Tag Archives: uji

Kinkai wakashū 515

さむしろにいくよの秋を忍びきぬ今はたおなじうぢのはしひめ

samushiro ni
iku yo no aki o
shinobikinu
ima hata onaji
uji no hashihime
Beneath a scanty coverlet
How many autumns
Have I endured alone?
Now, indeed, I am the same
As the maid at Uji Bridge![1]

515


[1] An allusive variation on: Topic unknown. さむしろに衣かたしきこよひもや我をまつらむうぢのはしひめ samushiro ni / koromo katashiki / koyoi mo ya / ware o matsuramu / uji no hashihime ‘Upon a scanty coverlet / Beneath a single robe / On this night, too, / I wonder, does she await me, / My maid at Uji Bridge.’ Anonymous (KKS XIV: 689)

Love VII: 30

Left (Win)
恋わたる夜はのさむしろ波かけてかくや待けん宇治の橋姫

koi wataru
yowa no samushiro
nami kakete
kaku ya machiken
uji no hashihime
Crossed in love
At night my mat of straw
Is washed by waves;
Is this how she waits,
The maid at Uji bridge.

A Servant Girl
1019

Right
いにしへの宇治の橋守身をつまば年経る恋を哀とも見よ

inishie no
uji no hashimori
mi o tsumaba
toshi furu koi o
aware tomo miyo
Ancient
Warden of Uji bridge,
If you pinch me,
How I have aged with love for you
Will you know, and pity me…

Jakuren
1020

Left and Right together state: we find no faults to mention.

In judgement: the style of both the Left’s ‘maid at Uji bridge’ (uji no hashihime) and the Right’s ‘Warden of Uji bridge’ (uji no hashimori) is pleasant, and the Left’s ‘Is this how she waits, the maid at Uji bridge’ (kaku ya machiken uji no hashihime) draws on the conception of a tale from long ago, and the configuration also seems deeply moving. Thus, the Left should win.

Love VII: 25

Left (Win).
いざやさは君に逢はずは渡らじと身を宇治橋に書き付けてみん

iza ya sa wa
kimi ni awazu wa
wataraji to
mi o ujihashi ni
kakitsuketemin
So, then,
If I am not to meet you,
I’ll not cross
In my despair, the bridge at Uji,
But just inscribe this here…

Kenshō
1009

Right.
都思ふ濱名の橋の旅人や浪に濡れては恋渡るらむ

miyako omou
hamana no hashi no
tabibito ya
nami ni nurete wa
koiwataruran
His thoughts on the capital,
The bridge at Hamana,
Does a traveller,
Wet by the waves,
Cross while lost in love?

Lord Takanobu
1010

The Gentlemen of the Right state: the Left’s poem has no faults to indicate. The Gentlemen of the Left state: we wonder if the Right’s poem does not sound as if it is only the capital which the poet loves?

In judgement: in the Left’s poem, ‘If I am not to meet you, I’ll not cross’ (kimi ni awazu wa wataraji to)  is particularly charming, having the conception of the tale of Sima Xiangru in Mengqiu, at the bridge into the commandery of Shu, where he says, ‘If I am not aboard a four-horse carriage, I’ll never cross this bridge again!’, and then later was made a Cavalryman in Permanent Attendance, and entered as an imperial messenger. Metaphorically, it also evokes his meeting with Wenjun, and so seems particularly profound. The poem of the Right commences with ‘His thoughts on the capital’ (miyako omou) and then continues with ‘wet by the waves, cross while lost in love’ (nami ni nurete wa koiwataruran). I do not see how one can say that this poem lacks the conception of Love. However, the conception of the Left’s poem seems rare, indeed. Thus, it wins.

SZS VI: 420

Composed when he had gone to the Uji River.

朝ぼらけ宇治の川ぎり絶々にあらはれ渡る瀬々の網代木

asaborake
udi no kaFagiri
taedae ni
araFarewataru
sese no aziroki
At the dawn
The mists across Uji River
Fade in and out
Drifting across
The fishing nets in the rapids.

Middle Councillor [Fujiwara no] Sadayori (995-1045)
中納言定頼

Summer I: 21

Left.

をちこちにながめやかはす鵜飼舟闇を光の篝火の影

ochikochi ni
nagame ya kawasu
ukaibune
yami o hikari no
kagaribi no kage
Near and far
My gaze goes back and forth;
Cormorant boats
Light the darkness with
Fishing-fires’ glow.

Lord Sada’ie.

221

Right (Win).

鵜飼舟あはれとぞ見るものゝふの八十宇治川の夕闇の空

ukaibune
aware to zo miru
mononofu no
yaso ujigawa no
yūyami no sora
The cormorant boats
Seem so keen!
Warriors,
Eighty in all, on Uji River,
Beneath the darkening evening sky…

Nobusada.

222

The Right comment that, ‘In the Left’s poem, “light the darkness” (yami o hikari) does not seem that elegant an expression,’ while the Left can find no fault with the Right’s poem.

Shunzei agrees: ‘“Light the darkness with fishing-fires’ glow” (yami o hikari no kagaribi no kage) does not seem particularly satisfactory in sense. The Right’s “Eighty in all, on Uji River, beneath the darkening evening sky” (yaso ujigawa no yūyami no sora) is especially fine. There is no question but that it wins.’