Tag Archives: yamabe

Eien narabō uta’awase 23

Round Two

Left

ゆきふればしるしのすぎもはなさきてみわの山べもいかがたづねむ

yuki fureba
shirushi no sugi mo
hana sakite
miwa no yamabe mo
ikaga tazunemu
When the snow has fallen,
The symbolic cedars, too,
Bloom with blossom—
To Miwa’s mountainside
How might I make my way?

Lord Saburō
45

Right (Win)

しらゆきにふるの山みちうづもれてたどるばかりになりもゆくかな

shirayuki ni
furu no yamamichi
uzumorete
tadoru bakari ni
nari mo yuku kana
In snow, so white,
Furu’s ancient mountain paths
Are buried, so
Simply I must feel my way
As I go along!

Ushigimi
46

The Left’s poem is an entirely transparent adaptation of an earlier work. This poem is:

ふる雪に印の杉もうづもれていづこなるらむ三輪の山本

furu yuki ni
shirushi no sugi mo
uzumorete
izuko naruruamu
miwa no yamamoto
In the falling snow,
Even the symbolic cedars
Are buried
Where might be
Miwa mountain’s foot?[i]

The Right’s poem has nothing of interest about it, nor does it have any faults to indicate. Thus, there are insufficient grounds for judgement.

The Left’s poem follows the conception of a poem which appeared in the Kaya Palace Poetry Match.[ii] Although this is an earlier work, truly, it’s not that good, and so this poem doesn’t seem that superlative. Why couldn’t one visit if blossom has simply bloomed? The former poem says it would be difficult to get there because it’s buried in snow. The Right’s poem isn’t that good, but it seems better than the Left, so it should win.


[i] The source of this poem is unclear, however,

[ii] Snow. ふるゆきにすぎのあをばもうづもれてしるしも見えずみわのやまもと furu yuki ni / sugi no aoba mo / uzumorete / shirushi mo miezu / miwa no yamamoto ‘In the falling snow / The green cedar needles / Are buried, so / The symbol goes unseen, / Of Miwa mountain’s foot.’ Lady Settsu (Kaya no in shichiban uta’awase 55). This poetry match, Kaya no in shichiban uta’awase 高陽院七番歌合 (‘Seven Round Poetry Match held at the Kaya Palace’), was sponsored by Fujiwara no Morozane 藤原師実 (1042-1101) and held on the 19th day of the Eighth Month, Kahō 1 [1.10.1094]. The judge, Minamoto no Tsunenobu 源経信 (1016-1097), approved of this poem, saying it was ‘extremely charming’. It was later included in Kin’yōshū (IV: 285), with the headnote, ‘Composed on the conception of snow at the Poetry Match held at the Residence of the Former Uji Chancellor’.

Ōmi no miyasudokoro uta’awase 06

Taiwan Cherry

あづさゆみ春の山べにけぶりたちもゆともみえぬひざくらのはな

azusayumi
haru no yamabe ni
keburi tachi
moyu tomo mienu
hizakura no hana
A catalpa bow:
From the mountainside in springtime
Smoke rising—
Doesn’t it appear to be burning with
Fiery cherry blossoms.

6[i]

The Japanese name for this breed of cherry is hizakura (‘fire cherry’)—hence the imagery used in the poem.


[i] This poem is included in Kokin rokujō (4234), attributed to Ōchikōchi no Mitsune with the headnote ‘Taiwan Cherry’.

Kyōgoku no miyasudokoro uta’awase 16

Original

ゆきがてにふくはるかぜははやけれどあをやまなればさむからなくに

yukigate ni
fuku harukaze wa
hayakeredo
aoyama nareba
samukaranaku ni
Blended with snow
Blows the spring breeze
So swift, yet
In the padded jacket of the mountain’s green,
It’s not so cold at all…

46

Left

あをやまのなをきてたれかふくかぜをさむからずとはおもひしるらむ

aoyama no
na o kite tare ka
fuku kaze o
samukarazu to wa
omoishiruramu
A padded jacket of the mountain’s green?
Who would come hearing that, and
By the gusting wind
Remain unchilled,
Do you really think…

47

Right

ゆきがてのかぜもなにかはさむからんはるのひかりのみてるやまべは

yukigate no
kaze mo nanika wa
samukaran
haru no hikari no
miteru yamabe wa
Blended with snow,
What is it might make the wind
So cold?
Where the light of spring
Shines upon the mountainside…

48

Teiji-in uta’awase 07

Left (Win)

さくらちるこのしたかぜはさむからでそらにしられぬゆきぞふりける

sakura chiru
ko no shitakaze wa
samukarade
sora ni shirarenu
yuki zo furikeru
The cherry scattering
Breeze beneath the trees
Lacks chill—
Unaware from within the skies
The snow is falling.

Tsurayuki

13[i]

Right

わがこころはるのやまべにあくがれてながながしひをけふもくらしつ

wa ga kokoro
haru no yamabe ni
akugarete
naganagashi hi o
kyō mo kurashitsu
My heart to
The mountainside in springtime
Is drawn—
The long, long day
Today, too, has reached its dusk.

Mitsune

14[ii]

The Left wins. ‘The Right has “long, long” which is a disagreeable word. It was hissed through pursed lips with drooping shoulders,’ and so it lost.


[i] This poem is included in Shūishū (I: 64), with the headnote, ‘From Former Emperor Uda’s Poetry Contest’.

[ii] This poem is included in Shinkokinshū (I: 81), attributed to Tsurayuki with the headnote ‘A poem from Former Emperor Uda’s Poetry Contest’.

Teiji-in uta’awase 04

Left

いそのかみふるのやまべのさくらばなこぞみしはなのいろやのこれる

isonokami
furu no yamabe no
sakurabana
kozo mishi hana no
iro ya nokoreru
In Isonokami
At Furu, on the mountainside is
Cherry blossom—
The flowers I did see last year:
Are their hues lingering on?

Suekata[i]
7

Right

ほどもなくちりなむものをさくらばなここらひささもまたせつるかな

hodo mo naku
chirinamu mono o
sakurabana
kokora hisasa mo
matasetsuru kana
Before a moment’s gone
Seem to scatter
The cherry blossoms, after
Everyone forever
Having made to wait!

Ise
8

The Left only shows affection for the past year, and lacks a conception of the current one—a loss.


[i] Suekata 季方.The identity of this poet is unclear. Hagitani (1963, 174) suggests he could have been the son of any one of a number of nobles: Prince Koga 興我王 (dates unknown); Fujiwara no Toshiyuki 藤原敏行 (?-901/07); Fujiwara no Sugane 藤原菅根 (856-908); or the younger brother of Taira no Atsuyuki 平篤行 (?-910).