toshi goto ni kitsutsu wa ga miru sakurabana kasumi mo ima wa tachi na kakushi so
Every single year I hear of and gaze upon Cherry blossom: The haze, too, now Arising, don’t hide them!
Nakatsukasa
15
The Left’s poem is extremely charming – that really is how things are.
The Right’s poem: where is it that you always hear of and then see them? This is a bit rough. There’s also no reason to include the expression ‘now’ here. Thus, the Left wins.
[1] A variant of this poem was later included in Shūishū (I: 66).
From a poetry match held during the reign of the Tenryraku Emperor.[i]
あしひきの山がくれなるさくら花ちりのこれりと風にしらるな
asiFiki no yamagakure naru sakurabana tirinokoreri to kaze ni siraru na
Within the leg-wearing Mountains concealed, O, cherry blossom, That you linger and not scatter, I would not have the wind discover!
Shōni no myōbu 少弐命婦
[i] The poetry match in question is Dairi uta’awase – Tentoku yo-nen (‘Palace Poetry Match – Tentoku 4’; 960), held by Emperor Murakami 村上 (924-967; r. 946-967). The poem in the match is slightly different.
hingashi no kuni ni wa ga oreba asahi sasu hakoya no yama no kage to nariniki
In eastern Lands do I dwell, but when The morning sun shines Upon distant Gushe Mountain[i] Its shadow falls upon me.
681
[i] Mount Gushe 姑射山 (Jp. koya no yama) is a mountain in Shanxi 山西 in northern China, which was said to be the dwelling place of immortals. Here, Sanetomo is using it as a euphemism for the imperial palace in Kyoto and, by association the emperor.
yukusue no chitose o komete harugasumi tatsuta no yama ni matsukaze zo fuku
The future for A thousand years contained within The haze of spring: On the mount of Tatsuta The wind blows through the pines![i]
661
[i] See: Topic unknown. ゆかむ人こん人しのべ春がすみたつたの山のはつさくら花 yukamu hito / kon hito shinobi / harugasumi / tatsuta no yama no / hatsu sakurabana ‘Folk who go / And those who come, secretly do dwell upon / The haze of spring / Over Mount Tatsuta’s / First flowering cherry blossoms.’ Middle Counsellor Yakamochi (Shinkokinshū I: 85)
nagamureba fuku kaze suzushi miwa no yama sugi no kozue o izuru tsukikage
While I was staring into space, How cool the gusting breeze, as Above Mount Miwa’s Cedar treetops Emerges the moon…[ii]
634
[i] As with poem 631, the topic here, ‘The summer moon above the shrine’ (shatō kagetsu 社頭夏月) was generally used when the poet had a specific shrine in mind—in this case, Ōmiwa Shrine (Ōmiwa jinja 大神神社).
[ii] See: As part of a hundred-poem sequence. ながむれば衣手すゞしひさかたのあまのかはらの秋のゆふぐれ nagamureba / koromode suzushi / hisakata no / ama no kawara no / aki no yūgure ‘While I was staring into space, / How chill my sleeves became; / Upon eternal / Heaven’s riverbed / Comes an autumn evening.’ Princess Shokushi (Shinkokinshū IV: 321)