Marlberry
Left
あさごとにきりはふれどもあしひきのやまたち花はいろもかはらず
asa goto ni kiri wa furedomo ashihiki no yamatachibana wa iro mo kawarazu | With every morning The mist rolls down, yet on The leg-wearying Mountains, the marlberry’s Hues remain unchanged. |
13
Right
みねだにやすみうくならんあしひきのやまたち花のみやまゐをせる
mine dani ya sumi’ukunaran ashihiki no yamatachibana no miyamai o seru | Does even the peak Seem so hard to dwell upon? The leg-wearying Mountain marlberry has Turned the hidden spring a darker hue. |
14
The Beginning of Winter
Left (Tie)
しものうへにふるはつゆきのあさごほりとけむほどこそひさしかりけれ
shimo no ue ni furu hatsuyuki no asagōri tokemu hodo koso hisashikarikeri | Upon the frost Falls first snow turning To ice with the morning; The time ‘twill take to melt Will be long, indeed. |
17
Right
かみなづきもみぢのいろはふくかぜとたにのみづとぞおとしはてつる
kaminazuki momiji no iro wa fuku kaze to tani no mizu to zo otoshihatetsuru | In the Godless Month The scarlet leaves’ hue With the gusting wind, and The waters in the valley, do Drop completely. |
Mitsune
18
Left
しらつゆのおけるあしたのをみなへしはなにもはにもたまぞかかれる
shiratsuyu no okeru ashita no ominaeshi hana ni mo ha ni mo tama zo kakareru | Silver dewdrops Fallen in the morning on A maidenflower: Both bloom and leaves Are all hung with pearls. |
7[1]
Right
をみなへしたてるのざとをうちすぎてうらみむつゆにぬれやん
ominaeshi tateru nozato o uchisugite uramimu tsuyu ni nure ya wataran | A maidenflower Stands at a house upon the plains As I pass by; Is it her resentful dew That has drenched me on my way? |
8
[1] Gyokuyōshū 526; Shinsen man’yōshū 606; Kokin rokujō 3687
妹に恋ひ寐ねぬ朝明にをし鳥のこゆかく渡る妹が使か
imo ni kopi inenu asake ni woshidori no koyu kaku wataru imo ga tukapi ka | Loving my darling On a sleepless morning The mandarins Back and forth do go— Her messengers, perhaps? |
Sent to Mitsune’s house, the morning after Tanabata.
あさとあけてながめやすらん織女のあかぬ別のそらをこひつつ
asa to akete nagame ya suran tanabata no akanu wakare no sora wo koFitutu | With the morning comes the dawn, and Should I gaze upon, I wonder The Weaver Maid’s Unfulfilled parting Sky ever with such fond feelings? |
Tsurayuki
At the new palace, on gazing on the tracks across the plains.
ますらをがあさふむのぢをみわたせばくもゐはるかにかくるせこなは
masurao ga asa fumu noji o miwataseba kumoi haruka ni kakuru sekonawa | A brawny man Has in the morning trod this trackways I gaze upon, so Among the distant clouds Dangle hunter’s snares. |
Fujiwara no Akisuke
Left
おもひにはあふ空さへやもえわたるあさたつ雲を煙とはして
omoi ni wa au sora sae ya moewataru asa tatsu kumo o keburi to wa shite | Is it our fires of passion Meeting in the skies, and Burning all? The clouds rising with the morning Have turned to smoke… |
166
Right
明けぬとて帰る道にはこきたれて雨もなみだもふりそほちつつ
akenu tote kaeru michi ni wa kokitarete ame mo namida mo furisōchitsutsu | Tis the break of day, and On the road back home Descending sheets of Rain, and my tears, too Soak me to the skin… |
Lord Toshiyuki
167[1]
[1] Kokinshū XIII: 639/Kokin rokujō V: 2732
Composed on the conception of being buried in frosty fallen leaves.
落ちつもる庭の木の葉を夜のほどにはらひてけりと見する朝霜
otitumoru niwa no ko no Fa wo yo no hodo ni FaraFitekeri to misuru asasimo | Fallen, piled high at My estate, the leaves from the trees Within the space of a single night Have been swept away, It seems, by the morning frost. |
Anonymous
Autumn
Left
秋の夜の有明にみれど久堅の月のかつらはうつろはぬかな
aki no yo no ariake ni miredo hisakata no tsuki no katsura wa utsurouwanu kana | An autumn night’s Dawn I see, yet The eternal Moon’s silver trees Show no sign of fading! |
13
秋萩の花咲く比の白露は下ばのためとわきて置くべし
aki hagi no hana saku koro no shiratsuyu wa shitaba no tame to wakite okubeshi | In autumn, the bush clover Flowers bloom—just then Silver dewdrops For the under-leaves Do fall, marking every one. |
14
秋風はいなばもそよとふきつめりかりみる程と成りやしぬらん
akikaze wa inaba mo soyo to fukitsumeri kari miru hodo to nari ya shinuran | The autumn breeze Seems to rustle the rice stalks As it blows; Seeing if ‘tis time to reap them— Is that what it is, I wonder? |
15
Right
銀河とわたる舟は花薄ほにいづるほどぞかげもみゆべき
ama no kawa towataru fune wa hanasusuki ho ni izuru hodo zo kage mo miyubeki | Across the River of Heaven A boat goes ferrying: When the silver grass Ears burst into bloom, Can its shape be seen. |
16
女郎花さがの花をば色ながら秋をさかりといはれずもがな
ominaeshi saga no hana oba iro nagara aki o sakari to iwarezu mogana | Maidenflowers: Blossoms from Saga Reveal their hues, and In autumn are most fine—that Goes without saying! |
17
小男鹿の朝たつ霧にうりふ山嶺の梢は色こかりけり
saoshika no asa tatsu kiri ni urifuyama mine no kozue wa iro kokarikeri | Stags Within the rising morning mist on Urifu Moutain, where The treetops on the peak Have taken darker hues. |
18
Dwarf Bamboo 小篠
あさタに露のしら玉みるものをいたくなかりそ岡のささはら
asa yū ni tsuyu no shiratama miru mono o itaku na kari so oka no sasawara | Morning and evening both Upon white gemlet dewdrops Do I gaze – O, reap not The dwarf bamboo groves on the hillside! |
Akinaka
'Simply moving and elegant'