Tag Archives: green

Sumiyoshi-sha uta’awase kaō ni-nen 72

Round Twenty-Two

Left

おひやらぬいはねのまつはわれなれやひさしくよよにみどりなるかな

oiyaranu
iwane no matsu wa
ware nare ya
hisashiku yoyo ni
midori naru kana
A spindly
Pine growing in the crag-cracks
Am I?
Forever through the years
I am stuck at green!

Minamoto no Munenaga
143

Right (Win)

いけみづのいひいでずともおもひかねふかきうれへをかみはしるらむ

ikemizu no
ii’idezu tomo
omoikane
fukaki uree o
kami wa shiruramu
As pond waters behind
A sluice gate, I say nothing, yet
I cannot help but wonder:
The depths of my despair—
Does the deity know it?

Fujiwara no Noritsune
144

The conception of the Left’s poem, saying, ‘Forever through the years’ sounds pleasant, but I feel it’s a bit hackneyed, given the poem, ‘Solitary pinecone / Is green!’[1] The poem of the Right’s ‘As pond waters behind / A sluice gate, I say’ is also pedestrian, yet ‘The depths of my despair— / Does the deity know it?’ contains some conception. It’s a little better, I’d say.


[1] Composed when he had gone to the residence of Narisuke, the Chief Priest of Kamo, when drunk, was sorrowing that he had yet to be promoted. もみぢするかつらのなかにすみよしのまつのみひとりみどりなるかな momijisuru / katsura no naka ni / sumiyoshi no / matsu no mi hitori / midori naru kana ‘Among the scarlet-leaved / Katsura, / Sumiyoshi’s / Solitary pinecone / Is green!’ Kunimoto, the Governor of Tsu (GSIS XVII: 987)

GSIS XVII: 987

Composed when he had gone to the residence of Narisuke, the Chief Priest of Kamo, when drunk, was sorrowing that he had yet to be promoted.

もみぢするかつらのなかにすみよしのまつのみひとりみどりなるかな

momidisuru
katura no naka ni
sumiyosi no
matu no mi Fitori
midori naru kana
Among the scarlet-leaved
Katsura,
Sumiyoshi’s
Solitary pinecone
Is green!

Kunimoto, the Governor of Tsu

Kyōgoku no miyasudokoro uta’awase 16

Original

ゆきがてにふくはるかぜははやけれどあをやまなればさむからなくに

yukigate ni
fuku harukaze wa
hayakeredo
aoyama nareba
samukaranaku ni
Blended with snow
Blows the spring breeze
So swift, yet
In the padded jacket of the mountain’s green,
It’s not so cold at all…

46

Left

あをやまのなをきてたれかふくかぜをさむからずとはおもひしるらむ

aoyama no
na o kite tare ka
fuku kaze o
samukarazu to wa
omoishiruramu
A padded jacket of the mountain’s green?
Who would come hearing that, and
By the gusting wind
Remain unchilled,
Do you really think…

47

Right

ゆきがてのかぜもなにかはさむからんはるのひかりのみてるやまべは

yukigate no
kaze mo nanika wa
samukaran
haru no hikari no
miteru yamabe wa
Blended with snow,
What is it might make the wind
So cold?
Where the light of spring
Shines upon the mountainside…

48

Kyōgoku no miyasudokoro uta’awase 11

Original

かすがののけふのみゆきをまつばらのちとせのはるはきみがまにまに

kasugano no
kyō no miyuki o
matsubara no
chitose no haru wa
kimi ga manimani
On Kasuga Plain
Today’s progress
Awaited have the pine groves,
A thousand years of springtimes,
Just as my Lady’s thoughts. [1]

Mitsune
31

Left

ゆくさきのはるをとほくしまかすればいまはちとせのうたがひもなし

yukusaki no
haru o tōkushi
makasureba
ima wa chitose no
utagai mo nashi
Future
Springtimes to distant times
May we entrust, for
Now that she will live a thousand years more
There is no doubt, at all.

32

Right (Win)

むれたちてわれをまつてふかすがののみどりふかくやおもひそめけむ

muretachite
ware o matsu chō
kasugano no
midori fukaku ya
omoisomekemu
Growing crowded together, and
Awaiting me are the pines
On Kasuga Plain—
Why should their green so deeply
Seem to think of me?

33


[1] A minor variant of this poem occurs in Mitsune-shū (325) with the same headnote as for poem (22), above.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 20

Round Twenty

Scarlet Leaves

Left (Tie)

秋されば暁つゆにいもが袖まきぎの山ににほふもみぢば

aki sareba
akatsuki tsuyu ni
imo ga sode
makigi no yama ni
niou momijiba
When the autumn comes,
With the dawn, the dewdrops, as
Upon a sweet girl’s sleeves,
At Makigi Mountain
Bring a lustre to the scarlet leaves…

Masashige
39

Right

下染はおなじみどりにみし程も紅葉の色のうすくこきかな

shitazome wa
onaji midori ni
mishi hodo mo
momiji no iro no
usuku koki kana
First dyed
All with green,
When I gazed upon them, now
The scarlet leaves’ hues are
Pale and vibrant both!

Kūnin
40

The Left has a lofty tone, yet the Right is still smooth. Thus, I make this a tie.

Gō no sochi-shū 156

On the shape of a pine tree floating in the pond at the Asuka Mansion.

いけみづにまつのみどりをうつしてぞちとせのかげもいろまさりける

ikemizu ni
matsu no midori o
utsushite zo
chitose no kage mo
iro masarikeru
In the pond’s waters
The pine trees’ green
Is reflected;
The face of a thousand years in
Superlative hues!

Ōe no Masafusa

Kanpyō no ōntoki kisai no miya uta’awase 21

Summer Poems                  Twenty Rounds

Left

蝉のこゑ聞けばかなしな夏衣うすくや人のならむと思へば

semi no koe
kikeba kanashi na
natsu koromo
usuku ya hito no
naramu to omoeba
The cicadas’ cry:
There’s a sadness in the sound;
Summer clothes
Are thin, as her feelings
Will be, I feel.

41[1]

Right

にほひつつ散りにし花ぞおもほゆる夏はみどりの葉のみしげりて

nioitsutsu
chirinishi hana zo
omohoyuru
natsu wa midori no
ha nomi shigerite
Ever scented,
The scattered blossoms, indeed,
I do recall, for
In summer the green
Leaves, alone, are lush…

42


[1] Kokinshū XIV: 715, attributed to Ki no Tomonori/Shinsen man’yōshū 43/Kokin rokujō VI: 3973

Kanpyō no ōntoki kisai no miya uta’awase 10

Left

水のうへにあやおりみだる春雨や山のみどりをなべてそむらん

mizu no ue ni
aya orimidaru
harusame ya
yama no midori o
nabete somuran
Upon the waters
A confusing pattern paints
The rain of spring—
Will it now the mountains
All dye with green, I wonder?

19[1]

Right

色ふかくみる野辺だにも常ならば春は行くともかたみならまし

iro fukaku
miru nobe dani mo
tsune naraba
haru wa yuku tomo
katami naramashi
Deep the hues
On display within the meadows—if that
Should be the norm, then
Even when the spring is gone
A keepsake they would be.

20[2]


[1] Shinsen man’yōshū 1/Kokin rokujō I: 460/A minor variant of this poem also occurs in Shinkokinshū (I: 65), where it is attributed to Ise: 水のおもにあやおりみだる春雨や山のみどりをなべてそむらん mizu no omo ni / aya orimidaru / harusame ya / yama no midori o / nabete somuran ‘Upon the water’s surface / A confusing pattern paints / The rain of spring— / Will it now the mountains / All dye with green, I wonder?’

[2] Shinchokusenshū II: 89