Tag Archives: koma

Kinkai wakashū 387

My reply:

ぬししれと引きける駒の雪を分けばかしこき跡にかへれとぞ思ふ

nushi shire to
hikikeru koma no
yuki o wakeba
kashikoki ato ni
kaere to zo omou
‘Know your master!’
Following such a mount
Forged through the snow did you, then
In his fine footsteps
Returned home, I feel!

387

I wrote this myself and sent it with Naitō Tomochika, Secretary of the Bureau of Horses, having selected him as a trustworthy individual.

Kinkai wakashū 386

On a snowy day in the Second Month of Kenryaku 2 [March 1212], Senior Assistant Minister of Public Affairs Yukimitsu came to call at my house, saying he wanted to take a look at the scenery from a mountain retreat; many others were there, including Yukimura, Secretary of Yamajiro and we enjoyed ourselves late into the night with music and poetry. When it was time for him to return, I gifted Yukimitsu with a black horse and when I saw him the following day, I found a piece of paper tied to the horse’s mane, which read

この雪を分けて心の君にあればぬししる駒のためしをぞひく

kono yuki o
wakete kokoro no
kimi ni areba
nushi shiru koma no
tameshi o zo hiku
Through this snow
To forge, the heart
Had one, then
A mount who knows his master well
Is an example to follow!

386

Kyōgoku no miyasudokoro uta’awase 15

Original

こまなべてきみがみにくるかすがのはまつかさしげしあめにさはるな

koma nabete
kimi ga mi ni kuru
kasugano wa
matsukasa shigeshi
ame ni sawaru na
Mounts aligned,
My Lord has come to see
Kasuga Plain, where
The plentiful pinecones mean
He’ll be untroubled by rain!

43

Left (Win)

ぬれつつもあめにはゆかむまつかさのちとせのはるをもらさざらなむ

nuretsutsu mo
ame ni wa yukamu
matsukasa no
chitose no haru o
morasazaranamu
Even dampened
By the rain, let us go!
For the pinecones
Over a thousand years of springtimes
Will surely not allow a single drip!

44[1]

Right

かすがののまつかさだにもなかりせばあめふるさとにわれこましやは

kasugano no
matsukasa dani mo
nakariseba
ame furu sato ni
ware komashi ya wa
If on Kasuga Plain
Even pinecones
Were there not, then,
To the rainswept ancient capital
Why would I come at all?

45


[1] This poem is included in Ise-shū (107) with the headnote ‘From the time of the Kasuga Poetry Match’, implying that this is Ise’s work, even if she is not identified as the poet in the text here.

Kanpyō no ōntoki kisai no miya uta’awase 11

Left

駒なべてめも春の野にまじりなむ若菜摘みつる人は有りやと

koma nabete
me mo haru no no ni
majirinamu
wakana tsumitsuru
hito wa ari ya to
Mounts all over
The springtime meadows before my eyes
Are mixed;
A’plucking of fresh herbs,
Are there folk there, I wonder?

21[1]

Right

鶯の谷よりいづる声なくは春くることを誰かつげまし

uguisu no
tani yori izuru
koe naku wa
haru kuru koto o
tare ka tsugemashi
If the bush-warbler
From the valleys
Did not sing his song,
That spring is coming
Would anyone announce it at all?

22[2]


[1] Shisen manyōshū 13; Kokin rokujō II: 1137, ‘Springtime meadows’

[2] A minor variant of this poem occurs in Kokinshū (I: 14), attributed to Ōe no Chisato: 鶯の谷よりいづる声なくは春来ることを誰かしらまし uguisu no / tani yori izuru / koe naku wa / haru kuru koto o / tare ka shiramashi ‘If the bush-warbler / From the valleys / Did not sing his song, / That spring is coming / Would anyone realise at all?’; also Shinsen man’yōshū 261.

Love VIII: 22

Left (Win)
唐国の虎臥す野邊に入るよりもまどふ戀路の末ぞあやうき

karakuni no
tora fusu nobe ni
iru yori mo
madou koiji no
sue zo ayauki
In far Cathay are
Meadows where tigers lie,
But rather than entering there,
The confusing paths of love
Are, at the end, more dangerous…

Lord Ari’ie
1063

Right
我宿は人もかれ野の淺茅原通ひし駒の跡もとゞめず

wa ga yado wa
hito mo kareno no
asajiwara
kayoishi koma no
ato mo todomezu
At my home
Is only a withered field
Of cogon grass;
The mount who once did cross it
Has left no lingering tracks…

Ietaka
1064

The Gentlemen of the Right state: how can love be dangerous? The Gentlemen of the Left state: the Right’s poem has no faults to mention.

In judgement: saying that the ‘paths of love are, at the end’ (koiji no sue) dangerous is perfectly commonplace. ‘Is only a withered field of cogon grass’ (hito mo kareno no asajiwara) seems to simply have taken the poem ‘Sedge fields lie / Around the estate of Fushimi, / All long overgrown; / He who passed across them / Has left no tracks at all…’ and swapped in ‘mount who once did cross it’ (kayoishi koma). Changing a man into a mount is discomposing, indeed. Again, the Left should win.