Tag Archives: yamazakura

Kinkai wakashū 74

Composed for a folding screen with a picture of cherry trees blooming in the middle of the mountains.

山ざくらちらばをらなんをしげなみよしや人みず花のなたてに

yamazakura
chiraba oranan
oshigenami
yoshi ya hito mizu
hana no na tate ni
O, mountain cherry!
If you scatter, then do it
Without regret, for,
Well, even should folk not see
Your blossoms’ fame will spread still!
A kuzushiji version of the poem's text.

KYS IX: 521

Composed on seeing cherry blossom unexpectedly at Ōmine.

もろともにあはれとおもへ山ざくらはなよりほかにしる人もなし

morotomo ni
aFare to omoFe
yamazakura
Fana yori Foka ni
siru Fito mo nasi
Won’t you as well
Feel kind,
O, mountain cherry?
For other than your blossom,
I have no acquaintances here at all…

Archbishop Gyōson

A kuzushiji version of the poem's text.
Created with Soan.

KYS I: 50

Composed at the Poetry Match held at the Residence of the Uji Former Grand Minister.

山ざくらさきそめしより久かたの雲井にみゆるたきのしらいと

yamazakura
sakisomeshi yori
hisakata no
kumoi ni miyuru
taki no shira’ito
Since the mountain cherries
Have begun to bloom,
The eternal
Clouds seem
Threaded with a waterfall of white.

Lord Minamoto no Toshiyori

A kuzushiji version of the poem's text.
Created with Soan.

Teiji-in uta’awase 05

Left (Win)

はるがすみたちしかくせばやまざくらひとしれずこそちりぬべらなれ

harugasumi
tachishi kakuseba
yamazakura
hito shirezu koso
chirinuberanare
If the spring haze
Has risen to conceal
The mountain cherries,
Then, indeed, will no one know
When they have seemed to scatter!

Tsurayuki
9

Right

たのまれぬはなのこころとおもへばやちらぬさきよりうぐひすのなく

tanomarenu
hana no kokoro to
omoeba ya
chiranu saki yori
uguisu no naku
Untrustworthy are
The blossoms’ hearts
I do think, so
While they are unscattered
Will the warbler sing.

Okikaze
10[i]

Both of these are the same—they tie.[ii]


[i] This poem is included in Shinshūishū (XI: 1549), attributed to Okikaze, with the headnote, ‘From Former Emperor Uda’s Poetry Contest’. It is also included twice in Kokin rokujō (I: 31) and (VI: 4395): in both cases the poem is attributed to Okikaze, but the first instance lacks a headnote, while the second is classified as a ‘Warbler’ poem. Finally, it is also included in Mandaishū (II: 254), again attributed to Okikaze, but this time with the headnote, ‘Topic unknown’.

[ii] Given that the Left’s poem here is marked as winning, presumably Uda means that both poems are equally worthy of a win—that is, that this is a yoki ji, a ‘tie of quality’.