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Sumiyoshi-sha uta’awase kaō ni-nen 55

Round Five

Left (Win)

くらゐやまみねのさくらをかざしても人はものをやなほおもふらむ

kuraiyama
mine no sakura o
kazashitemo
hito wa mono o ya
nao omouramu
Even should I Mount Kurai’s
Cherry blossom from the peak
Wear in my hair,
As a man would such gloomy
Thoughts still fill me?

Lord Sane’ie
109

Right

ありてこそあらぬすがたになりもせめうしとていかがみをばなぐべき

arite koso
aranu sugata ni
nari mo seme
ushi tote ikaga
mi oba nagubeki
I live on, so
My former state
I have abandoned;
How can I all the cruelties
Cast from my flesh?

Atsuyori
110

The Left’s configuration and conception are truly charming. The writer is troubled, isn’t he! In particular, the configuration of ‘As a man would such gloomy / Thoughts still fill me?’ sounds especially pleasant. For the Right, the tone of ‘How can I all the cruelties’ also seems pleasant, but still, I make the Left the winner.

SIS XVI: 1026

On a Day of the Rat, when Major Captain of the Right Sanesuke was lower in rank.

おいの世にかかるみゆきは有りきやとこだかき峯の松にとはばや

oi no yo ni
kakaru miyuki Fa
ariki ya to
kodakaki mine no
matu ni toFaba ya
In ancient ages
Did ever such a progress
Occur?
On the high, tree-covered peak
I would ask the pines…

’Kiyowara no Motosuke

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 42

Round Six

Left (Win)

山姫はもみぢのにしきおりてけりたちなやつしそ嶺の朝霧

yamahime wa
momiji no nishiki
oritekeri
tachi na yatsushi so
mine no asagiri
The mountain’s princess,
Of scarlet leaves brocade
Has woven;
In your rising don’t despoil it,
O, morning mists upon the peak!

Lord Kinshige
83

Right

しぐれには紅葉の色ぞまさりける又かきくもる空はいとはじ

shigure ni wa
momiji no iro zo
masarikeri
mata kakikumoru
sora wa itowaji
A shower makes
The scarlet leaves’ hues
Most fine;
So, the swiftly clouding
Sky I could not dislike.

Lord Masahira

84

The Right sounds as if the poet has just come to the revelation that, even though a showery sky is charming, can one possibly dislike it, given that it improves the hues of the scarlet leaves. The Left isn’t bad, but it does have two identical sounds ending lines, and this has been called the same-sounding rhyme fault, I believe. With that being said, in the Tentoku Poetry Match, there were some poems with this feature which were criticized, and some which were not, so I wonder if this is not something to particularly worry about. In this poem it doesn’t sound like a defect and, taking this together with the fact that the Right’s poem is poor, the Left should win.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 22

Round Ten

Left (Tie)

夜もすがら妻こふるまにさをしかのめさへあはでや鳴きあかすらん

yomosugara
tsuma kouru ma ni
saoshika no
me sae awade ya
naki’akasuran
All night long,
Yearning for his mate,
Does the stag
Fail to close his eyes,
Belling until the dawn?

Mikawa
43

Right

独のみみねのをしかのなくこゑにあはれ吹きそふ風の音かな

hitori nomi
mine no oshika no
naku koe ni
aware fukisou
kaze no oto kana
A single, solitary,
Stag from the peak
Belling out
Laces sadness into the gusting
Sound of the wind!

Kojijū
44

The Left’s ‘fail to close his eyes’ is a commonly utilised viewpoint, while the Right’s ‘lacing sadness into the gusts’ is unsatisfactory—simply ‘laced’ would be preferable. Nevertheless, neither of these are particularly significant faults, so these should tie.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 13

Round One

Deer

Left (Tie)

さをしかも秋をかなしとおもへばやときしも声をたてて鳴くらん

saoshika mo
aki o kanashi to
omoeba ya
toki shimo koe o
tatete nakuran
Does the stag, too,
Autumn’s sadness
Feel?
That at this time, of all, his cry
Should ring out so…

Lord Shige’ie
25

Right

嶺になく鹿の音ちかくきこゆなり紅葉吹きおろす夜はのあらしに

mine ni naku
shika no ne chikaku
kikoyu nari
momiji fuki’orosu
yowa no arashi ni
Crying upon the peak
The stag’s bell close by
Sounds, carried
With blown down scarlet leaves
On the midnight storm…

Lord Tsunemori
26

The Left truly sounds as if it grasps the conception with its use of ‘of all, his cry’. The Right, too, is poetic with ‘blown down scarlet leaves’. There may be some who say that one should not compose using a subsidiary topic, yet in the poetry match held in Tentoku[i] and the poetry match held by Emperor Kazan[ii], this was judged not to be a fault.


[i] This was the Dairi uta’awase Tentoku yo-nen 内裏歌合 天徳四年 (‘Palace Poetry Match Tentoku 4’) held by Emperor Murakami on the 30th day of the Third Month, Tentoku 4 [28.4.960].

[ii] This was the Dairi uta’awase Kanna gan-nen 内裏歌合 寛和元年 (‘Palace Poetry Match Kanna 1’) held by Emperor Kazan the 10th day of the Eighth Month, Kanna 1 [28.8.985].