Tag Archives: New Year Archery

Spring I: 27

Left (Win).

梓弓はるの雲居にひゞくまで鞆音にかよふ的の音かな

azusa yumi
haru no kumoi ni
hibiku made
tomone ni kayou
mato no oto kana
Catalpa bows
In springtime round the cloud-borne palace
Resound;
Bowstring on bracer and
Arrow on target – what a sound!

Lord Kanemune

53

Right.

梓弓まうけの箭にやひかるらんはてまでけふは當りぬる哉

azusa yumi
môke no ya ni ya
hikaruran
hate made kyô wa
atarinuru kana
Catalpa bows’
Spare arrows: will they
Be drawn, I wonder?
By this day’s end
All will have struck the target…

Lord Tsune’ie

54

The Right team have no comments to make about the Left’s poem, but the Left state that the initial section of the Right’s poem is ‘prosaic [heikai]’. Shunzei agrees, saying that the term ‘spare arrows’ is ‘unsuitable diction for poetry’ [uta kotoba ni yoroshikarazaru] and so the Left’s poem must be adjudged the winner.

Spring I: 26

Left.

心ある射手の舎人のけしきかな玉敷く庭に鞆音ひゞきて

kokoro aru
ite no toneri no
keshiki kana
tama shiku niwa ni
tomone hibikite
Souls stirred,
The archers, guardsmen all,
Are a sight
Within the gem-strewn gardens,
As bowstring snaps to bracer!

Lord Ari’ie.

51

Right (Win).

梓弓引く手ばかりはよそなれど心にいるは雲の上人

azusayumi
hiku te bakari wa
yoso naredo
kokoro ni iru wa
kumo no uebito
A catalpa bow:
Drawn simply by the hand,
Distant, it is, yet
Letting fly, within their hearts, are
The folk above the clouds…

Jakuren.

52

The Right team remark here that they were ‘unable to grasp’ the first line of the Left’s poem, possibly suggesting a judgement that kokoro aru, which I’ve translated here as ‘Souls stirred’, and which refers to the ability to be moved emotionally by phenomena, or events, was an unsuitable expression for mere ‘guardsmen’. The Left team state bluntly that the reference to ‘the folk above the clouds’ was ‘unsuited to this rite’, meaning the New Year archery contest, in which members of the higher nobility, the ‘folk above the clouds’, did not participate.

Spring I: 25

Left (Win).

けふは我君がみまへに取る文のさしてかたまる梓弓かな

kyō wa wa ga
kimi ga mimae ni
toru fumi no
sashite katamaru
azusayumi kana
Today to Our
Lord’s Presence
We take, missives
Attached and drawn tight,
Bows of catalpa wood…

A Servant Girl.

49

Right.

百敷や近きまもりの梓弓わが引く方ぞ心にはいる

momoshiki ya
chikaki mamori no
azusayumi
wa ga hiku kata zo
kokoro ni wa iru
Hundred-fold, the palace;
Close by, sentries with
Catalpa bows:
Drawing them,
Their hearts fly forth!

The Provisional Master of the Empress Household Office.

50

The Right team state simply that they ‘don’t understand the content’ of the Left’s poem, while the Left remark airily of the Right’s that it ‘hits the topic dead on!’ Nevertheless, Shunzei says that the Left’s poem, ‘seems charming, with its image of letters to His Majesty attached to staves’, and awards it the victory.