Tag Archives: sayo

Sumiyoshi-sha uta’awase kaō ni-nen 29

Round Four

Left (Tie)

たびねするあれたるやどのしぐれにはなみだもともにもるにぞありける

tabinesuru
aretaru yado no
shigure ni wa
namida mo tomo ni
moru ni zo arikeru
Sleeping on my travels
In a ruined hut,
The showers
And my tears, both,
Do leave me drenched!

Minamoto no Munenaga
(formerly Michikiyo)
57

Right

ちぎらねどさよのねざめにおとづれてしぐれぞたびのともとなりける

chigiranedo
sayo no nezame ni
otozurete
shigure zo tabi no
tomo to narikeru
It made no vow, yet
On awaking from a brief night’s sleep,
I am visited by the sound
Of showers—my journey’s
Companion, have they become.

Fujiwara no Noritsune
58

The Left conception and configuration appear pleasant, but after saying that one is ‘sleeping on my travels’ to then have ‘a ruined hut’—this does not really sound like somewhere a person would take lodging on their journey. As for the Right, it seems like the only reason the poet has begun with ‘it made no vow, yet’ is because he wished to use ‘companion’, but these pieces of diction are too far apart. Still, it does seem to have some conception, so I make these a tie.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 31

Round Seven

Left (Tie)

あまつほしありともみえぬ秋のよの月はすずしき光なりけり

ama tsu hoshi
ari tomo mienu
aki no yo no
tsuki wa suzushiki
hikari narikeri
Stars in the heavens
Appear there to be none on
An autumn night when
The moon a cool
Light sheds.

Kojijū
61

Right

さ夜ふくる空にきえゆく浮雲の名残もみえぬ秋のよの月

sayo fukuru
sora ni kieyuku
ukigumo no
nagori mo mienu
aki no yo no tsuki
As brief night wears on
Vanishing from the skies are
The drifting clouds,
Leaving no keepsake for
The moon this autumn night.

Moromitsu
62

The Left, in addition to suffering from the Tree-Bank fault,[1] compounds this by adding a further line so all the first three lines begin with the same sound. This has been noted as a fault in earlier poetry matches. The Right, too, mentions ‘night’ twice and this is a significant fault, but I am unable to grasp the sense of the Left’s poem, so it’s difficult to make a judgement between them.


[1] Ganjubyō 岸樹病 (‘Tree-Bank fault’): this was one of the four poetic faults identified in the poetic treatise Waka sakushiki 倭歌作式 (‘Code of Creation of Japanese Poetry’), attributed to Kisen 喜撰 (fl. 810-824), hence the treatise’s alternative title of Kisenshiki 喜撰式 (‘Kisen’s Selected Codes’). This attribution is widely believed to be spurious, however, and that the work was probably written in the mid-Heian period. Ganjubyō refers to beginning the first and second ‘lines’ of a waka with the same syllable, in this case ‘a’.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 14

Round Two

Left (Win)

ふく風も身にしむ秋の夕ぐれに哀をそふる鹿のこゑかな

fuku kaze mo
mi ni shimu aki no
yūgure ni
aware o souru
shika no koe kana
The gusting wind
Pierces my flesh on an autumn
Evening, as
Sadness laces
The stag’s cry!

Lord Michyoshi
27

Right

妻こふるさ夜ふけがたの鹿のねに声うちそへて秋風ぞ吹く

tsuma kouru
sayo fukegata no
shika no ne ni
koe uchisoete
akikaze zo fuku
Yearning for his mate as
Brief night wears on,
A stag’s cry
Is voiced, lacing
The gusting autumn wind.

Tamechika
28

Both Left and Right have the same overall content, but the Left’s ‘yearning for his mate as / Brief night wears on’ reverses the appropriate order of the diction: it would be preferable to say ‘Brief night wears on as / Yearning for his mate’. The Left has no such issues and so it should win.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 04

Round Four

Left (Win)

春の夜はいこそねられねねやちかき梅のにほひにおどろかれつつ

haru no yo wa
i koso nerarene
neya chikaki
ume no nioi ni
odorokaretsutsu
On a night in springtime
I cannot sleep at all, for
Close by my bedchamber
The scent of plum
Ever wakes me from my slumber…

Norimori
7

Right

さ夜ふかみ旅ねの床にかをらずは梅さく宿といかでしらまし

sayo fukami
tabine no toko ni
ka orazu wa
ume saku yado to
ikade shiramashi
Deep within brief night
In a traveller’s bed
No scent reaches me, yet
That plum blooms at this dwelling—
How is it I might know?

Kenshō
8

The Left is particularly evocative. The Right is from an old poetry match.

SKKS V: 483

On the conception of fulling clothes.

みよしのの山のあきかぜさ夜ふけて故郷さむくころもうつなり

miyoshino no
yama no akikaze
sayo fukete
furusato samuku
koromo utsunari
On fair Yoshino
Mountain the autumn wind
Marks a brief night’s end,
For in this ancient place the chill
Carries the sound of fulling cloth.

Consultant Masatsune

A kuzushiji version of the poem's text.
Created with Soan.