Tag Archives: yanagi

Autumn I: 6



nami yori aki no
satemo wasurenu
yanagikage kana
Approaching on
The waves, comes autumn to
The Tatsuta River;
And yet, I cannot forget
The willows’ shade.

A Servant Girl.




aki asaki
hikage ni natsu wa
kururu magaki wa
ogi no uwakaze
Faintly autumnal is
The sunlight, with summer
Yet remaining;
At evening by the rough-woven fence
Blows a breeze o’er the silver-grass.



The Right say the Left’s poem is ‘particularly good.’ The Left state that, ‘“Faintly autumnl” (aki asaki) grates on the ear, and we also cannot grasp the use of “evening by the rough-woven fence” (kururu magaki).’

Shunzei states, ‘The Left’s “approaching on the waves” (nami yori aki no), seems particularly charming, but when taken together with “willows’ shade” (yanagi kade)– the Tatsuta River has long been the subject of composition on “flowing scarlet autumn leaves”, and even now this gives a slightly poetic effect; “willows’ shade” has been used in composition, both in ancient times and more recently, but does it not seem commonplace now? The Right’s poem is in the same vein as that of the Right in Round One Hundred and Fifty-Two, yet I do not find “faintly autumnal” to be unpleasant. “Evening by the rough-woven fence”, too, has charm. The Left’s poem has vocabulary in accordance with the contents; the Right unusual expressions. In this combination, the round must tie.’

Spring II: 19

Left (Tie).


tsu no kuni no
koya no watari no
nagame ni wa
asobu ito sae
hima nakarikeri
In the land of Tsu,
When out from Koya
I turn my gaze,
Even the wavering hazes
Seem to take no rest.

Lord Suetsune.


Right (Tie).


haru kureba
nabiku yanagi no
tomogao ni
sora ni magau ya
asobu ito yū
When the spring is come,
Fluttering willow fronds’
In the skies can be perceived:
Wavering hazes.

Lord Takanobu.


The Right say that the Left’s poem, ‘suggests heat haze only occurs at Koya in Tsu,’ while the Left say, ‘what are we to make of phrasing such as “like” (tomogao ni)?’, obliquely suggesting that it’s inappropriate poetic diction.

Shunzei says simply that, ‘the purport of both sides’ comments about both poems is apposite,’ and makes the round a tie.