Tag Archives: iwa

Shunzei-kyō no musume-shū 7

岩たたく谷の下水音わけてむすばぬ袖ぞまだきすずしき

iwa tataku
tani no shitamizu
oto wakete
musubanu sode zo
madaki suzushiki
Dripping on the rocks is
The water ‘neath the valley—
At the sound I feel that,
Though they cannot draw it up, my sleeves
Are swiftly cooled.[i]

7


[i] See, for example: Composed when he presented a hundred poem sequence during the reign of former Emperor Horikawa. みむろ山たににや春のたちぬらむ雪のした水いはたたくなり mimuro no yama / tani ni ya haru no / tachinuramu / yuki no shitamizu / iwa tataku nari ‘Upon Mount Mimuro, / In the valleys, I wonder, has spring /  Arisen? / For waters ‘neath the snow / Are dripping on the rocks…’ Middle Counsellor Kuninobu (Senzaishū I: 2); Composed on the conception of enjoying the cool of the evening, when Minister of Justice Yorisuke held a poetry match. いはたたく谷の水のみおとづれて夏にしられぬみ山べのさと iwa tataku / tani no mizu nomi / otozurete / natsu ni shirarenu / miyamabe no sato ‘Dripping on the rocks / The valley’s waters, alone, / Pay me a call, / All ignorant of summer / At my deep mountain retreat…’ Former Consultant Norinaga (Senzaishū III: 221); and: Composed on the conception of it being chilly bathing in a spring at night. さよふかきいづみの水のおときけばむすばぬそでもすずしかりけり sayo fukaki / izumi no mizu no / oto kikeba / musubanu sode mo / suzushikarikeri ‘Deep within a night so brief / When the water of a spring / I hear, / Though they cannot draw it up, my sleeves / Are cool, indeed.’ Minamoto no Morokata (Goshūishū III: 233)

SZS I: 2

Composed when he presented a hundred poem sequence during the reign of former Emperor Horikawa.

みむろ山たににや春のたちぬらむ雪のした水いはたたくなり

mimuro no yama
tani ni ya Faru no
tatinuramu
yuki no sitamidu
iFa tataku nari
Upon Mount Mimuro,
In the valleys, I wonder,
Has spring arisen?
For waters ‘neath the snow
Are dripping on the rocks…

Middle Counsellor Kuninobu

SZS III: 221

Composed on the conception of enjoying the cool of the evening, when Minister of Justice Yorisuke held a poetry match.

いはたたく谷の水のみおとづれて夏にしられぬみ山べのさと

iFa tataku
tani no midu nomi
otodurete
natu ni sirarenu
yamabe no sato
Dripping on the rocks
The valley’s waters, alone,
Pay me a call,
All ignorant of summer
At my deep mountain retreat…

Former Consultant Norinaga

Kinkai wakashū 663

For a painting on a sliding door where there was a pine growing on the crags.

岩のうへにおふる小松の年もへぬいく千代までと契り置きけん

iwa no ue ni
ouru komatsu no
toshi mo henu
ikuyo made to
chigiri okiken
Atop the crag
Growing, a pine seedling: that
‘Twould pass through the years,
Until it reach however many ages—
It seems a vow was made.

663

Kinkai wakashū 580

いはがねの苔のまくらに露おきていくよみ山の月にねぬらん

iwa ga ne no
koke no makura ni
tsuyu okite
iku yo miyama no
tsuki ni nenuran
At the crags’ foot
With moss for my pillow, and
Awake until the dewfall,
How many nights in the mountain deeps
Have I slept beneath the moon.[i]

580


[i] See: On the conception of seeing the moon while travelling, while at a place called the Barrier Gate Hall. 草枕ほどぞへにける都いでていくよかたびの月にねぬらむ kusamakura / hodo zo henikeru / miyako idete / ikuyo ka tabi no / tsuki ni nenuramu ‘Grassy pillows / For a while have been my lot! / Since departing the capital / For some days on my travels / Will I sleep beneath the moon.’ Ōe no Yoshitoki (Shinkokinshū X: 931)