天の河こぞの渡のうつろへばあさせふむまに夜ぞふけにける
| ama no kaFa kozo no watari no uturoFeba asase Fumu ma ni yo zo Fukenikeru | The River of Heaven’s Ferry pier since last year Has changed, so While I tread the bank, the shallows searching, The night has worn on! |
Composed on ‘lingering snow’, in a hundred poem sequence he presented for the reign of former emperor Horikawa.
道たゆといとひしものを山ざとにきゆるはをしき去年の雪かな
| miti tayu to ito Fisi mono wo yamazato ni kiyuru wa osiki kozo no yuki kana | That the way was blocked Was terrible, indeed, but At this mountain retreat As it vanishes, regret I feel For last year’s snow! |
Former Middle Counsellor Masafusa
Round Twenty-Two
Left (Win)
五月雨にやすらふ暮の時鳥そなたの雲に声なへだてそ
| samidare ni yasurau kure no hototogisu sonata no kumo ni koe na hedate so | In a summer shower, Hesitating, at twilight, O, cuckoo, Let not the intervening clouds Interrupt your song! |
Shō
43
Right
過ぎぬなりさやはちぎりし時鳥なく音ばかりはこぞにかはらで
| suginunari saya wa chigirishi hototogisu naku ne bakari wa kozo ni kawarade | And so you’ve flown by— Is that what you vowed, O, cuckoo? For only the sound of your song Is unchanged from the year before… |
Nagatsuna
44
The Left’s poem doesn’t seem bad. The Right poem’s ‘For only the sound of your song is unchanged from the year before’ is somewhat difficult to grasp—if the cuckoo’s call has not changed, then what has? After all, cuckoos have ‘the voice of yesteryear’[1]—among other references—so it’s obvious that their calls don’t change, so the Left is somewhat better, I think.




[1] KKS III: 137