Tag Archives: matsu

Kinkai wakashū 662

くらゐ山木だかくならん松にのみやほ万代と春風ぞふく

kuraiyama
kodakaku naran
matsu ni nomi
yaoyorozuyo to
harukaze zo fuku
On Mount Kurai[i]
Tall will become the pines trees
‘Simply wait
Eight million ages,’ whispers
The gusting breeze of spring!

662


[i] Mount Kurai (kuraiyama 位山), lies in what is now northern Gifu prefecture, and is one of the peaks in the Hida Mountains (hida sanmyaku 飛騨山脈), also known as the Northern Alps, stretching through north central Honshu. Its use here, however, is purely because kurai 位, was homophonous with the word for ‘court rank’. As matsu 松 (‘pine tree’) was also homophonous with matsu 待つ (‘wait’), the poem is a dual play on words

Kinkai wakashū 659

ゆくすゑもかぎりはしらずすみよしの松にいくよの年かへぬらん

yukusue mo
kagiri wa shirazu
sumiyoshi no
matsu ni ikuyo no
toshi ka henuran
Even the future’s
Limits are unknown for
Sumiyoshi’s
Pines—how many ages and
Years might they pass through?[i]

659


[i] See: Topic unknown. 我見てもひさしく成りぬ住の江の岸の姫松いくよへぬらむ ware mite mo / hisashiku narinu / suminoe no / kishi no himematsu / ikuyo henuramu ‘Even to my sight / Eternal are / Suminoe’s / Princess pines upon the shore: / How many ages have they passed through?’ Anonymous (Kokinshū XVII: 905)

Kinkai wakashū 623

Composed and sent to the residence of the Superintendent Abbot of Tsurugaoka[i] on a morning when snow had fallen.

つるの岡あふぎてみれば峰の松梢はるかに雪ぞつもれる

tsuru no oka
ōgite mireba
mine no matsu
kozue haruka ni
yuki zo tsumoreru
When to the Hill of Cranes
I lift up my gaze,
On the peaks beyond, pine
Treetops in the distance
Are covered with drifted snow.

623


[i] Tsurugaoka Hachiman Shrine (Tsurugaoka hachimangū 鶴岡八幡宮) is located in Yukinoshita in Kamakura and venerated Hachiman, the deity of war and warriors as the patron of the Minamoto clan. The shrine thus was, and still is, one of the focal points of the city and where many of its most important festivals are held. It was also the location of Sanetomo’s assassination in 1219. The Superintendent Abbot (bettō sōzu  別当僧都) to whom Sanetomo sent this time was probably the shrine’s third, Teigyō 定暁 (dates unknown) (Higuchi 2016, 96).

Eien narabō uta’awase 31

Round Three

Left[i]

君が代は神にぞいのる住之江の松の千年をゆづれとおもへば

kimi ga yo wa
kami ni zo inoru
suminoe no
matsu no chitose o
yuzure to omoeba
My Lord’s reign:
To the gods I pray, that
Suminoe’s
Pines their thousand years
Pass on—that is my hope…

Retired from the World
61a

きみがへむやちよのかずはあめにますとよをかひめの神やしるらん

kimi ga hemu
yachiyo no kazu wa
ame ni masu
toyo’okahime no
kami ya shiruran
That my Lord will endure
The number of eight thousand ages—
Residing in the heavens,
The Goddess of the Eternal Hills,
The deity, knows well, no doubt!

Retired from the World
61b

Right (Win)

君がよはつきじとぞおもふ春の日の御笠の山にささむかぎりは

kimi ga yo wa
tsukiji to zo omou
haru no hi no
mikasa no yama ni
sasamu kagiri wa
My Lord’s reign
Will never fade, I feel!
While in spring the sun
Upon Mikasa Mountain
Shines down…

Senior Assistant Minister Past Lecturer
62

Both Left and Right have neither strengths nor weakness in their diction and sense, but I feel that ‘While in spring the sun / Upon Mikasa Mountain / Shines down’ is a bit more dependable at present than ‘Suminoe’s / Pines their thousand years’.

It is certainly not the case that there are no dubious elements about the Left’s poem. As ‘eight thousand ages’ is a definite number, what is it that the Goddess of the Eternal Hills is expected to know? If this is something in the deity’s hands, then it should be, ‘does not even know the number’. I’m sure the Goddess herself would ask what she’s expected to know. The Right seems stronger.


[i] There are different poems by Eien this round in different versions of the text of the contest. As can be inferred from the judgements, Mototoshi saw the first poem and Toshiyori the second. This strongly suggests that Mototoshi’s judgements were circulated before the text of the contest was submitted to Toshiyori, and Eien revised his poem this round as a result (Kubota et al. 2018, 308).