Left
はるのよのあかぬわかれのあかつきはちへのにしきをたつにざりける
| haru no yo no akanu wakare no akatsuki wa chie no nishiki o tatsu ni zarikeru | After a spring night, Unsatisfied, parting at The dawn, Sewn a thousandfold, the brocade Through which I go! |
26
Right
あけぬてふこゑもなみだももろともにうちいづるからにそでぞぬれける
| akenu chō koe mo namida mo morotomo ni uchi’izuru kara ni sode zo nurekeru | ‘Tis dawn, say Birdsongs and tears Both, Bursting out, so My sleeves are soaked! |
27
On the same conception, when the Lay Priest and Former Chancellor had ten poem sequences composed at his residence.
いまよりの涙のはてよいかならん恋ひそむるだに袖はぬれけり
| ima yori no namida no hateyo ika naran koisomuru dani sode wa nurekeri | From this moment Cease, my tears! What has occurred? Why, love’s first tint is all That wets my sleeves. |
Former Major Counsellor Tame’uji
Round Thirty-Six
Left
秋をおもふ涙やもろき夕月夜木葉がくれに鹿ぞ鳴くなる
| aki o omou namida ya moroki yūzukuyo ko no hagakure ni shika zo nakunaru | Filled with autumn feelings Do tears drip down? On a moonlit evening Hidden ‘mong the leafy trees, A stag does call. |
Dōchin
71
Right (Win)
を山田に風の吹きしくいなむしろよなよな鹿のふしどなりけり
| oyamada ni kaze no fukishiku inamushiro yonayona shika no fushidonarikeri | Across the mountain paddies The wind blows, spreading The rice into a coverlet, where Night after night, the stag Does lay his head. |
Dharma Master Nyokan
72
The Left’s poem does not appear to have any faults worth indicating, yet the Right’s poem is still more pleasant. It should win.
Love.
Left
人知れぬ恋の涙はうぐひすの初声にこそながれいでぬれ
| hito shirenu koi no namida wa uguisu no hatsukoe ni koso nagare’idenure | Unknown to all My tears of love With the warbler’s First cry have Burst into flow! |
3
Right
いかならむときか忘れむ春霞たちゐる空も君ぞこひしき
| ika naramu toki ka wasuremu harugasumi tachi’iru sora mo kimi zo koishiki | What is to become of me? Can I forget the time, when The spring haze Rising into the skies, too, Was dear to me as you? |
4
Round Thirty-Two
Left (Tie)
上葉ふく朝の原の秋風におのれうつろふ萩の下露
| uwaba fuku ashita no hara no akikaze ni onore utsurou hagi no shitazuyu | Blowing upon the upper leaves Over Ashita Plain, The autumn breeze touches, Fading all of itself The dripping dew upon the bush clover. |
Tomoshige
63
Right
今よりはたが涙とか成りぬらん下葉色づく秋萩の露
| ima yori wa ta ga namida to ka narinuran shitaba irozuku akihagi no tsuyu | From now on Whose tears might They become? Colouring the underleaves Are dewdrops upon the autumn bush clover…[1] |
Dharma Master Zenshin
64
Left and Right are in the same style. The Right’s poem wonders ‘whose are these tears’ and has a person’s tears as the dew upon the grass, which is something one often hears. Using dew on the grass as a person’s tears is a bit vague, yet it’s not going so far as to be a definite fault. These should tie.
[1] An allusive variation on: Topic unknown. あきはぎのしたば色づく今よりやひとりある人のいねがてにする akihagi no / shitaba irozuku / ima yori ya / hitori aru hito no / inegatenisuru ‘The autumn bush clover’s / Underleaves are colouring / From this point on, / For one all alone / Will sleep be harder to find?’ Anonymous (KKS IV: 220)
Round Thirty-One
Left
露すがる庭の萩原色付きぬいかなる人の思ひそむらん
| tsuyu sugaru niwa no hagiwara irozukinu ika naru hito no omoisomuran | All clung with dew, The bush clover grove in the grounds Has taken on such hues, that I wonder who it is Might have just fallen into passion’s flames? |
Chikanari
61
Right (Win)
おく露は秋のならひの萩が枝にあまるや雁の涙なるらん
| oku tsuyu wa aki no narai no hagi ga e ni amaru ya kari no namida naruran | Dewdrops falling is Autumn’s custom for The bush clover branches, but Added to them are the goose Tears, perhaps?[1] |
Ie’kiyo
62
The Left’s poem has a person’s feelings being dyed by the bush-clover, but I cannot think why this should be? The Right’s poem seems particularly pleasant. Thus, it wins.
[1] An allusive variation on: Composed on the occasion of a poetry competition at Prince Koresada’s house. 秋の夜のつゆをばつゆとおきながらかりの涙やのべをそむらむ aki no yo no / tsuyu oba tsuyu to / okinagara / kari no namida ya / nobe o somuran ‘On Autumn nights / The dew as dewdrops / Falls, but, / Perhaps goose tears / Stain the fields?’ Mibu no Tadamine (KKS V: 258)
Round Twenty-Seven
Left (Tie)
高砂のすそ野の真萩露ふかし嶺の秋風ふかずもあらなむ
| takasago no susono no ma’hagi tsuyu fukashi mine no akikaze fukazu mo aranamu | On Takasago’s Slopes the fair bush clover is Deep in dew— O, that the autumn winds from the peak Would fail to blow… |
The Supernumerary Major Counsellor
53
Right
久かたの天とぶかりの涙さへおちてみだるる萩のうは露
| hisakata no ama tobu kari no namida sae ochite midaruru hagi no uwazuyu | From the eternal Heavens flying, even the goose Tears Drop in confusion Overlaying the dew upon the bush clover.[1] |
Nobunari
54
Both Left and Right seem particularly pleasant. Thus, they tie.
[1] An allusive variation on: Topic unknown. なきわたるかりの涙やおちつらむ物思ふやどの萩のうへのつゆ nakiwataru / kari no namida ya / ochitsuran / mono’omou yado no / hagi no ue no tsuyu ‘Calling across / Did the geese let tears / Fall? / My dwelling, lost in thought, / Has dew upon the bush clover.’ Anonymous (KKS IV: 221)
