,
On Kasuga Plain
Young gromwell, so
Don’t put your hands upon it!

40

Left (Win)

むらさきにてもこそふるれかすがのののもりよひとにわかなつますな

murasaki ni
te mo koso furure
kasugano no
moriyoito ni
wakana tsumasu na
On the gromwell
Folk will surely put their hands, so
Kasuga Plain’s
Wardens, all,
Don’t allow picking of young herbs here!

41

Right

ちはやぶるかみもしるらむかすがののわかむらさきにたれかてふれむ

chihayaburu
kami mo shiruramu
kasugano no
wakamurasaki ni
tare ka te furemu
The mighty
God does surely know, so
On Kasuga Plain,
On young gromwell
Would any dare to lay their hands?

42

Kyōgoku no miyasudokoro uta’awase 04

Original

ちはやぶるかすがのはらにこきまぜてはなともみゆるかみのきねかな

chihayaburu
kasuga no hara ni
kokimazete
hana tomo miyuru
kami no kine kana
On mighty
Kasuga plain
All blend together
Blossom seen with
The God’s servitors!

Mitsune
10

Left (Win)

かすがののはなとはまたも見えぬべしいまこむはるのかざしがてらに

kasugano no
hana to wa mata mo
mienubeshi
ima komu haru no
kazashigatera ni
Kasuga Plain’s
Blossom once more
Could be seen,
In the spring now lying ahead,
As a garland in its hair…

11

Right

はるがすみたちまじりつつゆくからにあだにもはなとみえにけるかな

harugasumi
tachimajiritsutsu
yuku kara ni
ada ni mo hana to
mienikeru kana
Amidst the haze of spring
Standing
Have we come, so
It might be untrue, but as blossom
Do we seem!

12

The Lady of the Right on this occasion mistook the word ‘plain’ in the original poem and wrote down ‘meadow’ instead. This was challenged by the Lady of the Left, saying, ‘That’s what we heard. When someone composes at variance with the conception of the topic, that’s a loss. Thus, the Lady of the Right loses.’

Tadafusa then said to His Majesty, ‘The character used to write “plain” can, in fact, also be used to write “field”. Even though the Right is inferior, it is still a fine poem, and so I would make this a tie.’

His Majesty responded, ‘The does not correspond to what has been said. You don’t seem to reached a logical conclusion.’

Tadafusa silently bowed his head, and after long while, eventually, said, ‘What the Lady of the Left has said is logical and appropriate.’

‘Well, then, judge again, based on this,’ His Majesty instructed, and the Lady of the Right lost, and was not permitted another composition.

SZS XII: 709

Composed on the conception of differing love, for the same ten poem sequence.

うれしくはのちの心を神もきけひくしめなはのたえじとぞおもふ

uresiku Fa
noti no kokoro wo
kami mo kike
Fiku simenawF no
taezi to zo omoFu
Should it please you,
Let my heart in days to come—
Heed my prayer, O, God—
As a sacred garland strung
I would it prove false never!

Master of the Palace Repairs Office Akisue

A kuzushiji version of the poem's text.
Created with Soan.

SIS XI: 657

On the day of the Ōharano Festival, he attached this to a branch of sakaki, and sent it to a lady’s residence.

おほはらの神もしるらむわがこひはけふ氏人の心やらなむ

oFoFarano
kami mo siruramu
wa ga koFi wa
keFu udibito no
kokoro yaranamu
Ōharano’s
God, too, surely knows
My love
Today, toward the shrine’s lady’s
Heart is directed!

The Ichijō Regent

Kanpyō no ōntoki kisai no miya uta’awase 88

Left

あかずして君を恋ひつる涙にぞうきみしづみみやせわたりける

akazushite
kimi o koitsuru
namida ni zo
ukimi shizumimi
yasewatarikeru
An endless hunger is
My love for you;
In tears does
My flesh float and sink
As it grows ever thinner.

170

Right

かしまなるつくまの神のつくづくと我が身ひとつに恋をつみつる

kashima naru
tsukuma no kami no
tsukuzuku to
wa ga mi hitotsu ni
koi o tsumikeru
In Kashima
Does the God of Tsukuma
Constantly
Upon my flesh, alone,
Lay the burdens of love?

171