For a folding screen, during the reign of the Engi Emperor.
ゆきて見ぬ人もしのべと春の野のかたみにつめるわかななりけり
| yukite minu hito mo shinobe to haru no no no katami ni tsumeru wakana narikeri | They have not gone to see, yet Those folk, too, I would have recall The plains in springtime with The keepsake of these plucked Fresh herbs. |
Ki no Tsurayuki
Asters and the Same
Round Seventeen
Left
あふことは片野ののべの蘭たれきてみよと露のおくらん
| au koto wa katano no nobe no fujibakama tare kitemiyo to tsuyu no okuran | Our meeting, so hard: In the hillside meadows grow Violet asters— Who should to come to see them Amongst the fallen dew? |
Nakafusa, Former Governor of Awaji
33
Right
色もかもよそへてぞみる蘭ねずりの衣馴れしかたみに
| iro mo ka mo yosoete zo miru fujibakama nezuri no koromo nareshi katami ni | Both scent and hue Do I imagine seeing Among the violet asters, Of his patterned robe, So familiar, a reminder they are… |
Hyōenokami
34
These poems, both Left and Right, appear to be of about the same quality, but while I am familiar with robes patterned with purple gromwell, I do wonder what it is that is patterning the robes here. Is the poet composing on asters imagining them to be gromwell? Even if that’s the case, the conception is not particularly apparent, so I have to say that the Left is better.
Round Three
Left
万代の秋のかたみになす物はきみがよはひをのぶるしらぎく
| yorozuyo no aki no katami ni nasu mono wa kimi ga yowai o noburu shiragiku | Of ten thousand ages’ Autumns a keepsake I will make: My Lord’s age Extended by a white chrysanthemum! |
Lord Akinaka
29
Right
今朝みればさながら霜をいただきて翁さびゆくしら菊の花
| kesa mireba sanagara shimo o itadakite okina sabiyuku shiragiku no hana | When this morn I look That’s how it is: with frost Bestowed A lonesome ancient seems This white chrysanthemum bloom! |
Lord Mototoshi
30
Toshiyori states: this first poem is strongly characterized by felicitation, and that’s about all the fault I can mention. As for the second poem, ‘a lonesome ancient seems’ is certainly an expression I don’t know. Still, if I think of examples from prior poems, ‘lone ancient’ could be interpreted as deriving from ‘dotaged ancient’, but then the conception seems different here, so this is most likely wrong. I can only give a decision once I am certain.
Mototoshi states: ‘Of ten thousand ages’ / Autumns a keepsake / Will make’ resembles Kanemori’s famous work,[1] which has often been alluded to in composition, I think. This poem is charming. ‘Will make’ is an extremely abbreviated expression, and so the final ‘age / Extended by a white chrysanthemum’ appears to have little connection to it. There is Tomonori’ s ‘Dew-dappled / Let us pluck and wear’[2], and also responses sent on the 9th day of the Ninth Month to the residences of Tadamine and Tsurayuki like ‘Bearing droplets / Age is extended by / Chrysanthemums’, aren’t there. Given that’s the case there would be many such keepsakes of extended age. As for the Right’s ‘That’s how it is: with frost / Bestowed / A lonesome ancient seems, well, it seems that just how I composed a poem about lingering chrysanthemums—have I done something wrong?
On seeing the remaining scarlet leaves scattering.
| karanisiki eda ni Fitomura nokoreru Fa aki no katami wo tatanu narikeri | Cathay brocade In a single bunch upon the branch Remains: Autumn’s keepsake Is being rent away. |
Archbishop Henjō
Composed on the wind bringing fond thoughts of the past, in the autumn after his father, Hidemune, had passed away.
露をだに今は形見の藤ごろもあだにも袖を吹く嵐かな
| tsuyu o dani ima wa katami no fujigoromo ada ni mo sode o fuku arashi kana | Even the dewfall, which Now is a keepsake upon My mourning robes is Transient, so from my sleeves ‘Tis blown by the storming wind! |
Fujiwara no Hideyoshi
When the Gokyōgoku Regent ordered her to produce a hundred poem sequence.
雲となり雨となりても身にそはばむなしき空をかたみとやみん
| kumo to nari ame to narite mo mi ni sowaba munashiki sora o katami to ya min | Even should you become a cloud, and Then become raindrops Falling on my flesh, then Would the vacant skies I see as a keepsake, perhaps? |
Kojijū
