Question and Response Poetry Contest on Spring and Autumn held in a Certain Place[1]
It is entirely unclear whether this fragment of a match is an offcut of another event, such as Sadafumi uta’awase 貞文歌合 (dates unknown) or Tsurayuki uta’awase 貫之歌合 (939), in which case one can suppose the poems formed part of a larger consideration of the seasons. Another possibility, however, is that this is taken from a selection of his own poems by Ōshikōchi no Mitsune, with the final self-deprecatory comment being an indication of his unwillingness to take a view on the quality of his own work (Hagitani 1957, 233).
春にみなあひにし花の今日の雨に咲くをみるにぞ片負けぬべき
haru ni mina ainishi hana no kyō no ame ni saku o miru ni zo katamakenubeki
In springtime, all The blossoms that I met, In the rain today I see a’blooming— Not completely inferior at all!
1
こきまぜに花紅葉散るただ今は春秋ぞともいかがさだめむ
kokimaze ni hana momijiba chirutada ima wa haru aki zo to mo ikaga sadamemu
All mixed together Blossoms and scarlet leaves Scatter so now whether ‘Tis spring or autumn, How can I decide?
2
I had thought to write down the winner and loser, but when, in my extreme ignorance, I tried judging, embarrassingly I was unable to do it. The poems are just as in the text. Incomprehensible untruths and all.
sa mo koso wa yorube no mizu ni mizukusa ime kyō no kazashi yo na sae wasururu
That may be, but In the jars of proffered water Waterweed grows old, perhaps, yet To say that the blossom in your hair today Has had its name forgotten? Really…
wakana tsumu toshi wa henuredo kasugano no nomori wa kyō ya haru o shiruramu
Plucking fresh herbs do The years pass by, yet On Kasuga Plain, The wardens today Must truly know ‘tis spring. [1]
Mitsune 19
Left (Tie)
けふ見てぞわれはしりぬるはなはなほかすがののべのものにぞありける
kyō mite zo ware wa shirinuru hana wa nao kasuga no nobe no mono ni zo arikeru
Today did I see, and Understood it well, that Blossom, truly, Upon the meadows of Kasuga Is best of all.
20
Right
ありへてもかすがののもりはるにあふはとしもわかなもつめるしるしか
arihete mo kasuga no nomori haru ni au wa toshi mo wakana mo tsumeru shirushi ka
Over passing ages, For the wardens of Kasuga, Encountering the springtime, The years and the fresh herbs, both, Have garnered as a sign, perhaps.
21
[1] A variant of this poem occurs in Shokugosenshū: In the twenty-first year of the same era, on a day when the Kyōgoku Lady of the Bedchamber visited the shrine at Kasuga, he composed this in place of the official from the province of Yamato. としごとにわかなつみつつかすが野ののもりもけふやはるをしるらん toshi goto ni / wakana tsumitsutsu / kasugano no / nomori mo kyō ya / haru o shiruran ‘Every single year / Ever plucking fresh herbs / On Kasuga Plain / The wardens, too, today / Must truly know ‘tis spring.’Mitsune (XVI: 1032/1029)
uguisu no nakitsuru nae ni kasugano no kyō no miyuki o hana to koso mire
While the warbler Sings on Kasuga Plain Today, accompanying the progress, snow As blossom does appear.[1]
16
Left (Win)
いまはしもはなとぞいはむかすがののはるのみゆきをなにとかは見む
ima wa shimo hana to zo iwamu kasugano no haru no miyuki o nani to ka wa mimu
Now, of all, The blossom, I would describe, On Kasuga Plain, as Springtime progress snow— What else can I say?
17
Right
ふるさとにゆきまじりたるはなと見ばわれにおくるなのべのうぐひす
furusato ni yukimajiritaru hana to miba ware ni okuru na nobe no uguisu
Around the ancient capital Have I gone amidst the snow— If as blossom I did see it, then, O, don’t send me off, Warbler upon the plain!
18
[1] SIS 1044 attributed to Fujiwara no Tadafusa ‘Headnote ‘Among the many poems presented by provincial officials, when the Kyōgoku Lady of the Bedchamber visited Kasuga.’
