あし曳の山のをのへにかるかやのつかのまもなく乱れてぞおもふ
ashihiki no yama no onoe ni karu kaya no tsuka no ma mo naku midarete zo omou On the leg-wearying
425
Snow around a temple
うちつけに物ぞかなしきはつせ山をのへのかねの雪の夕暮
uchitsuke ni mono zo kanashiki hatsuseyama onoe no kane no yuki no yūgure Suddenly,
382
Snow between the pines
高砂のをのへの松にふる雪のふりていくよのとしかつもれる
takasago no onoe no matsu ni furu yuki no furite iku yo no toshi ka tsumoreru On Takasago
379
萩がはなうつろひ行けば高砂の尾上の鹿のなかぬ日ぞなき
hagi ga hana utsuroiyukeba takasago no onoe no shika no nakanu hi zo naki As the bush-clover blooms
夕されば衣手すずしたかまどのをのへの宮の秋のはつかぜ
yū sareba koromode suzushi takamado no onoe no miya no aki no hatsukaze When the evening comes,
Pheasants.
たかまどのをのへのきぎすあさなあさなつまに恋ひつつ鳴くねかなしも
takamado no onoe no kigisu asana asana tsuma ni koitsutsu naku ne kanashi mo On Takamado
Created with Soan.
When he composed a hundred-poem sequence.
たぐへ来る松の嵐やたゆむらんをのへにかへるさをしかのこゑ
taguekuru Accompanying
The Regent and Palace Minister
Created with Soan .
Composed on the conception of gazing at mountain cherries in the distance, when people were drinking wine and composing poetry at the residence of the Minister of the Centre.
高砂の尾上のさくらさきにけりと山のかすみたたずもあらなん
takasago no On Takasago’s
Lord Ōe no Masafusa
Created with Soan .
心すむ尾上の松の風にまた鹿の音たぐふ秋の夕暮
kokoro sumu
Across the enlightened
君が代を尾上の松にくらべむに幾代の春か逢はむとすらむ
kimi ga yo o
My Lord, your reign
Fujiwara no Akisuke
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'Simply moving and elegant'
