Tag Archives: kaze

Shikibukyō atsuyoshi shinnō senzai awase 01

草のかう色変わりぬる白露は心おきても思ふべきかな

kusa no kō
iro kawarinuru
shiratsuyu wa
kokoro okitemo
omoubeki kana
The grasses have such
Changing hues with
The silver dewdrops
Fall upon my heart, yet
I am filled with longing!

1[i]

風寒み鳴くなる雁の声によりうたむ衣をまづやからまし

kaze samumi
nakunaru kari no
koe ni yori
utamu koromo o
mazu ya karamashi
Chill will turn the wind as
Calling come the goose
Cries, so
The robes upon the fulling block—
First would I borrow one!

2[ii]


[i] This poem is included in Kokin rokujō (VI: 3768), attributed to Ise, with the headnote ‘The scent of grasses’. It is also included in Ise-shū (88), with the headnote ‘The scent of grasses, in the Minister of Ceremonial’s Garden Match’.

[ii] This poem is included in Ise-shū (89), with the headnote ‘Gentian’ (rindō 竜胆).

Sumiyoshi-sha uta’awase kaō ni-nen 58

Round Eight

Left

よのなかをうみわたりつつとしへぬることはつもりのかみやたすけむ

yo no naka o
umiwataritsutsu
toshi henuru
koto wa tsumori no
kami ya tasukemu
In this mundane world,
An endless sea of suffering,
Have my years gone by;
Might Tsumori’s
Deity save me, I wonder?

Dharma Master Shun’e
115

Right (Win)

いへのかぜわがみのうへにすずしかれかみのしるしをあふぐとならば

ie no kaze
wa ga mi no ue ni
suzushikare
kami no shirushi o
augu to naraba
My house’s breeze of fortune
To my sorry self
I would bring cool, if
For a sign from the God
I were to seek…

Lord Sanekuni
116

The Left’s conception is charming, beginning with ‘An endless sea of suffering’ and following this with ‘Might Tsumori’s / Deity save me, I wonder?’, but ‘endless sea of suffering’ does not sound like acceptable diction. The Right’s conception of ‘For a sign from the God / I were to seek’ sounds charming, so I make it the winner.

Sumiyoshi-sha uta’awase kaō ni-nen 49

Round Twenty-Four

Left (Win)

かぜのおとにわきぞかねましまつがねのまくらにもらぬしぐれなりせば

kaze no oto ni
waki zo kanemashi
matsu ga ne no
makura ni moranu
shigure nariseba
The gusts of wind
I cannot tell apart from
The rustle of the pines roots
For my pillow should no drips
From the shower fall…

Lord Sanefusa
97

Right

たびのいほはあらしにたぐふよこしぐれしばのかこひにとまらざりけり

tabi no io wa
arashi ni taguu
yoko shigure
shiba no kakoi ni
tomarazarikeri
My traveller’s hut
Is lashed by the storm wind’s
Sideways showers—
The brushwood walls
Halt it not at all.

Lord Yorimasa
98

The conception and configuration of the poem of the Left, starting ‘I cannot tell apart from / The rustle of the pines’ and continuing ‘For my pillow should no drips / From the shower fall’ is, once again, truly exceptional! As for the poem of the Right, while it appears to have a charming style and use of diction, even if it is the case that ‘sideways showers’ are a genuine phenomenon, it fails to sound particularly elegant, doesn’t it. In addition, the latter section of the poem, ‘the brushwood walls’, feels slightly lacking in conception. Thus, I make the Left the winner.

Kinkai wakashū 323

The wind through the pines sounding like a shower

神無月木のはふりにし山里は時雨にまがふ松のかぜかな

kamidazuki
ko no ha furinishi
yamazato wa
shigure ni magau
matsu no kaze kana
In the Godless Month
When all the leaves from the trees have fallen,
In a mountain retreat
Blending with the showers is
The wind in the pines!