Tag Archives: today

Nishinomiya uta’awase 04

Round Four

Left

いとどしく照りこそまされもみぢばに日影うつろふ天のかご山

itodoshiku
teri koso masare
momijiba ni
hikage utsurou
ama no kagoyama
All the more
Brightly do shine
The scarlet leaves
Reflecting the sunshine
On heavenly Mount Kago!

Minor Captain Lord Kin’nori, Fourth Rank
7

Right

天の原時雨にくもるけふしもぞ紅葉の色はてりまさりける

ama no hara
shigure ni kumoru
kyō shimo zo
momiji no iro wa
terimasarikeru
The plain of heaven is
Clouded with showers, but
Today for certain
The hues of the scarlet leaves
Shine most bright.

The Daughter of His Excellency, the Head
8

Considering the Left’s ‘Reflecting the sunshine / On heavenly Mount Kago’ about scarlet leaves reflecting the sun’s light, gives me the feeling that this must be a mistaken reference to the garlands of scarlet clubmoss worn by minor officiants at the Great Thanksgiving Service. In addition, among all of the many mountains in various places whose leaves turn scarlet, it seems something of a stretch to go so far as to mention Heavenly Mount Kago, considering it is an archaic expression found in the Collection of a Myriad Leaves, among other places. The Right’s ‘Clouded with showers, but / Today for certain’ is an expression perfectly in tune with the topic, making one wonder whether the leaves’ hue is the result of single drenching which has dyed them superbly.

Naidaijin-ke uta’awase 24

Round Twelve

Left

霜枯に移ひ残る村菊はみる朝ごとにめづらしきかな

shimogare ni
utsuroinokoru
muragiku wa
miru asa goto ni
mezurashiki kana
Burned by frost,
Faded and lingering
A cluster of chrysanthemums
When I see them every morn
Strikes me afresh!

Lord Toshitaka
47

Right (Both Judges – Win)

置くしものなからましかば菊のはな移ふ色をけふみましやは

oku shimo no
nakaramashikaba
kiku no hana
utsurou iro o
kyō mimashi ya wa
Fallen frost
Were there none, then
Chrysanthemum blooms
Faded hues
I would not see today…

Lord Tamezane
48

Toshiyori states: the first poem has nothing remarkable about it, apart from the undesirable use of ‘clustered chrysanthemums’. The second poem’s sense could be that when the frost has fallen, the chrysanthemum won’t display faded hues, but it is a mistake to link frost fall and being able to see them. However, if we interpret is as meaning it has fallen, so we can then view them for a long time, well, I can understand that, and will make it the winner.

Mototoshi states: this poem has no faults, but it does not appear to be a poem suited to a poetry match—it’s just rather dull. The poem of the Right, too, lacks anything worth pointing out and just says that the poet wants to gaze upon faded hues today—this seems a bit cliched, but I’d say it’s superior.

Tōin senzai awase 11

Left – Gentian

かはのうへにけふよりうたむあじろにはまづもみぢばやよらんとすらむ

kawa no ue ni
kyō yori utamu
ajiro ni wa
mazu momijiba ya
yoramu to suramu
Atop the river
From today will they strike
Upon the fish traps—
Is it the scarlet leaves that first
Will make to draw near?

19a

かはのうへにいまよりうたむあじろにはまづもみぢばやよらんとすらむ

kawa no ue ni
ima yori utamu
ajiro ni wa
mazu momijiba ya
yoramu to suramu
Atop the river
From this moment will they strike
Upon the fish traps—
Is it the scarlet leaves that first
Will make to draw near?

19b

Right – Missing

This poem is an acrostic, with ‘gentian’ (riutamu) contained within yori utamu.