Tag Archives: grass

Kinkai wakashū 565

草枕たびにしあればいもにこひさむるまをなみ夢さへみえず

kusamakura
tabi ni shi areba
imo ni koi
samuru ma o nami
yume sae miezu
A pillow of grass
I have on my travels, so
Yearning for my darling
I lie awake, not even
Glimpsing her within a dream.[i]

565


[i] See: 家有者 笥尓盛飯乎 草枕 旅尓之有者 椎之葉尓盛 ie ni areba/ ke ni moru ii o / kusamakura / tabi ni shi areba / shii no ha ni moru ‘When I am at home / The pots are full of rice, but / Pillowed on the grass / On this journey now / Only the chinquapin leaves are plentiful…’ Prince Arima (Man’yōshū II: 142)

Tōgū gakushi noritada uta’awase 05

Hidden in the grass on the path o’er the plains[i]

Left

なつくればのべのくさばもしげりあひていづれかみちとみえぞわかれぬ

natsu kureba
nobe no kusaba mo
shigeriaite
izure ka michi to
mie zo wakarenu
When the summer comes,
The blades of grass upon the plains
Grow lushly together, so
Which is the path to take
I cannot tell by looking!

9

Right

をちこちのみちみえぬまでなつののはくさばしげくもなりにけるかな

ochikochi no
michi mienu made
natsuno no wa
kusaba shigeku mo
narinikeru kana
Until both distant and nearby
Paths I cannot see
Across the summer plains
Have the blades of grass so lushly
Grown, indeed!

10

Do they not know the features of the summer plains conveyed by ‘Hidden in the grass on the path o’er the plains’? While both Left and Right use ‘blades of grass’, this puts one in mind of fresh grass sprouting in spring showers; and then of the two of them, the Right uses ‘distant and nearby’, which is nothing more than an archaic expression from the Age of Gods used for leg-wearying mountain paths, while at least the Left does not have a tangled argument.

ato miezu
natsuno no kusaba
shigeku tomo
yamaji o kakete
madoubeshi ya wa
No folk’s tracks visible
Upon the summer plains—the blades of grass
Lush, yet
I wonder if upon mountain paths
One would lose ones way?

Judge 5


[i] Yasō no michi shigeshi 野草路滋

Sumiyoshi-sha uta’awase kaō ni-nen 35

Round Ten

Left (Tie)

くさまくらしぐれもそでをぬらしけりみやこをこふるなみだならねど

kusamakura
shigure mo sode o
nurashikeri
miyako o kouru
namida naranedo
On a pillow of grass
The showers, too, my sleeves
Have soaked;
Longing for the capital
These tears are not, yet…

Hiromori
69

Right

かりいほさすならのからはのむらしぐれあはれはまきのおとばかりかは

kari’io sasu
nara no karawa no
murashigure
aware wa maki no
oto bakari ka wa
Erecting a crude hut,
The withered leaves of oak are
Struck by cloudbursts;
Does sadness in the evergreens’
Sound solely lie?

Dharma Master Chikyō
70

Both Left and Right appear to have elegant configuration and diction, but the Left seems to presents the soaking of sleeves by showers as something novel, while the Right gives a feeling that it is only the sound of evergreens that makes one sad. Thus, these tie.