Tag Archives: nights

Eien narabō uta’awase 21

Round Seven

Left

秋の夜はながゐのうらにとまりしてのどかにてらすありあけの月

aki no yo wa
nagai no ura ni
tomarishite
nodoka ni terasu
ariake no tsuki
Autumn nights
Are long at Nagai Bay
Lodging, and
Gently shining
The dawntime moon.

Lady Kazusa
41

Right (Win)

秋の夜のくもふきはらふあらしこそ月みるひとのこころなりけれ

aki no yo no
kumo fuki’harau
arashi koso
tsuki miru hito no
kokoro narikere
On an autumn night
The clouds a’blowing away,
The storm wind, truly,
As someone gazing upon the moon
Has the selfsame heart!

Lady Shikibu
42

The poem of the Left certainly imagines the scene just as it is. With that being said, however, the dawntime moon is not present long enough. The Right’s poem simply sounds like one composed by Atsutaka for the ‘Poetry Match held at the Residence of the Former Captain of the Outer Palace Guards, Left Division’.[i] Thus, it’s impossible for me to determine a winner or loser.

It’s a poem which we see in the Poetry Match at Lord Moroyori’s Residence.

冬のよの雲ふきはらふ木枯や月見る人の心なるらむ

fuyu no yo no
kumo fuki’harau
kogarashi ya
tsuki miru hito no
kokoro naruramu
On a winter’s night
The clouds a’blowing away,
The bitter wind, indeed,
As someone gazing upon the moon
The same heart seems to have![ii]

In the poem of the Left, is it the moon or the poet who is lodging at Nagai Bay? If it’s the moon, then ‘lodging’ is erroneous; if it’s the poet, then ‘gently shining’ doesn’t work. In addition to this vagueness, I do also question whether ‘dawntime’ sounds appropriate. As for the Right’s poem, ‘as someone gazing at the moon / Has the selfsame heart!’ is an elegant conception, and the diction is also smooth. It reminds me of an earlier work by someone else. Thus, it wins.


[i] This match has a several different titles, Mototoshi refers to here as both: Zen sa-hyōe no kami no ie no uta’awase 前左兵衛督家歌合 and also Moriyori-kyō no ie uta’awase 師頼卿家歌合, but it is also known as the ‘Poetry Match held by the Late Master of the of the Crown Prince’s Household’ (Ko-tōgū daibu ie uta’awase 故東宮大夫家歌合) and the ‘Poetry held by Moroyori, Captain of the Outer Palace Guards, Right Division’ (U-hyōe no kami moroyori uta’awase 右兵衛督師頼歌合): the text of this match is no longer extant, but it is known to have taken place in the winter Tennin 天仁 2 (1109). Fujiwara no Kiyosuke notes that it was judged by Toshiyori, but Mototoshi disagreed with his assessments and submitted at set of judgements of his own in appeal (Fujioka 1995, 212).

[ii] This poem is included in Shoku shikashū (VI: 293), attributed to Moroyori, with the headnote, ‘Composed on the moon in winter’.

Entō ōn’uta’awase 40

Round Forty

Left (Win)

山もとの杜のしめ縄ながきよを秋のをしかの鳴きあかすらん

yamamoto no
mori no shimenawa
nagaki yo o
aki no oshika no
nakiakasuran
At the mountains’ foot lies
A sacred grove with garlands
Long as the nights
In autumn when the stag
Bells in the dawn.

Tomoshige
79

Right

なよ竹のよながき秋の山風に幾たび鹿のね覚しつらん

nayotake no
yo nagaki aki no
yamakaze ni
ikutabi shika no
nezameshitsuran
Green bamboo with
Knots as apart as the autumn night is long,
While with the mountain wind
How many times might the stag
Have awakened?[1]

Dharma Master Zenshin
80

The Left’s poem has ‘at the mountains’ foot lies a sacred grove with garlands long as the nights’ which sounds pleasant. The Right has ‘knots as apart as the autumn night is long, while with the mountain wind’—these, too, seem to have no clear winner or loser, yet still, the Left should be superior and should win.[2]


[1] An allusive variation on: Composed when the gentlemen in the Crown Prince’s service were presented with wine, on the occasion of Tadafusa being appointed Secretary of an embassy to China, during the reign of the Kanpyō emperor. なよ竹のよながきうへにはつしものおきゐて物を思ふころかな nayotake no / yo nagaki  ue ni / hatsushimo no / oki’ite mono o / omou koro kana ‘Green bamboo with / Knots as far apart as the night is long / While the first frost settles on my active / Thoughts these days!’ Fujiwara no Tadafusa (KKS XVIII: 993)

Naidaijin-ke uta’awase 14

Round Two

Left

ま袖もて朝置く霜を払ふかなあへず移ふきくの惜さに

masodemote
asa oku shimo o
harau kana
aezu utsurou
kiku no oshisa ni
From both my sleeves
The morning frost fall
I will brush away!
Reluctant to face the fading
Chrysanthemum’s burden of regret…

Lord Akikuni
27

Right (Both Judges – Win)

露結ぶしも夜の数をかさぬればたへでや菊のうつろひぬらん

tsuyu musubu
shimo yo no kazu o
kasanureba
taede ya kiku no
utsuroinuran
Dewdrops bound with
Frost—when such nights in number
Mount up,
Might it be unbearable that the chrysanthemums
Do fade away?

Lord Morotoshi
28

Toshiyori states: the first poem is extremely charming. Nevertheless, I must question the use of ‘reluctant to face the fading’ as I feel this is something I have not heard before. I can grasp the sense of diction such as ‘unable to do anything about’ or ‘without taking on autumn hues’, but did the poet mean to use the diction ‘unbearable’, perhaps? Even though this is somewhat archaic phrasing, it is used in composition. This poem’s expressions, though, I feel are somewhat unfamiliar. The conception and diction of the second poem are both extremely charming. However, this poem, too, is vague. What is going on with the initial ‘dewdrops bound’? Does it mean that the dewdrops get turned into frost? If so, then, from what is known of the calendar, this is something which only occurs on a single night, and from the following night there is only frost. It sounds as if the conception of this poem, though, is that night after night dew turns to frost, and this would be a fault. Despite this vagueness, however, its tone is elegant, so it seems superior.

Mototoshi states: the poem of the Left has a poetic configuration, but I strongly feel that it would have been preferable not to use the diction ‘both my sleeves’. It does seem as if this was used in the ancient Collection of a Myriad Leaves, but even given that was the case, in the preface to the Ancient and Modern, I recall it saying, ‘On examining the poems of ancient times, we find they use many archaic expressions. These were there not just to please the ear, but simply for moral instruction’. It appears that there are no instances of this piece of diction being used in poetry matches from the period of the Ancient and Modern, Later Selection and Gleanings, and these were all conducted for entertainment. Even in a poetry match conducted in Engi 12 [912], when the term ‘sleeve’ was used, I get the feeling that it was such a source of amusement that the poem was not recited. While the quality of the Right’s poem is not superb, the tone of ‘Dewdrops bound with  / Frost—when such nights in number’ is not bad, so I feel the dew can still remain bound!

Daigo ōntoki kiku awase 02

霜のうへにのこれるきくのいろふかくをしむ心はなにならなくに

shimo no ue ni
nokoreru kiku no
iro fukaku
oshimu kokoro wa
nani naranaku ni
Atop the frost,
The lingering chrysanthemums’
Hues are deep, so
Regret within my heart
There should not be, yet…

Prince Iwa
3

いてしよも霜のうへなるきくのはなうつらぬほどにちよをかぞへむ

iteshi yo mo
shimo no ue naru
kiku no hana
utsuranu hodo ni
chiyo o kazoemu
On frozen nights, too,
O’er the frost
While the chrysanthemum blooms
Remain unfaded,
I would count a thousand ages.

Saimo no kami
4

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 32

Round Eight

Left (Win)

月影をまつとをしむと秋の夜はふたたび山の端こそつらけれ

tsukikage o
matsu to oshimu to
aki no yo wa
futatabi yama no
ha koso tsurakere
Moonlight
A’waiting brings regret
On autumn nights—
Twice the mountains’
Edge do I hate so!

Sadanaga
63

Right

吹きはらふ月のあたりの雲みれば春はいとひし風ぞうれしき

fukiharau
tsuki no atari no
kumo mireba
haru wa itoishi
kaze zo ureshiki
Blown away
From round the moon
The clouds I see, so
Hated in spring
The wind fills me with joy!

Koreyuki
64

The Right seems to be saying that clouds are blown away from round the moon, so it sounds as if the diction is reversed. Overall, it lacks soul. While the Left has an archaic conception, it should win.