Tag Archives: winter

Naidaijin-ke uta’awase 20

Round Eight

Left (T – Win; M – Tie)

冬枯にうつろひ残る白菊はうは葉に置ける霜かとぞみる

fuyugare ni
utsuroi nokoru
shiragiku wa
uwaba ni okeru
shimo ka to zo miru
Sere in winter,
Faded and lingering
A white chrysanthemum as,
Fallen upon its upper leaves,
Frost does appear, perhaps?

Lord Morikata
39

Right

露じもの暁置きのあさごとに移ひまさるしらぎくの花

tsuyujimo no
akatsuki oki no
asa goto ni
utsuroi masaru
shiragiku no hana
Frosty dewdrops
With the dawn fall—arising
Every morning
Fading fairer become
The white chrysanthemum blooms.

Lord Michitsune
40

Toshiyori states: I have the feeling that I have never heard the expression ‘sere in winter’, and I certainly have no recollection of it being in the Collection of a Myriad Leaves. The poem of the Right is smooth and extremely charming; I’m very familiar with the expression ‘dew fallen in the morning when I arise’, and here there seems to be some reason for it, doesn’t there! Still, the first poem is better.

Mototoshi states: the expression ‘faded and lingering’ is difficult to distinguish. In addition, saying ‘Fallen upon [the flower’s] upper leaves, / Frost’ is a severe misjudgment. The poem of the Right has the tautology ‘with the dawn fall’ and then ‘every morning’. Clearly neither of these appears to win or lose, so I make this a tie.

Naidaijin-ke uta’awase 19

Round Seven

Left (M – Win)

霜がれの菊なかりせばいとどしく冬の籬やさびしからまし

shimogare no
kiku nakariseba
itodoshiku
fuyu no magaki ya
sabishikaramashi
Were frost-burned
Chrysanthemums there to be none, then
How much more
My brushwood fence in winter
Lonely would be…

Lord Sadanobu
37

Right (T – Win)

しも枯るるはじめをみずは白ぎくの移ふ色を惜まざらまし

shimogaruru
hajime o mizu wa
shiragiku no
utsurou iro o
osamazaramashi
Frost-burns
First sign I see not, so
The white chrysanthemum’s
Fading hues
Cause me no regret at all…

Lord Masamitsu
38

Toshiyori states: the assembled company asked how it can be possible that a brushwood fence in winter would not feel lonely after the chrysanthemums have withered, even granting that they are still there, and this is, of course, the case. In the depths of winter, one would not catch sight of any chrysanthemums. Although, it does sound as if you could could compose in this way, depending upon how early in the season it was. The second poem is of about the same quality, but I feel that I prefer it at the moment.

Mototoshi states: both poems are of the same quality, but ‘My brushwood fence in winter / Lonely would be’ really does make me realise that’s how it is.

Naidaijin-ke uta’awase 03

Round Three

Left (T – Win)

時雨には色ならぬ身の袖笠もぬるればかをる物にぞ有りける

shigure ni wa
iro naranu mi no
sodegasa mo
nurureba kaoru
mono ni zo arikeru
When, amidst a shower
My colourless
Umbrella of sleeves
Is soaked, something scented
Does it become!

Lady Shōshō
5

Right (M – Win)

冬くれば散りしく庭のならの葉に時雨音なふみ山べのさと

fuyu kureba
chirishiku niwa no
nara no ha ni
shigure oto nau
miyamabe no sato
When the winter comes
Scattered and spread across the grounds
Are oak leaves,
Sounding among the showers
On this deep mountain estate…

Lord Masakane
6

Toshiyori states: the first poem has ‘my colourless’—does this mean that the garment the poet is wearing is white? Or that the speaker is lacking in passion? If the garment is white, then it’s difficult to say that it changes colours, while if one is lacking in passion, it’s also difficult to see the connection with an umbrella of sleeves being scented. In general, though, the poem’s style is lacking in fault. The second poem appears to have replicated all the faults of an earlier work. While one can certainly say ‘Oak leaves / Scattered and spread’, saying ‘Scattered and spread / Oak leaves’ gives one the feeling that something is out of sequence. This is a bit unreasonable, but because it’s difficult to avoid the faults of its earlier model, I still feel it should lose.

Mototoshi states: one really wants to know what sort of lack there is. The poem says ‘soaked, something scented’, but doesn’t reference an earlier work which, for example, mentions plum blossom. Still, I feel that ‘Sounding among the showers / On this deep mountain’ is conspicuously good.

Daigo ōntoki kiku awase 03

ももしきにしもはおくともきくの花ちよの冬までうつろふなゆめ

momoshiki ni
shimo wa okutomo
kiku no hana
chiyo no fuyu made
utsurounayume
Upon the hundred-fold palace
The frost may fall, yet
These chrysanthemum blooms,
Though winter last a thousand ages,
Will not fade, at all…

[Minamoto no] Koremochi
5

きくのはなちとせみまくのほしければをしみしよるのあくるもしらず

kiku no hana
chitose mimaku no
hoshikereba
oshimi yoru no
akuru mo shirazu
O, chrysanthemums!
For a thousand years to gaze on them
Is my desire, then
The regrets of night’s
Dawn I would never know!

[Fujiwara no] Kunimoto
6