Tag Archives: Spring

Tōin senzai awase 01

The Garden Match held by the Chancellor at the Eastern Mansion

When His Lordship, the Chancellor, was having the Eastern Mansion refurbished, he divided his sons into teams and having a large number of charming plants grown in pots on the eastern and western sides of the main hall, he matched poems composed on the names of these plants. These poems are as follows.

Left – Pine

あだしきのちるにもさらににぬまつはちとせこえふるしるべなりけり

adashiki no
chiru ni mo sara ni
ninu matsu wa
chitose koefuru
shirube narikeri
The other trees’
Scattering is e’en more
Unlike the pines—
Passing through a thousand years
Is their singular sign.

1a

あたらしき春にもさらににぬまつはちとせこえこぬしるべなりけり

atarashiki
haru ni mo sara ni
ninu matsu wa
chitose koekonu
shirube narikeri
A new
Spring is e’en more
Unlike the pines—
That it last not a thousand years
Is a singular sign.

1b

Right

たれもみなちとせこえくるまつにのみひさしきことはならへとぞ思ふ

tare mo mina
chitose koekuru
matsu ni nomi
hisashiki koto wa
narae to zo omou
Every single one, without exception,
Passes through a thousand years—
That the pines, alone,
Are eternal:
Learn that! Or so I feel…

2

Kyōgoku no miyasudokoro uta’awase 16

Original

ゆきがてにふくはるかぜははやけれどあをやまなればさむからなくに

yukigate ni
fuku harukaze wa
hayakeredo
aoyama nareba
samukaranaku ni
Blended with snow
Blows the spring breeze
So swift, yet
In the padded jacket of the mountain’s green,
It’s not so cold at all…

46

Left

あをやまのなをきてたれかふくかぜをさむからずとはおもひしるらむ

aoyama no
na o kite tare ka
fuku kaze o
samukarazu to wa
omoishiruramu
A padded jacket of the mountain’s green?
Who would come hearing that, and
By the gusting wind
Remain unchilled,
Do you really think…

47

Right

ゆきがてのかぜもなにかはさむからんはるのひかりのみてるやまべは

yukigate no
kaze mo nanika wa
samukaran
haru no hikari no
miteru yamabe wa
Blended with snow,
What is it might make the wind
So cold?
Where the light of spring
Shines upon the mountainside…

48

Kyōgoku no miyasudokoro uta’awase 12

Original

ふるさとのかすがののべのくさもきもはるにふたたびあふことしかな

furusato no
kasuga no nobe no
kusa mo ki mo
haru ni futatabi
au kotoshi kana
At the ancient capital
Upon Kasuga’s plain,
Grasses and trees, both,
Springtime have twice
Met this year! [1]

Mitsune
34

Left (Win)

はるながらまたはるにあふかすがのにおひぬくさきはねたくやあるらん

haru nagara
mata haru ni au
kasugano ni
oinu kusaki wa
netaku ya aruran
‘Tis spring, but
That springtime once more has come
To Kasuga Plain,
Won’t the grasses and trees growing there
Be envied, indeed?

35

Right

ゆきかへるみちのやどりかかすがののくさきにはなのたびかさぬらむ

yukikaeru
michi no yadori ka
kasugano no
kusaki ni hana no
tabikasanuramu
Is it that arriving and departing,
The lodging on spring’s path lies
On Kasuga Plain, so
On the grasses and trees, blossom
Appears time and time again?

36


[1] This poem occurs in Mitsune-shū (322) with the same headnote as for poem (22), above. It was also included in Shinsenzaishū (X: 980), with the headnote, ‘Composed in place of the Governor of Yamato in Engi 21, on the day when the Kyōgoku Lady of the Bedchamber visited the shrine at Kasuga.’

Kyōgoku no miyasudokoro uta’awase 09

Original

はるごとにきみしかよはばかすがののやちよのまつもかれじとぞおもふ

haru goto ni
kimi shi kayowaba
kasugano no
yachiyo no matsu mo
kareji to zo omou
Should every single spring
My Lady visit here,
On Kasuga Plain
The pines, eight thousand ages old
Would never wither, I feel!

25

Left (Win)

かすがのにはるはかよはむわがためにまつこころありてよはひますなり

kasugano ni
haru wa kayowamu
wa ga tame ni
matsu kokoro arite
yowai masu nari
To Kasuga Plain
Where spring is wont to come
For my sake, then
Should the pines be a mind to tarry with me
How exceeding old would I become.

26

Right

かすがののまつしかれずはみたらしのみづもながれてたえじとぞおもふ

kasugano no
matsu shi karezu wa
mitarashi no
mizu mo nagarete
taeji to zo omou
On Kasuga Plain
The pines will wither never, for
The Mitarashi’s
Water’s flow, too,
Will never cease, I feel.

27

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 32

Round Eight

Left (Win)

月影をまつとをしむと秋の夜はふたたび山の端こそつらけれ

tsukikage o
matsu to oshimu to
aki no yo wa
futatabi yama no
ha koso tsurakere
Moonlight
A’waiting brings regret
On autumn nights—
Twice the mountains’
Edge do I hate so!

Sadanaga
63

Right

吹きはらふ月のあたりの雲みれば春はいとひし風ぞうれしき

fukiharau
tsuki no atari no
kumo mireba
haru wa itoishi
kaze zo ureshiki
Blown away
From round the moon
The clouds I see, so
Hated in spring
The wind fills me with joy!

Koreyuki
64

The Right seems to be saying that clouds are blown away from round the moon, so it sounds as if the diction is reversed. Overall, it lacks soul. While the Left has an archaic conception, it should win.

Kyōgoku no miyasudokoro uta’awase 08

Original

きみしなほかくしかよはばいそのかみふるきみやこもふりじとぞおもふ

kimi shi nao
kaku shi kayowaba
isonokami
furuki miyako mo
furiji to zo omou
O, my Lady,
Should you thus ever visit
Isonokami, where at
Furu, the ancient capital, too,
Never stales, I feel![1]

Mitsune
22

Left (Win)

かよふともしられじものをふるさとはかすがのやまのふもとならねば

kayou tomo
shirareji mono o
furusato wa
kasuga no yama no
fumoto naraneba
To ever visit there is something
Folk might not know, for
The ancient capital
Among Kasuga Mountain’s
Foothills does not lie…

23

Right

はるごとにきてはみるともいそのかみふりにしさとのなにはかはらじ

haru goto ni
kite wa miru tomo
isonokami
furinishi sato no
nani wa kawaraji
Every single spring
I come to gaze, yet
At Isonokami,
Furu’s ancient capital
Does nothing ever change?

24


[1] A variant of this poem occurs in Mitsune’s personal collection: When the Priestly Emperor’s Rokujō Lady of the Bedchamber visited Kasuga, I met and conversed with Lord Tadafusa, the Governor of Yamato, and he mentioned that he had been asked to compose eight quality poems in the name of his province, so I sent him two of my own. The date was the 7th day of the Third Month, Engi 21 [17.4.921]. きくになほかくしかよはばいそのかみふるきみやこもふりしとぞおもふ kiku ni nao / kaku shi kayowaba / isonokami / furuki Miyako mo / furishi to zo omou ‘O, I hear that / Should you ever thus visit / Isonokami, where at / Furu, the ancient capital, too, / Has grown old, I feel.’(Mitsune-shū 323)

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 15

Round Three

Left (Win)

たれよりも秋のあはれやまさるらん声にたてては鹿ぞ鳴くなる

tare yori mo
aki no aware ya
masaruran
koe ni tatete wa
shika zo nakunaru
Who might it be that
The sadness of autumn
Strikes more keenly?
Lifting up his voice,
It is the stag crying out!

Lord Yorisuke
29

Right

春夏はなにに心をなぐさめて秋のみ鹿の妻をこふらん

haru natsu wa
nani ni kokoro o
nagusamete
aki nomi shika no
tsuma o kouran
Spring and summer, too,
How do they the heart
Console?
‘Tis in autumn, alone, the stag
Seems to yearn for his mate.

Kenshō
30

The Left charmingly sounds as if the scene it describes is entirely natural. The Right isn’t bad, but, I seem to recall that there was a poem in—I think it was the Poetry Match at Lord Aritsuna’s Residence—that has the phrase ‘In autumn, above all, / The stag seems to yearn for his mate’, so it would have better to refrain from the final two lines. The Left should win.

GSS IX: 509

When the Minamoto Minister had visited her, but then lately had not come to call, she caught a faint glimpse of him through a hole in the wall of her chamber, and sent him this.

まどろまぬかべにも人を見つるかなまさしからなん春の夜の夢

madoromanu
kabe ni mo Fito wo
mituru kana
masasikaranan
Faru no yo no yume
Unable to sleep,
Through my wall him
I did glimpse!
O, how I wish were true
My dream this brief spring night…

Suruga

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 23

Round Twenty-Three

Left (Win)

雪ふかみしづのふせ屋もうづもれて煙ばかりぞしるしなりける

yuki fukami
shizu no fuseya mo
uzumorete
keburi bakari zo
shirushi narikeru
Snow so deep that
The peasants’ huts, too,
Are buried, and
The smoke, alone, is
Their only sign!

Kinshige
45

Right

花の春もみぢの秋もしるかりし松の木ずゑもみえぬ白雪

hana no haru
momiji no aki mo
shirukarishi
matsu no kozue mo
mienu shirayuki
By blossom is spring, and
By scarlet leaves is autumn
Known—
The treetops of the pines
Invisible with snow, so white.

Kūnin
46

The Left poem’s conception of ‘sign of smoke’ sounds particularly profound. As for the Right, it is possible for enough snow to fall to conceal a pine’s lower leaves, too, so the poem does not sound satisfying.