Tag Archives: reeds

Autumn I: 23

Left (Win).

ひとり寢る葦の丸屋の下露に床を傡べて鶉鳴く也

hitori nuru
ashi no maruya no
shimo tsuyu ni
toko o narabete
uzura nakunari
Sleeping singly
In a reed-roofed hut,
Dripped with dew,
Beside my bed
The quails are crying.

A Servant Girl.

345

Right.

秋風に靡く尾花の夕露や鶉が閨の雨と散るらむ

akikaze ni
nabiku obana no
yūzuyu ya
uzura ga neya no
ame to chiruramu
In the autumn breeze
Flutter fronds of silvergrass,
Scattering dewdrops
On the quails’ roost –
How like rain…

The Provisional Master of the Empress’ Household Office.

346

The Right state that the Left’s poem has no faults. The Left state that, ‘“On the quails’ roost – how like rain” (uzura ga neya no ame) suggests that this is what it actually is.’

Shunzei disagrees: ‘It is not the case that uzura ga neya no ame definitely implies that it is actually rain, particularly with the scene set by dew on silvergrass. However, “beside my bed” (toko o narabete) is particularly attractive in expression. It should win.’

Love 57

Left (Tie).

くるゝ夜は衛士のたく火をそれと見よ室の八嶋も都ならねば

kururu yo wa
eji no taku hi wo
sore to miyo
muro no yashima mo
miyako naraneba
In the dark of night,
The conscripts kindled flames
Behold as my love, for
The waters of Muro no Yashima
Lie not within the capital.

113

Right (Tie).

蘆の屋に螢やまがふ海人やたく思ひも戀も夜はもえつゝ

ashi no ya ni
hotaru ya magau
ama ya taku
omoi mo koi mo
yoru wa moetsutsu
In a reed-roofed hut,
One might mistake for fireflies, or
Fisherfolk’s kindled fires
The passion and the love, that
Burns in me throughout the night.

114

Summer 20

Left (Win).

蘆の屋のかりねの床のふしのまにみじかく明る夏の夜な夜な

ashi no ya no
karine no toko no
fushi no ma ni
mijikaku akuru
natsu no yonayona
Out cutting reeds,
Upon a fleeting bed
I lie; between one reed-knot and another,
So brief comes the dawn
Each passing night in summer.

39

Right

うちなびくしげみが下のさゆり葉のしられぬほどにかよふ秋風

uchinabiku
shigemi ga shita no
sayuriba no
shirarenu hodo ni
kayou akikaze
Aflutter
Beneath the growth
Lilies,
Unknown
to all,
Are passed by an autumn breeze.

40