Tag Archives: sugi

Eien narabō uta’awase 23

Round Two

Left

ゆきふればしるしのすぎもはなさきてみわの山べもいかがたづねむ

yuki fureba
shirushi no sugi mo
hana sakite
miwa no yamabe mo
ikaga tazunemu
When the snow has fallen,
The symbolic cedars, too,
Bloom with blossom—
To Miwa’s mountainside
How might I make my way?

Lord Saburō
45

Right (Win)

しらゆきにふるの山みちうづもれてたどるばかりになりもゆくかな

shirayuki ni
furu no yamamichi
uzumorete
tadoru bakari ni
nari mo yuku kana
In snow, so white,
Furu’s ancient mountain paths
Are buried, so
Simply I must feel my way
As I go along!

Ushigimi
46

The Left’s poem is an entirely transparent adaptation of an earlier work. This poem is:

ふる雪に印の杉もうづもれていづこなるらむ三輪の山本

furu yuki ni
shirushi no sugi mo
uzumorete
izuko naruruamu
miwa no yamamoto
In the falling snow,
Even the symbolic cedars
Are buried
Where might be
Miwa mountain’s foot?[i]

The Right’s poem has nothing of interest about it, nor does it have any faults to indicate. Thus, there are insufficient grounds for judgement.

The Left’s poem follows the conception of a poem which appeared in the Kaya Palace Poetry Match.[ii] Although this is an earlier work, truly, it’s not that good, and so this poem doesn’t seem that superlative. Why couldn’t one visit if blossom has simply bloomed? The former poem says it would be difficult to get there because it’s buried in snow. The Right’s poem isn’t that good, but it seems better than the Left, so it should win.


[i] The source of this poem is unclear, however,

[ii] Snow. ふるゆきにすぎのあをばもうづもれてしるしも見えずみわのやまもと furu yuki ni / sugi no aoba mo / uzumorete / shirushi mo miezu / miwa no yamamoto ‘In the falling snow / The green cedar needles / Are buried, so / The symbol goes unseen, / Of Miwa mountain’s foot.’ Lady Settsu (Kaya no in shichiban uta’awase 55). This poetry match, Kaya no in shichiban uta’awase 高陽院七番歌合 (‘Seven Round Poetry Match held at the Kaya Palace’), was sponsored by Fujiwara no Morozane 藤原師実 (1042-1101) and held on the 19th day of the Eighth Month, Kahō 1 [1.10.1094]. The judge, Minamoto no Tsunenobu 源経信 (1016-1097), approved of this poem, saying it was ‘extremely charming’. It was later included in Kin’yōshū (IV: 285), with the headnote, ‘Composed on the conception of snow at the Poetry Match held at the Residence of the Former Uji Chancellor’.

Sumiyoshi-sha uta’awase kaō ni-nen 74

Round Twenty-Four

Left (Tie)

なにごとをまつとはなしにすみよしのかみにこころをかけぬまぞなき

nanigoto o
matsu to wa nashi ni
sumiyoshi no
kami ni kokoro o
kakenu ma zo naki
Nothing in particular
Have I to expect, but
Sumiyoshi’s
Deity within my heart
Dwells not for no moments at all!

Shōkaku
147

Right

いたづらにおいにけるかないにしへの人のうゑけむすぎならなくに

itazura ni
oinikeru naka
inishie no
hito no uekemu
sugi naranaku ni
How brief it’s been, but
I have grown old, though
By ancient
Folk a planted
Cedar tree I’m not…

Jakuchō
148

The conception of the Left’s poem, saying ‘Have I to expect, but’ sounds extremely charming, but the configuration of the poem of the Right, composing ‘Folk a planted / Cedar tree I’m not’ also appears pleasant. Thus, these tie.

FGS IV: 410

On summer trees, when His Majesty, the Former Emperor, ordered him to produce a thirty poem sequence.

虹のたつふもとの杉は雲にきえて峰よりはるるゆふだちのあめ

niji no tatsu
fumoto no sugi wa
kumo ni kiete
mine yori haruru
yūdachi no ame
A rainbow rises above
Cedars in the foothills,
Vanishing in the clouds
Clearing from the peaks,
With an evening shower of rain.

Former Senior Assistant Governor General of Dazai Toshikane

Love VIII: 11

Left
山深み種ある岩に生ふる松の根よりもかたき戀や何なる

yama fukami
tane aru iwa ni
ouru matsu no
ne yori mo kataki
koi ya nani naru
Deep with the mountains,
Upon the crags where seeds
Grow into pines,
Rooted firmly – how hard
Will our love be?

Lord Ari’ie
1041

Right (Win)
契きなまた忘れずよ初瀬河布留川野邊の二本の杉

chigirikina
mata wasurezu yo
hatsusegawa
furukawa nobe no
futamoto no sugi
You vowed it, did you not.
Not to forget me more.
In the River Hatsuse and
River Furu’s meadows
Stand twin cedars.

Jakuren
1042

Left and Right together state: we find no faults to mention.

In judgement: While there are such things in the heart of the mountains as ‘crags where seeds grow into pines’ (tane aru iwa ni ouru matsu), it is normally by the sea or on rocky coastlines that one finds firmly rooted pine trees. Surely, mountain pines are but lightly rooted? Cedars on River Hatsuse recollects ‘Nor will I ever; a solid brick-kiln’ (wasurezu yo kawaraya), but ‘You vowed it, did you not’ (chigirikina) also reminds me of the old phrase ‘Both our sleeves wringing out’ (katami ni sode o shiboritsutsu), which is most fine. Thus, the Right wins.

SZS I: 11

Composed as a poem on haze.

見渡せばそこと印の杉もなし霞のうちや三輪の山本

miwataseba
soko to sirusi no
sugi mo nasi
kasumi no uti ya
miwa no yamamoto
When I gaze across
As sentinels there
No cedars stand;
Are you within the haze,
O, Miwa Mountain’s foot?

Captain of the Middle Palace Guards, Left Division, [Fujiwara no] Takafusa
左兵衛督隆房

GSIS XIX: 1147

When he visited, after many years, the home of lady with whom he had once been intimate, she composed this, pretending not to know who he was.

杉も杉宿もむかしの宿ながらかはるはひとの心なりけり

sugi mo sugi
yado mo mukashi no
yado nagara
kawaru wa hito no
kokoro narikeri
The cedars and their
Dwelling make my home just as it was
So long ago;
What has changed is  my
Heart.

Anonymous