Tag Archives: heart

Eien narabō uta’awase 21

Round Seven

Left

秋の夜はながゐのうらにとまりしてのどかにてらすありあけの月

aki no yo wa
nagai no ura ni
tomarishite
nodoka ni terasu
ariake no tsuki
Autumn nights
Are long at Nagai Bay
Lodging, and
Gently shining
The dawntime moon.

Lady Kazusa
41

Right (Win)

秋の夜のくもふきはらふあらしこそ月みるひとのこころなりけれ

aki no yo no
kumo fuki’harau
arashi koso
tsuki miru hito no
kokoro narikere
On an autumn night
The clouds a’blowing away,
The storm wind, truly,
As someone gazing upon the moon
Has the selfsame heart!

Lady Shikibu
42

The poem of the Left certainly imagines the scene just as it is. With that being said, however, the dawntime moon is not present long enough. The Right’s poem simply sounds like one composed by Atsutaka for the ‘Poetry Match held at the Residence of the Former Captain of the Outer Palace Guards, Left Division’.[i] Thus, it’s impossible for me to determine a winner or loser.

It’s a poem which we see in the Poetry Match at Lord Moroyori’s Residence.

冬のよの雲ふきはらふ木枯や月見る人の心なるらむ

fuyu no yo no
kumo fuki’harau
kogarashi ya
tsuki miru hito no
kokoro naruramu
On a winter’s night
The clouds a’blowing away,
The bitter wind, indeed,
As someone gazing upon the moon
The same heart seems to have![ii]

In the poem of the Left, is it the moon or the poet who is lodging at Nagai Bay? If it’s the moon, then ‘lodging’ is erroneous; if it’s the poet, then ‘gently shining’ doesn’t work. In addition to this vagueness, I do also question whether ‘dawntime’ sounds appropriate. As for the Right’s poem, ‘as someone gazing at the moon / Has the selfsame heart!’ is an elegant conception, and the diction is also smooth. It reminds me of an earlier work by someone else. Thus, it wins.


[i] This match has a several different titles, Mototoshi refers to here as both: Zen sa-hyōe no kami no ie no uta’awase 前左兵衛督家歌合 and also Moriyori-kyō no ie uta’awase 師頼卿家歌合, but it is also known as the ‘Poetry Match held by the Late Master of the of the Crown Prince’s Household’ (Ko-tōgū daibu ie uta’awase 故東宮大夫家歌合) and the ‘Poetry held by Moroyori, Captain of the Outer Palace Guards, Right Division’ (U-hyōe no kami moroyori uta’awase 右兵衛督師頼歌合): the text of this match is no longer extant, but it is known to have taken place in the winter Tennin 天仁 2 (1109). Fujiwara no Kiyosuke notes that it was judged by Toshiyori, but Mototoshi disagreed with his assessments and submitted at set of judgements of his own in appeal (Fujioka 1995, 212).

[ii] This poem is included in Shoku shikashū (VI: 293), attributed to Moroyori, with the headnote, ‘Composed on the moon in winter’.

Tsurayuki uta’awase 11

Love

Left

あまぐもに鳴きわたるなる雁がねはおくれし秋や恋しかるらむ

amagumo ni
nakiwataru naru
kari ga ne wa
okureshi aki ya
koishikaruramu
Through the heavens’ clouds
Crying, crossing go
The geese, their calls,
Delayed, might autumn’s surfeit
Make me yearn for you more?

21

Right

わが心あやしかりけり秋果ててゆくとみるみるなほぞ恋しき

wa ga kokoro
ayashikarikeri
aki hatete
yuku to mirumiru
nao zo koishiki
My heart
Feels strange, indeed!
Autumn’s done, and
I ever watch it leave, yet
Still I yearn so strongly…

22

Tsurayuki uta’awase 10

The End of Autumn.

Left

琴の音に声よりあはせなく虫の秋のはつるはえこそしのばね

koto no ne ni
koe yori awase
naku mushi no
aki no hatsuru wa
e koso shinobane
A zither’s strains
Blended with the songs
The insects cry,
That autumn is ending
They truly cannot recall!

19

Right

長月の菊にぞ人をたのみつる花ひらくとも心うつるな

nagatsuki no
kiku zo hito o
tanomitsuru
hana hiraku tomo
kokoro utsuru na
In the Longest Month
A chrysanthemum, in a man
Has placed its trust—
The bloom may open, yet
O, change not your heart!

20

Fubokushō IX: 3762

From the poetry match at Tsurayuki’s house in the Second Month, Tengyō 2 – The end of summer.

むかしより思ふ心はみな月のみそぎの神ぞ空にしるらん

mukashi yori
omou kokoro wa
minazuki no
misogi no kami zo
sora ni shiruran
For a long time now,
Yearning has filled my heart:
In the Sixth Month
The purifying deity
Seems to know it well, within the skies.

Anonymous

Eien narabō uta’awase 14

Round Seven

Left

ほととぎすひとこゑなきてすぎぬれどしたふ心ぞちぢにありける

hototogisu
hitokoe nakite
suginuredo
shitau kokoro zo
chiji ni arikeru
The cuckoo
A single call cried out, and
Passed me by, yet
Missing him, my heart
He left in a thousand, thousand pieces.

Lady Kazusa
27

Right (Win)

ほととぎすくものたえまにもる月のかげほのかにもなきわたるかな

hototogisu
kumo no taema ni
moru tsuki no
kage honoka ni mo
nakiwataru kana
The cuckoo, as
From a gap between the clouds
Drips the moon’s
Light, faintly
Calls on!

Lady Shikibu
28

Both poems are of the same quality.

The Left’s poem really makes me wonder why that should be the case, with the final ‘he left’ putting me in mind of someone in court dress who has forgotten to put on his shoes! The Right’s poem appears rather more bright than it needs to be. Furthermore, if one says that the ‘light is faint’ then shouldn’t the moon be hidden by the clouds? It’s vague over that, but if there were a prior poem as precedent, then it would be a good composition. For the present, I will make it the winner.

Tsurayuki uta’awase 04

Love

Left

わが恋は春のなかばになりにけり花のにほひに影やみゆると

wa ga koi wa
haru no nakaba ni
narinikeri
hana no nioi ni
kage ya miyuru to
My love
In the heart of spring
Has come about:
In the glow of blossom
Can I see her face…

7

Right

春はなほくるしかりけりさくら花いろのつきつつ恋のまされば

haru wa nao
kurushikarikeri
sakurabana
iro no tsukitsutsu
koi no masareba
Spring is ever
Full of pain:
The cherry blossoms’
Hues exhausted, as
My love is at its strongest…

8

Eien narabō uta’awase 06

Round Six

Left (Win)

やへざくらふるきみやこににほへどもふりずもはなのめづらしきかな

yaezakura
furuki miyako ni
nioedomo
furizu mo hana no
mezurashiki kana
Eightfold cherry
Around the ancient capital
Does glow, yet
Unfallen and anew, the blossoms
Are remarkable!

Cell of Fragrant Cloud
11

Right

みやこいでてかりそめにこし山ざとの花に心のからめられぬる

miyako idete
karisome ni koshi
yamazato no
hana ni kokoro no
karamerarenuru
Departing the capital
On occasion I make my way
To a mountain retreat where
The blossoms my heart
Have entangled.

Cell of Compassionate Light
12

The Left’s poem is a clear example of the overlayed diction fault. As for the Right’s poem, saying ‘have entangled’ is extremely overblown diction. Whatever sort of poem it might be, this expression would be unacceptable, wouldn’t it! Was this, perhaps, composed with an imperfect understanding of the Kawara Minister’s poem? That goes ‘For the scented / Breeze has yet to blow…’[1] Perhaps this is a misreading of a character in the poem’s text?[i] The Left has the fault of overlayed diction, and the Right…[ii]

The Left’s poem is extremely charming. I do have to say that having both ‘ancient’ (furuki) and ‘unfallen’ (furizu) is a fault and yet, this should not be criticized excessively. The poem of the Right’s ‘On occasion I make my way’, too, does not seem as if the poet is visiting the blossom, and so is lacking in sentiment. The concluding ‘have entangled’ is a piece of overblown diction, although it is not the case that it does not appear in prior poetry,[2] but I still feel that it grates on the ear a bit.


[1] When he participated in an archery display, during the reign of the Jōgan emperor [Seiwa]. けふ桜しづくにわが身いざぬれむかごめにさそふ風のこぬまに kyō sakura / shizuku ni wa ga mi / iza nuremu / kagome ni sasou / kaze no konu ma ni ‘Today let cherry blossom / Droplets my body / Drench! / For the scented / Breeze has yet to blow…’ The Kawara Minister of the Left (GSS II: 56)

[2] 美知乃倍乃 宇万良能宇礼尓 波保麻米乃 可良麻流伎美乎 波可礼加由加牟 michi no e no / umara no ure ni / haomame no / karamaru kimi o / hagareka yukamu ‘At the roadside / The briar rose tips / By bean vines / Are entangled, but from you / My love, I must depart…’ Hasetsukabe no Tori (MYS XX: 4352)


[i] Mototoshi is suggesting that Sōen has misread kagome かこめ in Minamoto no Tōru’s famous earlier poem as karame からめ, which would have been possible if reading a handwritten text.

[ii] There is a lacuna in Mototoshi’s judgement here, but it is clear from what he has said that he disapproved of both poems this round and so it would have been a tie.