Tag Archives: kage

Reikeiden no nyōgo uta’awase 04

Warblers

Left (Win)

うぐひすのこゑなかりせばゆききえぬやまざといかではるをしらまし

uguisu no
koe nakariseba
yuki kienu
yamazato to ikade
haru o shiramashi
Should the warbler’s
Song be made to cease, then though
The snow has vanished from
This mountain retreat, how
Would one know ‘tis spring?

Nakatsukasa
7[i]

Right

かがみやまはるくるかげやみえつらむたにのうぐひすいでてなくなり

kagamiyama
haru kuru kage ya
mietsuramu
tani no uguisu
idete naku nari
Upon Mirror Mountain
Signs of coming spring
Have appeared, it seems, for
In the valleys warblers
Have emerged to sing.

8


[i] This poem is included in Shūishū (I: 10), attributed to Middle Counsellor [Fujiwara no] Asatada, with the headnote ‘From a palace poetry match on the 29th day of the Third Month, Tenryaku 10’ [12.5.956]. It is also included in Shūishō (I: 6) as an anonymous poem in some texts, or attributed to Nakatsukasa in others, with the headnote ‘When a poetry match was held at the palace on the 29th day of the Third Month, Tenryaku 10’.

Aru tokoro no uta’awase

The only record of this poetry match’s existence is in the headnote to the poems in Motozane-shū (180, 181), which simply reads ‘From a poetry match’. Hagitani (1958, 418) suggests that, as these poems are recorded separately in this work from Motozane’s other poems for poetry matches, they are most likely from a different contest, the details of which have now been lost. Given the topic of ‘Cuckoos’, however, it most likely will have taken place in the late spring or early summer.

うのはなの影にかくれて今日までぞ山時鳥声はをしまむ

unohana no
kage ni kakurete
kyō made zo
yama hototogisu
koe wa oshimamu
Within the deutzia’s
Shade concealed
Until today
The mountain cuckoo
Seems to regret his song.

1

いまよりは声なをしみそ時鳥五月待つまのほどぞあるらし

ima yori wa
koe na oshimi so
hototogisu
satsuki matsu ma no
hodo zo arurashi
From now on
Your song do not regret,
O, cuckoo,
For to await the Fifth Month
Some time there still seems to be!

2

SKKS XVII: 1683

To say that from now on they should rest and relax in the pines’ shade, when he visited someone’s house.

かげにとて立ちかくるれば唐衣ぬれぬ雨ふるまつの声かな

kage ni tote
tachikakurureba
karakoromo
nurenu ame furu
matsu no koe kana
In the shade, I say,
To stand and hide myself away, for
Upon my Cathay robe
Will fall soughing rain—
The sound of pines!

Tsurayuki

Kinkai wakashū 681

ひんがしの国にわがをれば朝日さすはこやの山の影となりにき

hingashi no
kuni ni wa ga oreba
asahi sasu
hakoya no yama no
kage to nariniki
In eastern
Lands do I dwell, but when
The morning sun shines
Upon distant Gushe Mountain[i]
Its shadow falls upon me.

681


[i] Mount Gushe 姑射山 (Jp. koya no yama) is a mountain in Shanxi 山西 in northern China, which was said to be the dwelling place of immortals. Here, Sanetomo is using it as a euphemism for the imperial palace in Kyoto and, by association the emperor.

Kinkai wakashū 653

A poem on how Mahāyāna[i] develops the viewpoint of the Middle Way.[ii]

世の中はかがみにうつるかげにあれやあるにもあらずなきにもあらず

yo no naka wa
kagami ni utsuru
kage ni are ya
aru ni mo arazu
naki ni mo arazu
Is this mundane world
A mirror’s reflected
Shape, perhaps?
Not existing, and
Not not existing…

653


[i] Mahāyāna (the ‘Great Vehicle’) (Jp.: daijō 大乗) is the largest major tradition of Buddhism.

[ii] The ‘Middle Way’ (Madhyamāpratipada) (Jp.: chūdō 中道) refers to a spiritual practice of Buddhism that steers clear of both extreme asceticism and sensual indulgence.

Yōzei’in ichi no miko himegimi uta’awase 17

Original

もみぢばのちりかふこまのあまたあるをいづれにのりてあきをとどめむ

momijiba no
chirikau koma no
amata aru o
izure ni norite
aki o todomemu
Scarlet leaves
Scatter becoming mounts
So many, but
Which one should I ride
To hold the autumn here?

48

Left

このはちるこのはのこまははやくともあきのかげにはいかがまさらむ

ko no ha chiru
ko no ha no koma wa
hayaku tomo
aki no kage ni wa
ikaga masaramu
Leaves from the trees scatter,
Leaves from the trees as a mount
Are swift, yet
Why is the autumn shade
Still spectacular?

49

Right

ゆくあきをとどむるこまのおそければかぜこそさきにまづさそひけれ

yuku aki o
todomuru koma no
osokereba
kaze koso saki ni
mazu sasoikere
Departing autumn
To hold here was the mount
Late arriving, so
The wind got in ahead and
Made the first invitation!

50