Topic unknown.
うれしきをなににつつまむ唐衣たもとゆたかにたてといはましを
| uresiki wo nani ni tutumamu karakoromo tamoto yutaka ni tate to iFamasi wo | My joy: With what should I envelop it? A Cathay robe with Sleeves so loose O, sew for me—that’s what I would say… |
Anonymous
Tag Archives: karakoromo
Kanpyō no ōntoki kisai no miya uta’awase 55
Left
唐ころもほせど袂の露けきは我が身の秋になればなりけり
| karakoromo hosedo tamoto no tsuyukeki wa wa ga mi no aki ni nareba narikeri | My Cathay robe I dry, and yet the sleeves Dew dampness is because For me autumn Has come. |
108[1]
Right
秋の露色のことごとおけばこそ山も紅葉も千くさなるらめ
| aki no tsuyu iro no kotogoto okeba koso yama mo momiji mo chigusa narurame | The autumn dewdrops In a medley of colours Do truly fall, so The mountains and the autumn leaves, too, Turn a multitude of hues. |
109
[1] Shinchokusenshū V: 298
SCSS V: 298
San’i minamoto no hirotsune ason uta’awase 15
Fulling cloth late at night (深夜擣衣)
Left
わぎもこがうつ唐衣さよふけてほのかにきこゆいづこなるらん
| wagimoko ga utsu karakoromo sayo fukete honoka ni kikoyu izuko naruran | My darling girl Is fulling my Cathay robe; As brief night breaks Faintly I hear The echoes from somewhere. |
Ki no Sukezane
29
Right
手もたゆく成りやゆくらんさ夜ふかみ衣しでうつ音ののどけさ
| ta mo tayuku nari ya yukuran sayo fukami koromo shideutsu oto no nodokesa | Is it that her hands so weary Have become? Late on a brief night Fulling clothing— How faint that sound… |
Taira no Sadamoto
30
Eikyū hyakushu 644
Eikyū hyakushu 524
Eikyū hyakushu 434
Love IX: 22
Left (Tie)
恋そめし思ひの妻の色ぞそれ見にしむ春の花の衣手
| koisomeshi omoi no tsuma no iro zo sore mi ni shimu haru no hana no koromode |
The first flush of love’s Scarlet passion for her: A hue that Stains the flesh, as spring’s Blossoms do the sleeves… |
Lord Sada’ie
1123
Right
飽かざりしそのうつり香は唐衣恋をすすむる妻にぞ有りける
| akazarishi sono utsurika wa karakoromo koi o susumuru tsuma ni zo arikeru |
I cannot get enough of Her scent transferred to My Cathay robe: Love for her begins With a skirt! |
The Supernumerary Master of the Empress’ Household Office
1124
The Right state: both the conception and diction of the Left’s poem are unclear. The Left state: the Right’s poem, in addition to being commonplace, has ‘begins’ (susumuru) which is unimpressive.
In judgement: in the Left’s poem, while ‘blossoms do the sleeves’ (hana no koromode) is evocative, ‘a hue that’ (iro zo sore) is certainly extremely difficult to understand. In the Right’s poem, both ‘Cathay robe’ (karakoromo) and ‘with a skirt’ (tsuma ni zo arikeru) seem elegant, but I wonder about the impression of ‘her scent transferred’ (sono utsurika) and ‘begins’. It is unclear which poem is superior or inferior, so the round should tie.
Saishō chūjō kuninobu no ie no uta’awase 16
Left (Win).
我が恋は片裏染めの唐衣かへして寝るや色に見ゆるらむ
| wa ga koFi Fa kata’urazome no karakoromo kaFesite nuru ya iro ni miyurururamu |
For my love An inner-dyed Cathay robe I will reverse – in sleep, then, I wonder will I see passion’s hues? |
Shichirō 七郎
[Minamoto no Ie’yori 源家職]
31
Right.
寝ぬままに月を眺めて明かすかな闇には恋もなぐさかじかし
| nenu mama ni tuki wo nagamete akasu kana yami ni Fa koFi mo nagusamazikasi |
While sleepless I gaze upon the moon ‘til dawn! For in the darkness my love Would gain no consolation! |
Saburō 三郎
[Minamoto no Kanemasa 源兼昌]
32