かみまつるやどの卯の花白妙のみてぐらかとぞあやまたれける
| kami maturu yado no unoFana sirotaFe no mitegura ka to zo ayamatarekeru | Sacred to the Gods, A dwelling’s deutzia, for White as mulberry cloth, Sacred streamers might Be mistaken! |
Tsurayuki
For a folding screen with images of the moon in every month, during the reign of the Engi emperor.
神まつる卯月にさける卯の花はしろくもきねがしらげたるかな
| kami maturu uduki ni sakeru unoFana Fa siroku mo kine ga siragetaru kana | Sacred to the Gods, The Fourth Month is when bloom Deutzia, So white that maidens from the shrine Must have whitened them! |
Mitsune
Round Three
Left[i]
君が代は神にぞいのる住之江の松の千年をゆづれとおもへば
| kimi ga yo wa kami ni zo inoru suminoe no matsu no chitose o yuzure to omoeba | My Lord’s reign: To the gods I pray, that Suminoe’s Pines their thousand years Pass on—that is my hope… |
Retired from the World
61a
きみがへむやちよのかずはあめにますとよをかひめの神やしるらん
| kimi ga hemu yachiyo no kazu wa ame ni masu toyo’okahime no kami ya shiruran | That my Lord will endure The number of eight thousand ages— Residing in the heavens, The Goddess of the Eternal Hills, The deity, knows well, no doubt! |
Retired from the World
61b
Right (Win)
君がよはつきじとぞおもふ春の日の御笠の山にささむかぎりは
| kimi ga yo wa tsukiji to zo omou haru no hi no mikasa no yama ni sasamu kagiri wa | My Lord’s reign Will never fade, I feel! While in spring the sun Upon Mikasa Mountain Shines down… |
Senior Assistant Minister Past Lecturer
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Both Left and Right have neither strengths nor weakness in their diction and sense, but I feel that ‘While in spring the sun / Upon Mikasa Mountain / Shines down’ is a bit more dependable at present than ‘Suminoe’s / Pines their thousand years’.
It is certainly not the case that there are no dubious elements about the Left’s poem. As ‘eight thousand ages’ is a definite number, what is it that the Goddess of the Eternal Hills is expected to know? If this is something in the deity’s hands, then it should be, ‘does not even know the number’. I’m sure the Goddess herself would ask what she’s expected to know. The Right seems stronger.



[i] There are different poems by Eien this round in different versions of the text of the contest. As can be inferred from the judgements, Mototoshi saw the first poem and Toshiyori the second. This strongly suggests that Mototoshi’s judgements were circulated before the text of the contest was submitted to Toshiyori, and Eien revised his poem this round as a result (Kubota et al. 2018, 308).
Love
Left
恋せじと御手洗川に御祓して神うけつらんとおもほゆるかな
| koi seji to mitarashigawa ni oharaishite kami uketsuran to omohoyuru kana | I’ll not fall in love, and At the River Mitarashi Purify myself— Would the gods then accept me, I wonder! |
25
恋なれどそこにもすまぬひれはみづにごれりとおもほゆるかな
| koi naredo soko ni mo sumanu hire wa mizu nigoreri to omohoyuru kana | This is love, yet The deeps are all disturbed, with Fins the waters Clouding, I feel! |
26
こひわたる程のふかさにそめ川の色あさからじとおもほゆるかな
| koiwataru hodo no fukasa ni somekawa no iro asakaraji to omohoyuru kana | So long have I loved you that The depths of Dyers’ River have Lost their pale hues I feel! |
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Right
おもふとて夕ぐれがたのながめをや人待つほどの恋といふらん
| omou tote yūguregata no nagame o ya hito matsu hodo no koi to iuran | Thinking of him As evening draws on, and I gaze on long rains falling; is Time pining for a man Being in love, I wonder? |
28
年の内にあまる月日の有りければかぞへのうちにははわぶるかな
| toshi no uchi ni amaru tsuki hi no arikereba kazoe no uchi ni haha waburu kana | Throughout the year The days and months mount up So Counting them My mother grieves! |
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