Tag Archives: heart

Nishinomiya uta’awase 13

Silver Grass and the Same

Round Thirteen

Left

ほに出てもなどかひもなき花薄思ひこめてぞ有るべかりける

ho ni idetemo
nadoka kai mo naki
hanasusuki
omoikomete zo
arubekarikeru
My feelings burst from bud, but
Somehow, to no avail at all,
O, blossoming silver grass!
Keeping them closed up—
That’s what I should have done!

Major Archbishop
25

Right

うしとのみ人の心はいはれ野にまねくすすきを何か頼まん

ushi to nomi
hito no kokoro wa
iwareno ni
maneku susuki o
nanika tanoman
Simply cruel is
That girl’s heart—
Upon Iware Plain
In the beckoning silver grass
How can I place my trust?

Head
26

Left and Right appear to be of about the same standard.

Yōzei’in miko futari uta’awase 16

Left

をしとおもふいのちにかへてあかつきのわかれのみちはいかでやめてむ

oshi to omou
inochi ni kaete
akatsuki no
wakare no michi wa
ikade yametemu
Filled with regret,
This life I would exchange:
On dawn’s
Parting path
How can I stop my steps?

30

Right

あけぬとてあかずしきみをわかるればこころはゆかぬものにざりける

akenu tote
akazu shi kimi o
wakarureba
kokoro wa yukanu
mono ni zarikeru
When at dawn,
Unsatisfied, from you, my love,
I part,
My heart goes nowhere
At all!

31

Nishinomiya uta’awase 12

Round Twelve

Left

あふことをいなみ野に咲く女郎花をらぬものゆゑ袖ぞ露けき

au koto o
inamino ni saku
ominaeshi
oranu mono yue
sode zo tsuyukeki
A meeting she
Declines—blooming upon Inami Plain,
A maidenflower
I have not picked, yet
How dew-drenched my sleeves!

Taiyu no Suke
23

Right

うき人の心なりせばをみなへし吹くとも風になびかざらまし

ukibito no
kokoro nariseba
ominaeshi
fuku tomo kaze ni
nabikazaramashi
That cruel girl’s
Heart did they but have, then
The maidenflowers,
With the gusting of the wind
Would not bend at all, no doubt…

Tadasue
24

‘With the gusting of the wind’ and so forth sounds more in keeping with the topic at present than ‘blooming upon Inami Plain, / A maidenflower’.

Nishinomiya uta’awase 03

Scarlet Leaves and Daytime

Round Three

Left

朝霧のはれ行くままにもみぢ葉はあかねさしてぞ色まさりける

asagiri no
hareyuku mama ni
momijiba wa
akanesashite zo
iro masarikeru
As the morning mists
Are clearing away
The autumn leaves
Shine madder red,
Their hue the best of all.

Daishin
5

Right

月草の色どる比はかへれどもははそのもみぢこころにぞしむ

tsukikusa no
irodoru koro wa
kaeredomo
hahaso no momiji
kokoro ni zo shimu
At times the moon-grass’
Fair hues
Will shift, yet those of
The oaks in autumn
Pierce right to the heart!

His Excellency Akinaka
6

The Left poem’s sequencing isn’t bad, but ‘shining madder red’ has, since ancient times, been used of the sun in poetry, while here it is simply ‘Shine madder red, / Their hue the best of all’. It gives the impression that there is some emotion missing. In a poem for this type of poetry match, I wonder if omitting a single element like this is a grave fault? Even so, I have no recollection of a poem being composed in this manner in any poetry match which people have used for reference from days gone by. In addition, the Right’s  ‘At times the moon-grass’ / Fair hues / Will shift, yet’ and what follows shows little evidence of poetic cultivation, so in sum, it’s difficult to say anything here.

Yōzei’in miko futari uta’awase 03

Left

ゆめにだにみるべきものをねざめつつこふるこころはゆくかたもなし

yume ni dani
mirubeki mono o
nezametsutsu
kouru kokoro wa
yuku kata mo nashi
If even in my dreams
I could but see her, but
Always I awake, and
My loving heart has
Nowhere to go, at all…

5

Right

あふことはゆめのうちにもうれしくてねざめののちぞわびしかりける

au koto wa
yume no uchi ni mo
ureshikute
nezame no nochi zo
wabishikarikeru
A meeting
In my dreams
Brings me such joy, but
After waking, truly,
I am so sad and lonely.

6

Yōzei’in miko futari uta’awase 02

Left

ひとしれずねざめのこひはよぶこどりよぶかきこゑはきくひともなし

hito shirezu
nezame no koi wa
yobukodori
yobukaki koe wa
kiku hito mo nashi
Unknown to all
I awake and yearn:
A songbird
Late at night sings
With no one listening at all.

3

Right

おもひやるこころしゆかばさよふけておきゐてこふとつぐべきものを

omoiyaru
kokoro shi yukaba
sayo fukete
oki’ite kou to
tsugubeki mono o
If, steadfast,
My heart but was, then
As brief night wore on
I’d arise and my love
Be able to announce, but…

4